Posts Tagged ‘Jon Spencer’

The Bobby Lees are a young bone-shaking Garage Rock band out of Woodstock NY. Their new record ‘Skin Suit’ is produced by underground punk legend Jon Spencer of the Blues Explosion, and mixes classic garage-punk hits with raw and emotive storytelling.  Their sound mixes classic garage-punk hits with raw and emotive storytelling, the new LP from the Bobby Lees, a  garage-rock quartet with sex, sweat, and lightning bolts of electricity surging through their collective veins..

Their raw and unapologetic energy promises to make you feel alive.” Listen and see for yourself. In the past year they’ve played with The Chats, Future Islands, Boss Hog, Daddy Long Legs, Shannon & The Clams and Murphy’s Law. They will be on tour in the US and Europe throughout 2020.

The excellent Skin Suit is not the group’s first foray into the studio, though it speaks with the same hungry, passionate desire to leave behind its mark. This thing claws from the gutter to the heavens. That debut distinction belongs to 2018’s Beauty Pageant, which, in homage perhaps to its dirgy, grungy grind, featured a cover with the band mimicking the muddy poses of Mudhoney’s “You Got It (Keep It Out of My Face)” , The Sub Pop single. Well, Skin Suit makes the proto-punk of Beauty Pageant seem half-thought-out, like the work of a lesser band. The new record, which was produced by the Blues Explosion’s titular/legendary Jon Spencer , is a raw and rollicking blast of joyful noise. It is a mighty, mighty thing.

The band waste little time experimenting with and launching off on their sonic flights. The opening track, “Move”, is a punch square to the jaw, from its intentionally error-prone kick-off to its deliciously playful double entendre, which uses listening to records and lending bodies to toy with the notion of temporary physical harbours. Skin suit, indeed. From there, it’s a ramshackle kind of roar from one song to the next, each one building upon the energy of the last. Frontwoman Sam Quartin, who’s clearly schooled in the stage-conscious strutting and character role-play of Spencer, lends a powerful and particularly sex-ridden explicitness to the proceedings. “I gotta let him in,” she moans, with a breathlessness teetering, quite intentionally, on the orgasmic on “Riddle Daddy”. “He just want to mow / But he doesn’t have a body / He needs a body / So I gotta let ‘im in.” The spoken-word interlude “Ranch Baby” might or might not be about ejaculate.

But this is a record that’s about more than just sloppy fucking. This is clearly a constructed message and an electrifying, tightly performed one at that. The superb “Drive”, which the band feature as a video on their website, has a poppy jangliness to its verses that is beautifully betrayed by the head-long plunge of driving drums and bass that crash down in the chorus. A playful “la-la-la” bridge is also worth noting for its sense of joy and abandon. “Coin”, is another standout and one of the record’s brightest points, has a rollicking, even funky, undertow (kudos to bassist Kendall Wind). The band distance themselves from its geographic point of origin with little hints of urban flair, like the way Quartin phrases “with your” as “witcha”.

The Bobby Lees clearly benefit from Spencer’s production, which, like the best Blues Explosion work, is decadent but a student of the decadence that came before it. Alive Naturalsound is also wise to package downloads of the 11-track CD (last song: “Last Song”) with two cover gems, a gnarled, highly subversive take on Bo Diddley’s “I’m a Man” (which Quartin performs with cocky bravado) and an enthralling cover of Richard Hell’s “Blank Generation”.

Skin Suit is a raucous ride from beginning to end. Cover to cover, this thing’s got you by the short hairs. Quartin is the star and a light that you can’t seem to blink out, but the whole band is a well-oiled and furious blues-punk machine. Just remember to bring protection. If the swagger of most of this thing is any clue, you’re going to need it.

