Posts Tagged ‘Florida’

This 2CD set  FM broadcast captures TOM PETTY ‘s complete 1993 Homecoming concert, his first show in hometown GAINESVILLE, FLORIDA for 20 years Following the breakup of Mudcrutch in 1975, Tom Petty and former band-mates Benmont Tench and Mike Campbell, joined up with some other Gainesville musicians, bassist Ron Blair and drummer Stan Lynch, to become Tom Petty and the Heartbreakers, in 1976. But, even then, success was not immediate, and they had many struggles ahead. When their first album was released in November 1976, it initially received little attention, selling only a few thousand copies over the `initial months. They released two singles, ‘Breakdown’ and ‘American Girl’, and both failed to chart in the US. Apparently, potential punters were confused; they looked like a new wave band (the album cover photo especially), but the music was pure rock n’ roll with a definite 60’s throwback style. Fortunately, however, the UK seemed to ‘get it’, and they became popular there, with the album climbing to #24 on the British charts. Slowly, after news of their success in Britain, the album began picking up interest in the US, finally entering the Billboard charts almost a full year after its initial release. ‘Breakdown’ was re-released too, and this time made it into the top 40. Back in Gainesville, the community was very supportive and proud of Petty’s success. However, by the late 80’s, there was also some growing resentment, that Tom Petty had forsaken his hometown, that now that he had made it big, he rarely came back to his local fans and his roots there. Thus, the show presented here, from 1993, represented his homecoming to Gainesville, his first major concert there since packing up his van and leaving with Mudcrutch, almost 20 years before. This show was just prior to the release of his greatest hits album and while he was in the process of moving to a new label. The greatest hits album also included 2 new recently recorded songs ; ‘Mary Jane’s Last Dance’ and a cover of Thunderclap Newman’s ‘Something in the Air’, both of which are included in this show. And the show was broadcast on the radio nationwide, in superb FM quality. So, here is Tom Petty’s triumphant, yet somewhat overdue, return to Gainesville. Although some of the circulating FM versions of the show are shortened substantially, this is the full show in all its glory.

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This Gainesville, Fla., band sits precisely at the intersection of what the genre police would call “indie rock” and “electronica.” As Hundred Waters has gained fame since the release of its first album two years ago, the quartet’s tour pairings have reflected its ability to win equal appreciation from music-hungry festival goers of different tastes. Two years ago, they were out with Skrillex, and they just wrapped a fall tour with Interpol. Though the record in no way sounds distinctly Southern, Hundred Waters do show their Central Florida roots a bit on the first cut of “The Moon Rang Like a Bell”: “Show Me Love.” You hear the multi-tracked voice of lead vocalist Nicole Miglis singing harmony with herself and delivering lines like “Don’t let me show cruelty, though I may make mistakes / Don’t let me show ugliness, though I know I can hate.” The whole thing rings like a hymn and serves as a fine beginning to a hypnotic electronic record.

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Hundred Waters are wrapping up their tour with singer songwriter Mitski playing shows in their former Florida home this weekend the band have recently relocated to Los Angeles but are finishing in Austin for a couple appearances at SXSW,

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Beach Day are a surf-rock duo from Hollywood Florida. Kimmy Drake and Skyler Black make up the band, who’s punk influenced sound frequently features electric rock instrumentation, extensive vamping, . Other artists that can be heard on their station include Alabama Shakes, Pixies and Seapony. They came by with musicians Caroline Sands and Daniel Zerbo and played “All My Friends Were Punks” off their album “Native Echoes” available on Kanine Records. Beach Day specializes in a garage-minded breed of girl-group pop. With lots of young acts are reviving it now, but this band’s interpretation is so natural and incandescent that they make it feel completely fresh again. They have all the romantic nostalgia that you want from this fare but with just enough garage grit to be au courant. But their universal virtue is their rare melodic gift. Most of their ilk simply don’t have the stunningly easygoing songwriting instinct that Beach Day does. And that’s the difference. It’s basic but it’s everything. It’s why all their songs sound like singles. Moreover, singer Kimmy Drake has the true voice of a girl-group leading lady, something like a young, white Ronnie Spector raised on punk.”

Incredible performance at the celebrated halftime of the XLIII Edition of the Superbowl, on the 1st of february 2009, at Tampa byBruce Springsteen & E.Street Band who played at Super Bowl Halftime Show at
RAYMOND JAMES STADIUM, TAMPA, FL. A total showman, Bruce Springsteen projected a full 100 yards of charisma as he proudly introduced the E Street Band. Re-watching them open with ‘Tenth Avenue Freeze-Out’ instantly reminds one of just how much Clarence Clemons will be missed. Springsteen’s choice to play ‘Born To Run’ seemed highly appropriate, as was ‘Working On A Dream’ which allowed a full-fledged choir and the audience to participate. Calling over guitarist Little Steven to duet on ‘Glory Days’ capped off this high-energy performance, which even included a referee getting into the act. It was a top-notch halftime from beginning to end.

setlist:
“Tenth Avenue freeze-out”
“Born to run”
“Working on a dream”
“Glory days”

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The Florida-based quartet ready a remix album of “The Moon Rang Like a Bell”. Hundred Waters will follow-up last year’s well-received release with an album of remixes by Plaid, Dirty Beaches, Huxley, Illangelo, Brandt Bauer Frick, Shigeto and Kodak to Graph.

