Posts Tagged ‘First Flower’

It’s tough to follow up an album as captivating as Molly Burch’s debut, Please Be Mine. However, Burch followed it up with yet another masterpiece in First Flower. From her clever lyricism, to the gorgeous instrumentals that can be found throughout the record, Burch created a record that is among the year’s finest. And a statement at that.

“Candy” sets Burch’s deceptive tone, an anxious track that sounds summery and groovy. On “Wild”, Burch wishes to channel her wild side. “Good Behavior” is an amazing, introspective track that is one of Burch’s strongest vocal performances on the record. She charms with the Laurel Canyon vibes of “Dangerous Place”, but her words are personally piercing. As she sings, “I hope I learn from my mistakes. I hope I forgive myself one day”. At the same time, she seeks to make her mark, as revealed on the provocative and clever “To The Boys”.

As she proves on First Flower, one does not need to make a statement by being louder than the rest. Instead, with a sharp pen, a witty and dichotomous approach, and a voice to remember, one can still provoke, tease, and speak loudly. One can still deliver another modern-day classic gem, which Burch has done once again.

First Flower is out on Captured Tracks,

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Molly Burch burst onto the music scene in 2017 with her debut “Please Be Mine” a ten-track ode to unrequited romance written after studying Jazz Vocal Performance in Asheville, NC and earned immediate praise from critics for her smoky, effortless vocals and bleeding-heart lyrics. Following a year of touring all over North America, Europe and the UK alongside the likes of Ought, Alex Cameron, Grizzly Bear and Courtney Barnett amongst others, Burch then returned to Texas to decompress. Finding herself suddenly devoid of stimulation and with nothing but time on her hands, she began anew, bouncing ideas off her bandmate and boyfriend Dailey Toliver who contributed guitar parts and orches­tration suggestions – and, slowly, an album took shape; soon after, “First Flower” became real. A walk-through Burch’s most intimate thoughts her broken friendships, sibling relationships and overwhelming anxiety – First Flower is a bright, beautiful album peppered with moments of triumph with Burch’s voice as strong and dexterous as ever. First Flower is a shapely sonic stage to let Burch shine on. The composi­tion and production carefully constructed to compliment and not over power.

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I love this album. It feels more opened up and energetic from the fantastic debut album “Please Be Mine”. Molly’s voice is a treat.

Texas songwriter Molly Burch only released her stunning debut full-length, “Please Be Mine”, last year, but its follow-up is already slated for arrival.  First Flowerpicks up right where its predecessor left off, its eleven tracks packed with whip-smart lyrical observations set to jazz-inflected, country-infused guitar pop; for a primer, digest the album’s lead single, the lilting “Wild.”

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“To The Boys,” is the latest offering, is quintessential Burch, the contours of her smoky contralto dovetailing in conversation with a contemplative, wandering guitar line, a gently syncopated rhythm section in tow.  brimming with a cool confidence, Burch subverts the generally accepted stereotypical portrayals of power, quipping “i don’t need to scream to get my point across / i don’t need to yell to know that i’m the boss,” her unabashed assuredness reverberating throughout the track.

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The second single from Molly Burch’s sophomore album First Flower is due october 5th via Captured tracks.