The Bobby Lees’ Skin Suit is oozing with sex, sweat, and joyful abandon. It’s a raucous ride from beginning to end. Cover to cover, this thing’s got you by the short hairs. – POPMATTERS
Quartin is the star and a light that you can’t seem to blink out, but the whole band is a well-oiled and furious blues-punk machine. – HIT MUSIC
The Bobby Lees are a rambunctious, sometimes ramshackle, reminder of what rock and roll is all about. – PENNYBLACK MUSIC
The Bobby Lees are a very young band from Woodstock NY and they play the garage punk blues with real fire and wild animal energy like they can hardly stop themselves. – ECHOES AND DUST
How many bands have you heard lately that can get away with desecrating “I’m a Man” and sound credible? It’s all in Quartin’s leering vocal and Casa’s muscular guitar. – I-94 BAR

Fronted by Sam Quartin, whose vocal charisma channels some of the preposterous intensity of the Alan Vega/Cave/Cramps lineage, the band’s second album is an explosion of intensity of high-concept, low-budget rock’n’roll. – UNCUT  The band show they’ve got the chops and the weirdness to refresh vintage rock, punk, and blues without the commercialism that has plagued other prominent garage bands of their generation. – CHICAGO READER

Available now on Alive Naturalsound the Bobby Lees “Skin Suit”

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Jon Spencer is back! Often imitated, never duplicated, the original NYC underground-rock legend returns from the wilderness with twelve red-hot hits, each more powerful than the last! This is garage punk for now people! A wizard’s brew of rhythm and blues and subversive dance grooves, weaponised with sci-fi skronk and industrial attitude, calibrated for the revolution, a Molotov cocktail of sound guaranteed to destroy any post-modern hangover! Pulsing with energy, clanging with excitement.

Jon Spencer, The Blues Explosion Man who put the Bellbottoms on Baby Driver! The Top Cat who spread the Secret Sauce in Boss Hog! The Rockabilly Right-Hook from Heavyweight Outlaws Heavy Trash! The Swank-Fucking Master of Pussy Galore! Jon Spencer is back! Often imitated, never duplicated, the original NYC underground-rock legend returns from the wilderness with twelve red-hot hits, each more powerful than the last! This is Garage Punk for Now People! A wizard’s brew of rhythm and blues and subversive dance grooves, weaponized with sci-fi skronk and industrial attitude, calibrated for the Revolution, a Molotov cocktail of sound guaranteed to destroy any post-modern hangover! Pulsing with energy, clanging with excitement, and dripping with radioactive soul and raw emotion, Jon Spencer opens up his heart like never before, exploring man’s modern condition with caustic guitars and outerworld crooning, asking and answering the musical question, “Is it possible to torch the cut-throat world of fake news and pre-fab, plastic-coated teen rebellion with the power of rock’n’roll?” The Answer is YES!. Spencer Sings the Hits! This is the truth serum America has been craving, the beginning of a rock’n’roll rebellion that takes no prisoners and puts the squares on ice! Featuring the talents of Sam Coomes (Quasi, Heatmeiser) and M. Sord (M. Sord).

From the forthcoming album: Spencer Sings the Hits.

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N.Y.C. blues-punk combo Boss Hog was helmed by the husband-and-wife team of singer Cristina Martinez and singer/guitarist Jon Spencer. If you like your blues rough, devilish, dirty and burning as hell you’ll be as ecstatic
about the spectacular return of Boss Hog. After 16 years this glowing gang featuring legendary blues junkie Jon Spencer and his charismatic wife and ex-Pussy Galore tiger Cristina Martinez the band have released new album BROOD X earlier this year. The longplayer bellows viciously as if the 5-piece band is involved in a merciless, sonic fight with evil demons, with unsightly cacodemons and anything nasty in daily life on this troubled planet.

Boss Hog was formed in 1989 by Cristina Martinez and Jon Spencer. The band has released three disturbed and sexually provocative studio albums and as many EPs, along with numerous incendiary and slashing singles, on the world’s most important record labels, including Amphetamine Reptile, In The Red, and DGC/Geffen. Boss Hog is internationally-known as New York City’s most provocative and original rock’n’roll band.

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Band Members
Cristina Martinez, Jon Spencer, Hollis Queens, Jens Jurgensen, Mickey Finn,