Posts Tagged ‘Illinois’

Wilco may have set a high water mark for experimental Americana with 2002’s Yankee Hotel Foxtrot and 2004’s A Ghost is Born, but frontman Jeff Tweedy has spent the intervening years slowly inching away from the abstract and obtuse elements of those LPs, in favor of more direct and explicit songwriting. Warm, his first proper album under his own name, marks the exceptional culmination of that approach. Written in the wake of his father’s passing, and as Tweedy enters his 50s, these deeply intimate and skeletal songs consider what it means to remain in the present, what it means to be a link in a family chain, and what it means to appreciate the joys of life even as darkness threatens to swallow us whole.

Rarely has Tweedy conveyed so much emotion with such sparse arrangements. On standout track “How Hard It is for a Desert to Die,” each vivid note of his acoustic guitar carries remarkable emotional heft. On opening track “Bombs Above,” he recounts his battle with opioid addiction in a near-whisper—“I’m taking a moment to apologize,” he sings—backed by knotted guitars and his elder son, Spencer, gently thumping the drums. Even “Let’s Go Rain,” a major-key jangle and the album’s most accessible track, utilizes its sunny melody as a foil for an allegory of total destruction, and the deception makes it all the more chilling.

On “War on War,” from Yankee Hotel Foxtrot, Tweedy proclaimed, with then-typical abstraction, that “You have to learn how to die / If you want to want to be alive.” Throughout Warm, he conveys his gratitude for that life with a clarity and solemnity that, finally, brings that sentiment into sharp focus. “I don’t believe in heaven,” he sings on the album’s title track. For Tweedy, heaven, and hell, are right here on earth.

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On The Lillywhite Sessions, Ryley Walker and the similarly indebted trio of drummer Ryan Jewell and bassist Andrew Scott Young cover Dave Matthews’ infamously abandoned 2001 art-rock masterpiece of the same name, a record where he and his band indulged a new adult pathos and a budding musical wanderlust. With a delicate rhythmic latticework and vocals that ask you to lean in, Busted Stuff recalls Jim O’ Rourke’s golden Drag City days. Emerging from a wall of distortion, Diggin’ a Ditch becomes a power trio wallop à la Dinosaur Jr, shaking off existential malaise like twenty- something pals writing rock songs in the garage. Walker’s Grace is Gone, the most faithful take here, is a testament to his unflagging love for the music that helped make him a musician.

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This end-to-end interpretation of youthful fascination is a collective reminder that we are all just kids from somewhere, reckoning with our upbringing the best we can. Walker has stepped through the door long ago opened by the Dave Matthews Band to find a world teeming with musical possibilities. On The Lillywhite Sessions, he has, in turn, created his own.

FACS features Noah Leger and Brian Case of Disappears, and Alianna Kalaba. Using minimalism and space, FACS make abstract and modern art rock.

From out the ashes of Chicago’s beloved Disappears comes FACS, a new band that features three of the experimental luminaries four members. Their sound remains hypnotic, dark, and sleek, a sinister futurism that comes in electronic minimalism. The songs are bleak but iridescent, blinding when pointed in the wrong directions and melting with a radiant sort of corrosive post-punk expanse. There’s little of FACS that really feels human on Negative Houses, a record that draws an alien experience from us all, with cold, calculated mesmerization and a triumphantly focused numbness in its clinical precision. It’s a great debut that doesn’t feel at all like a debut, this is merely the next chapter.

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This is one of those albums that have a very unique own sound and it’s getting better and better with every new listening. It‘s the stuff I am finding interesting and could be amomg my favourite releases in 2018!

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Miranda Winters is a song-writer and musician best known for her role as the indomitable vocalist / guitarist of Chicago powerhouse, Melkbelly. Drawing on deep roots as a song-writer in Chicago DIY, Winters continues to evolve a signature sound by pursuing her music as a solo artist.

Miranda Winters currently fronts the chaotically good Chicago band Melkbelly, and before that she had her hand in a number of other different projects, including Coffin Ships and a solo endeavor called Flowers Everywhere. Last week, she released the first tape under her own name, titled Xobeci, What Grows Here?.

The songs on it have the same confidence that she exhibits while helming Melkbelly, but distill that into songs that sound skeletal but textured. There’s a sense that some of these, like the penultimate “Glitter House” or “With Love From St. Fake, WI (P.A.M.),” could mutate into one of Melkbelly’s signature squalls with the right ingredients, but the restraint that Winters demonstrates allows her lyricism and sour melodicism to really shine.

They also all act as showcases for Winters’ circuitous guitar skills, which can get lost amongst her main band, but here serve as particular highlights, like on the wiry outro to “A Handy Garden Plot” or with the gentle pluckings of closer “O.T.O Revised.” Winters’ solo material has a way of hooking you in

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Released June 15th, 2018

All songs by Miranda Winters
Miranda Winters – guitar and vocals

Xobeci, What Grows Here? is out now via Sooper Records.

