Posts Tagged ‘Mammoth Penguins’

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Following successes fronting Mammoth Penguins and the sorely missed Standard Fare, Emma Kupa releases her first full length solo album “It Will Come Easier” “The hope in the title is important to me – it is something I try to hold onto when things feel difficult”.

It Will Come Easier delves through the trials and tribulations of attempting to navigate the crossroads of your early thirties. Head on and raw, Kupa leads us through her tender reflections on relationship regrets, the torment and pressure to succeed, and the dichotomy of now finding herself inclined to choose logic over impulse – “does her smile light up your heart, or do you just want to get under her shirt?” she asks on Does It Feel New. Her most personal collection of songs to date, they pick up from the intimate family portraits of Kupa’s debut solo EP, Home Cinema:

“The album explores aspects of love, escapism and fidelity, but there’s also a thread about accepting feelings of hopelessness when you don’t quite meet the many pressures of life’s expectations”.

In spite of the harsh directness of its subject matter, It Will Come Easier has an audible freshness and a spring in its step. The optimistic jaunt of Nothing At All defies the futility in being unable to influence a particularly toxic situation. I Keep An Eye out is a follow up to Home Cinema’s Half Sister, written for the eponymous sibling that doesn’t know of Kupa.

Written and recorded over a period of time, Kupa felt she needed to give these 10 tracks some emotional space before making them public. Joined by bandmates from both Mammoth Penguins and Suggested Friends (Mark Boxall and Faith Taylor, respectively), alongside Laura Ankles, Joe Bear, Rory McVicar and Carmela Pietrangelo, the instrumentation is more diverse than in previous Kupa bands. From the sparse, evocative strings of Hey Love and the simple piano backing of unexpected wedding drama in Crying Behind The Marquee, through to the grinding synths of CP Reprise, textural flourishes abound, belying Kupa’s background fronting noisy three-piece indie-pop outfits.

With nods to Dusty Springfield, The Unthanks and The Postal Service, “It Will Come Easier” is a mesmerising journey through early adulthood, poignant and expertly detailed.

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Emma Kupa currently fronts Mammoth Penguins, and The Hayman Kupa Band alongside Darren Hayman. She initially made her name with Standard Fare, who called it a day at the peak of their success in 2013. Kupa’s insightful warmth, eye for lyrical detail and powerful, idiosyncratic voice has made her a firm favourite amongst fans and critics alike.

It Will Come Easier” is released on 18th September on Fika Recordings

Emma Kupa currently fronts Mammoth Penguins, and The Hayman Kupa Band alongside Darren Hayman. She initially made her name with Standard Fare, who called it a day at the peak of their success in 2013. Kupa’s insightful warmth, eye for lyrical detail and powerful, idiosyncratic voice has made her a firm favourite amongst fans and critics alike.

Following successes fronting Mammoth Penguins and the sorely missed Standard Fare, Emma Kupa releases her first full length solo album “It Will Come Easier” on 18th September:
“The hope in the title is important to me – it is something I try to hold onto when things feel difficult”.

It Will Come Easier delves through the trials and tribulations of attempting to navigate the crossroads of your early thirties. Head on and raw, Kupa leads us through her tender reflections on relationship regrets, the torment and pressure to succeed, and the dichotomy of now finding herself inclined to choose logic over impulse – “does her smile light up your heart, or do you just want to get under her shirt?” she asks on Does It Feel New.

Her most personal collection of songs to date, they pick up from the intimate family portraits of Kupa’s debut solo EP, Home Cinema:

“The album explores aspects of love, escapism and fidelity, but there’s also a thread about accepting feelings of hopelessness when you don’t quite meet the many pressures of life’s expectations”.

In spite of the harsh directness of its subject matter, It Will Come Easier has an audible freshness and a spring in its step. The optimistic jaunt of Nothing At All defies the futility in being unable to influence a particularly toxic situation. I Keep An Eye out is a follow up to Home Cinema’s Half Sister, written for the eponymous sibling that doesn’t know of Kupa.

Written and recorded over a period of time, Kupa felt she needed to give these 10 tracks some emotional space before making them public. Joined by bandmates from both Mammoth Penguins and Suggested Friends (Mark Boxall and Faith Taylor, respectively), alongside Laura Ankles, Joe Bear, Rory McVicar and Carmela Pietrangelo, the instrumentation is more diverse than in previous Kupa bands. From the sparse, evocative strings of Hey Love and the simple piano backing of unexpected wedding drama in Crying Behind The Marquee, through to the grinding synths of CP Reprise, textural flourishes abound, belying Kupa’s background fronting noisy three-piece indie-pop outfits.

