
The introduction to “Pet Carrot” is pretty neat, but that bass line is absolute fire.
Ellen Kempner – guitars//vocals//bass on tracks 2 and 4
Julian Fader – drums//recorder//melodica
Carlos Hernandez -bass on tracks 1 and 5//misc. noise on track 1

The introduction to “Pet Carrot” is pretty neat, but that bass line is absolute fire.
Ellen Kempner – guitars//vocals//bass on tracks 2 and 4
Julian Fader – drums//recorder//melodica
Carlos Hernandez -bass on tracks 1 and 5//misc. noise on track 1
“Molly” by Palehound from their upcoming full-length debut, “Dry Food”, out August 14th, 2015 on Exploding in Sound Records
Palehound’s debut “Bent Nail” EP was a charming release, one that showed off Ellen Kempner’s inimitable songwriting skills while playing it a bit fast and loose with the hooks. In the intermittent two years, she’s fleshed out her sound — first with last year’s first with last year’s Kitchen 7″, and now with the debut album “Dry Food”, her upcoming first official full-length — and, on the lead single “Molly,” she sounds better than ever.
Ellen Kempner is long-time friends (and current roommates) with Speedy Ortiz’s Sadie Dupuis, and it’s clear that they’ve been watching each other closely. “Molly” features the same kind of seasick, pointed instrumentals of a Speedy song, and the caustic lyricism to match. “Ooooooh, selfish Molly,” Kempner decries the titular character. “Milking all the dudes ’til the bruise.” She urges you to take her side, fuck that selfish Molly. “‘Cause she only knows how to love all alone, in a bed stained by old friends — I swear you better stick with me.” That last line sticks out with a jagged edge, persuasive and enticing.
Records. Pre-order here:https://explodinginsoundrecords.bandc…
Palehound:
https://www.facebook.com/palehoundsounds
https://twitter.com/palehound
https://palehound.bandcamp.com
Exploding in Sound Records:
http://www.explodinginsoundrecords.com
https://www.facebook.com/explodingins…
Brooklyn’s Leapling isn’t much for rules, and the band’s debut album “Vacant Page”, (set to be co-released by Exploding In Sound Records and Inflated Records in 2015) is going to prove it. Take the album’s first single, “Crooked,” which it may have an indie-rock framework, but its hip-hop backbone avoids nearly all the tricks traditional rock bands use. The processed drums cut in and out quickly, with cymbal hits decaying as quickly as they emerge. Staccato guitar strikes cut in between this broken groove, allowing vocalist Dan Arnes to use his soulful vocals as the song’s anchor. Leapling builds its identity around this glitchy take on Death Cab For Cutie, even if “Crooked” sees the group willingly throwing a wrench in the machine just to see what will happen.
For a song called “N.E.R.V.E.,” this sounds preternaturally chill. Perhaps it’s because they’re not using nerve in the traditional sense of the word. Frontman Dan Arnes doesn’t sound nervous or anxious here; he sounds resigned. “You said I had a lot of nerve / N-E-R-V-E,” spelling it out like a Sesame Street rhyme, It’s murky as to whether he’s in the right in whatever fight he’s involved in, and it’s clear that he doesn’t fully know either: “There’s a reason I am writing words that are incomplete.” All of Leapling’s songs are inhibited with an uneasy sense of murmured calmness, and it’s more pronounced here than ever. The drums roll along like billowing storm clouds, and the guitar and bass take on the laidback attitude. “N.E.R.V.E.” is a foggy, somber highlight from the Brooklyn band’s upcoming debut full-length “Vacant Page”, is out 10th February via Inflated Records/Exploding In Sound Records.
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