“The Moon Rang Like A Bell (Remixed)” is due out on February 16th via Skrillex’s OWSLA imprint. Have a listen Plaid’s remix of ‘Out Alee’ and compare it to the original.

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and the remix of Cavity by Shigeto

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Beach Day are a rock band based in Hollywood, Florida. The duo consists of Kimmy Drake (guitars/vocals) and Skyler Black (drums). The duo met at a local show and bonded over their love of 60’s girl groups and a common desire to be in a band that was purely about fun. Beach Day released their debut single, “Beach Day,” in summer of 2012 and sophomore single “Walking on the Streets” in the fall. Their debut album, Trip Trap Attack, was released June 2013 by Kanine Records. It was recorded in South Florida and mixed in Detroit by Jim Diamond. Beach Day covered “Up on the Roof” for a Lens Crafters television advertisement. They also did a cover of Screaming Lord Sutch’s “Dracula’s Daughter” in 2013. A new album is out now titles “Native Echoes”.

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There is no mistaking Hollywood-based, indie-rock duo Kimmy Drake and Skylar Black’s affection for sunny fun at the shore: Onstage they call themselves Beach Day. And while their second album, “Native Echoes,” due out on Kanine Records filled with trademark retro surf guitar, tumbling waves and plenty of esprit de bikini, it also seems to take a few steps inland, toward the city, where the music picks up chunks of garage-rock grit and Drake’s vocal becomes more soulful and self-assured. It is an evolution that makes the follow-up to last year’s critically lauded debut, “Trip Trap Attack,” such an exciting album. “Native Echoes” clearly benefits from having Detroit garage-rock pioneer Jim Diamond producing in his Ghetto Recorders studio, famous for vintage analog recording equipment that has helped crunch the sound of the White Stripes, the Dirtbombs and others.

 

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It may have been dreary and pouring outside, but Beach Day brought some Florida sunshine to brighten the day.

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The Hollywood, FL band treads some of the same ground as like-minded beach-named acts (that is surfy/garage-y rock) distinguished by the vocals of guitarist/vocalist Kimmy Drake, whose vocals are as sweet as any . The once two-piece of Drake and Skyler Black, the band’s drummer, expanded to four with a more robust sound. Their music is deliciously retro, with songwriting of the AM radio/earworm variety. I haven’t been able to get “I’m Just Messin’ Around” and the heavier “Pretty” for more than a week. Both songs can be found on the band’s latest Kanine Records release, Native Echoes,

 

 

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Florida teenager Malcom Lacey, who uses the recording alias Arrange, is an album providing at least one answer to the question, “Where next for chillwave?” It uses some of the tones, drones and textures of glo-fi for a suite of songs – some instrumental and others featuring a barely audible moan that we shall for the purposes of this article call “vocals” – that appear to demonstrate what happens when one human being terminates a close personal, and possibly even sexual, relationship with another. See, “Plantation” is a breakup record. And in this particular regard, it makes Beck’s Sea Change sound like U2’s Rattle and Hum. For that matter, it makes Bruce Springsteen’s Tunnel of Love sound like Bruce Springsteen’s Born to Run. It is utterly bereft of hope, although that could just be us, projecting.

That Lacey is a teenager is even more remarkable. He has made a terrifically listenable album, albeit a terminally sombre one, which is a work of such sustained sorrow you start to worry about his mental health. Give us a good old-fashioned delinquent, degenerate teen any day. It’s these quiet ones that scare us. Of course, the idea that this is a breakup album is largely supposition, dictated by the general mood of Plantation – think REM’s Michael Stipe circa Murmur, making a solo album with the Conor Oberst/Bright Eyes of Digital Ash In a Digital Urn – and the odd lyric. Like the few snatches that you can just about make out on the single When’d You Find Me? (perhaps a black joke in itself, on which Lacey sings: “Goddamn these thoughts, and goddamn these people that remind me of him …” Probably not. It’ll be love, or the loss/lack of same.

Plantation is pretty relentless. Opening track In Old Theaters is piano pop, only really dour, like a suicidal Ben Folds. On Tiny Little Boy the music is so drained of anything resembling light, even the drums seem depressed. On Turnpike, Lacey, croaking now, declares, “I’ve been burning away”, over just enough piano notes to communicate his pain. It’s on Tearing Up Old Asphalt you realise it isn’t just maudlin self-pity fuelling this record, it’s what the late, great music writer Ian MacDonald described as “tragic angst”: this is like intruding on someone’s private grief. Not for the faint-hearted, but perfect for the heartbroken.

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I first was introduced to JMR (Joshua Michael Robinson) back in November of last year via the wonderful blogsite “Songs For A Day”. Joshua with his group, The Careful Ones, JMR is here to refresh our memories with his brand-new solo single, “Pioneer Of Your Heart”. What starts out with an acoustic guitar on the track slowly evolves into a brooding and expansive effort that incorporates vast arrays of instrumentations, and it’s safe to say with a track like this one that we wont be forgetting about the Florida-based singer-songwriter anytime soon.

Look for JMR’s debut album, “American Hell”, later this year.