“It Will Come Easier” is a mesmerising journey through early adulthood, poignant and expertly detailed.

http://

“It Will Come Easier” is released on 18th September on Fika Recordings (UK/Europe) and Palo Santo (USA).
The album is preceded by a trio of digital singles: Nothing At All (June 5th), Hey Love (July 10th) and Nawlins (August 14th).

Released September 18th, 2020

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For the uninitiated, Mammoth Penguins are a 3-piece indie pop powerhouse, showcasing the songwriting and vocal talents of Emma Kupa (Standard Fare, The Hayman Kupa Band) backed up by the noisiest rhythm section in indie pop.

Their first album, Hide and Seek, was released with the much-loved and sorely missed Fortuna Pop! in 2015. Stand-out tracks ‘Strength In My Legs’ and ‘When I Was Your Age’ were picked up by BBC 6Music and Radio X, and the band played a live session for Marc Riley the following year.

But Mammoth Penguins didn’t want to stop there.  Their follow-up release John Doe in 2017 was an ambitious concept album, exploring the feelings of loss and anger at a man who fakes his own death, only to return years later. It featured contributions from Haiku Salut’s Sophie Barkerwood and Alto 45’s Joe Bear, and expanded well beyond the 3-piece rock‘n’roll template, with washes of strings, synths and samples (field recordings of butter being scraped on toast, photocopiers, and Ramsgate beach helping to fully immerse the listener in the world the band have created) filling out and developing Kupa’s songwriting.

Having had their ‘and now for something completely different’ moment, the band have brought that ambition and expanded palette to the production of this new release. The sound is big, bold and confident—with layers of guitars, backing vocals and keys all adding extra muscle—but maintaining Emma’s candid, heartfelt, confessional style of songwriting, and the jubilant power pop hooks that made the first record so special.

This time around, classic themes of love, loss and conflict are (mostly) given a hopeful and optimistic spin that opposition is neither inevitable nor hopeless. For musical comparisons, think Land of Talk, and Philadelphia bands such as Swearin and Hop Along, but Kupa’s insight into the everyday and her ability to pen such relatable and honest missives means that, often, the best comparison for Mammoth Penguins’ music is with your own past.

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“Like a lot of songwriters, my songs are derived from my own personal experiences, thoughts and feelings, long lived or fleeting. The times when people have said my lyrics resonate with them or articulate something specific for them are extremely validating for me and I hope that happens with this album. Arranging the songs with Mark and Tom is a massive buzz and playing them live as a band feels exciting and fantastic. Having Joe and Faith put their mark on the songs was also a massive privilege. When we’re working on a new song it gets to a point where we just want to keep repeatedly playing it over and over. However, making a record can be an extremely slow and drawn out process that requires patience, perseverance and resilience, and because of that we are super excited and proud to be releasing this album.” Emma Kupa, Mammoth Penguins.

Performed by Emma Kupa (vocals and guitar), Mark Boxall (bass and
backing vocals), and Tom Barden (drums and backing vocals).
Additional guitar (including lead on There Is So Much More) by Faith Taylor. Keys and additional sounds by Joe Bear. Cello by Mark Boxall.

Releases April 26th, 2019

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Cambridge-based trio Mammoth Penguins are soon to return with their third album, “There’s No Fight We Can’t Both Win”. This week the band have announced an array of dates across Spring and early Summer, as well as sharing the video to the record’s second single, “Closure”.

Discussing the inspiration behind the track, front woman Emma Kupa has suggested Closure, “is a song about an interaction, or day, or moment, or occurrence when something shifts and feelings that you may have been carrying around for a while just dissipate”. The track seems to not mourn this passing feeling but celebrate it and cherish the freedom that it brings. Musically, this feeling manifests as probably their heaviest, most dynamic track to date; the moments of shimmering calm never lasting long before a crashing crescendo of rhythmic noise comes roaring into their place. The mighty chorus serves as reminder of the band’s ability to write a scream-your-heart-out refrain; “all the yearning and all the regret, all the sadness just left me”, surely set to soundtrack every storming out of the house moment in indie films for years to come. Plus there is an excellent feather-flying, pillow fighting video courtesy of director Fraser Watson, so what’s not to like really?.