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Olden Yolk is the collaborative songwriting project of multi-instrumentalist Shane Butler. The project initially functioned as a moniker for Butler to release one-offs and singles under while touring with Quilt, but over time morphed into his full-time pursuit. The result is a harmonious, melancholic, and mystical brand of low key alt-folk with quirky, abstract lyricism.

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Band Members
Shane Butler – Vocals, Guitar, and Sampler
Caity Shaffer – Vocals, Keys, and Sampler
Jesse DeFrancesco – Guitar and Keys
Pete Wagner – Bass and Vocals
Dan Drohan – Drums
released May 29, 2018

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As a follow up to their debut LP, Chicago based, Lucille Furs have released a 7″ single titled “Another Land” plus “Leave It As You Found It”

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Band Members
Patrick Tsotsos
Nick Dehmlow
Brendan Peleo- Lazar
Trevor Newton Pritchett

Recorded at Treehouse Records
Chicago, IL

“Another Land” co-written with John Zabawa
“Leave It As You Found It written by Lucille Furs

FACS – ” Primary “

Posted: March 11, 2018 in CLASSIC ALBUMS, MUSIC
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FACS features Jonathan van Herik, Noah Leger and Brian Case of Disappears. Using minimalism and space, FACS make abstract and modern art rock.

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FACS are:
Jonathan van Herik
Noah Leger
Brian Case

Julia sings and plays guitar Dave does everything else , Ratboys’ propulsive yet gentle sound is anchored by the ethereal voice of guitarist Julia Steiner, who sings with a combination of vulnerability and strength, while the band essentially longtime multi-instrumentalist Dave Sagan and drummer Danny Lyons provides a dynamic soundtrack of frenetic volume and powerful quietude. Within their stylistic range, Ratboys hint at the Folk/Pop energy of Clem Snide and The Innocence Mission and sonic territories explored by Juliana Hatfield and Smashing Pumpkins, with Steiner’s emotive vocals, intensely wrought lyrics and delicate guitar ministrations set against Sagan’s angular and often unbridled fury.

Ratboys began in Chicago nearly a decade ago, operating consistently as the solid core of Steiner and Sagan, with a revolving support cast around them. Since its recorded debut with the track “Spiderweb 2/8/09,” the band has dropped a number of solo and split singles, an EP and a pair of full-lengths — 2015’s AOID and last year’s spectacular GN. At the time of AOID’s release, Ratboys were operating with a traditional rhythm section, but by GN, the band was pared down to a trio, with Lyons on drums and Sagan handling bass, guitar and pocket piano (pedal steel, cello and other accompaniment was provided by guest musicians).

hey! we have some new music to share today! here’s an EP called ‘GL’ (aka Good Luck) featuring 4 songs about losing faith in your friends & telling the truth. a companion piece to ‘GN’ if ya dig. We really hope you like these songs & we’re So psyched to play em for you in person as we tour across the US and Canada in the coming weeks

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released February 23rd, 2018

Julia Steiner – vox/lyrics, guitar
David Sagan – guitar
recorded & mixed by Mikey Crotty
drums by Brendan Smyth
pedal steel on ‘You’ve Changed’ by Pat Lyons 
trumpet on ‘GL’ and ‘After School’ by Cody Owens

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Featuring members of Braid, Their / Coaster and Stay Ahead of The Weather This is the third EP from Lifted Bells, but rest assured, they won’t be releasing new music in bite-sized formats forever. “The EP will hopefully be a fresh introduction to the band and what we’re up to,” Nanna says. “We’re already over halfway done with a full length and are looking forward to getting out on the road. It’s going to be a fun, wild ride.”

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Band Members
Bob Nanna / Matthew Frank / Matt Jordan / Kyle Geib / Seth Engel

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Like fellow Chicago rockers Twin Peaks’ latest release “Down in Heaven,” Flesh Panthers are taking a step back from brash garage energy in favor of something a little more “mature” (heavy emphasis on the quotes). With more atmospheric moodiness in the album lead-in and outro, “Willow’s Weep” is much more meticulous and coherent than straight garage rock assault, bringing to mind late-60s Rolling Stones more so than 70s punk. It surprises me every time I listen to it, not because I didn’t think they were capable (their live versions of some of my favorite songs by the likes of Velvet Underground and Bob Dylan showcase their tightness and versatility), but because they’ve made such a remarkable transition from their high-energy garage punk into these really beautiful, compelling rock songs.

I really love Flesh Panthers. They’re a brilliant inside secret of the Chicago rock scene that deserves far wider exposure. With “Willow’s Weep,” they’re proving they’re a force to be reckoned with beyond our city walls. Great follow up album.Cant wait to see them on tour

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