Band Members
Emma, Mark and Tom

There’s No Fight We Can’t Both Win is released on 26th April 2019 via Fika Recordings.

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Following a sold out London show with Swearin’, Cambridge indie pop trio Mammoth Penguins are delighted to announce that they have signed to Fika Recordings and that their third album, “There’s No Fight We Can’t Both Win”, will be released on 26th April 2019.

The band are streaming lead single ‘I Wanna’ today, listen and share here:

‘I Wanna’ is a super simple song about how liking someone can unlock a load of creativity and energy,” comments vocalist Emma Kupa, “and suddenly there are so many possibilities and so much potential, and life becomes way more fun.”

Mammoth Penguins are a 3-piece indie pop powerhouse, showcasing the songwriting and vocal talents of Emma Kupa (Standard Fare, The Hayman Kupa Band) backed up by the noisiest rhythm section in indie pop.

Their first album, Hide and Seek, was released with the much-loved and sorely missed Fortuna Pop! in 2015. But Mammoth Penguins didn’t want to stop there.  Their follow-up release John Doe in 2017 was an ambitious concept album, exploring the feelings of loss and anger at a man who fakes his own death, only to return years later. It featured contributions from Haiku Salut’s Sophie Barkerwood and Alto 45’s Joe Bear, and expanded well beyond the 3-piece rock‘n’roll template, with washes of strings, synths and samples (field recordings of butter being scraped on toast, photocopiers, and Ramsgate beach helping to fully immerse the listener in the world the band have created) filling out and developing Kupa’s songwriting.

Having had their ‘and now for something completely different’ moment, the band have brought that ambition and expanded palette to the production of this new release. The sound is big, bold and confident—with layers of guitars, backing vocals and keys all adding extra muscle—but maintaining Kupa’s candid, heartfelt, confessional style of songwriting, and the jubilant power pop hooks that made the first record so special.

As with many songwriters, Kupa’s songs are derived mostly from her own personal experiences, thoughts, and feelings, be they long-lived or fleeting. “The times when people have said my lyrics resonate with them or articulate something specific for them are extremely validating for me and I hope that happens with this album,” she explains of the new record.

“Arranging the songs with Mark and Tom is a massive buzz and playing them live as a band feels so exciting. Having Joe and Faith put their mark on the album was also a massive privilege. Making a record can be an extremely slow and drawn out process that requires patience, perseverance and resilience, and because of that we are super excited and proud to be releasing this album.”

http://

This time around, classic themes of love, loss and conflict are (mostly) given a hopeful and optimistic spin that opposition is neither inevitable nor hopeless. For musical comparisons, think Land of Talk, and Philadelphia bands such as Swearin and Hop Along, but Kupa’s insight into the everyday and her ability to pen such relatable and honest missives means that, often, the best comparison for Mammoth Penguins’ music is with your own past.

http://

Emma Kupa’s singing is for me a visceral source of inspiration and motivation, and I can never quite put my finger on why. That’s even more true with this new band Mammoth Penguins than it was with her previous band Standard Fare, who put out two great albums a few years back. I think it’s because Mammoth Penguins feels more direct, highlighting her singing in an even more raw way. The songs are similarly melancholy yet raucous, articulate about personal failings and emotional dilemmas within a structure of driving pop. The guitars and drums crash their way into an endless party, while Kupa voices inner turmoil. “Hide and Seek” drives through a collection of wishes, confessions and regrets, before culminating in an explosive rumination on aging and generational expectations.

“When I Was Your Age” is the first single to be taken from “Hide and Seek”, the debut album from Mammoth Penguins, the new band fronted by Emma Kupa (formerly of Standard Fare). The song is gloriously messy and loud, about feeling inadequate about one’s achievements. As Emma explains, “It started off with a birthday card from my granddad saying that he was married with kids at 28 and then I started thinking about what my parents, grandparents and family members had achieved by the time they were my age”.  the album is an exhilarating collection of indie anthems, with Emma’s candid songwriting and heartfelt vocals at the fore. Chugging away like the greatest Weezer record you’ve never heard, the songs are bold, loud and outrageously catchy, with lyrics that hit just the right chord, exploring the burgeoning responsibilities of being in your late 20s/early 30s.