Posts Tagged ‘Elizabeth Powell’

No photo description available.

Land of Talk today shared the video for their plaintive new song “Now You Want to Live in the Light,” which singer/guitarist Elizabeth Powell calls “a poem set to music. A tender negotiation between the light and dark parts of ourselves.” The gentle track is the fifth single released from the Montreal-based band’s forthcoming album “Indistinct Conversations”, out July 31st, and showcases the album’s versatility. “In developing the visual image for ‘Now You Want To Live In The Light,’ I anchored myself in the pulse of the song,” explains director Lara Kramer of the video “I wanted to mobilize in ways we think, feel, and do in our self-confronting states.”

Indistinct Conversations is now available for pre-order and shipments will begin going out shortly to ensure your copy arrives by street date.

“Now You Want to Live in the Light” follows previous singles “Footnotes,” “Diaphanous,” “Compelled,” and “Weight of that Weekend,” which have earned press from outlets including Pitchfork (Selects playlist), Stereogum, Consequence of Sound, Paste, NPR Music (‘NMF’ and ‘Press Pause and Hit Play’ playlists), and Brooklyn Vegan, among others.

Image may contain: 1 person, night

When Land of Talk resurfaced after seven years away in 2017, bandleader Elizabeth Powell’s first single back was “This Time,” a song that began with the line, “I don’t want to waste it, this time.” And Powell made the most of her comeback: Life After Youth was a stunning record, a personal collection of upbeat, dreamy songs that easily ranks as her best to date. Thank goodness we don’t have to wait another seven years. Just three years removed from Life After Youth, Land of Talk are back with their fourth album since 2008,

Land of Talk is singer/songwriter/ guitarist, Elizabeth Powell. All 11 songs on “Indistinct Conversations” were written by Elizabeth Powell (vocals/guitar/keys), and share the hallmarks of the Land of Talk sound: her silvery vocals; masterful, at times cacophonous guitar playing; and a stream-of-conscious lyricism—here perhaps at her most emotionally vulnerable and honest. Powell produced and arranged the tracks together with her bandmates Mark “Bucky” Wheaton (drums/keys) and Christopher McCarron (bass), and the trio recorded the album in a studio built by McCarron in Wheaton’s apartment basement.

“Indistinct Conversations” follows 2017’s acclaimed “Life After Youth”—at the time Land of Talk’s first album in seven years. The release saw praise from Pitchfork, Paste, The AV Club, and NPR Music, among others, with its singles earning additional highlights from The FADER, NPR Music’s All Songs Considered, New York Magazine’s Vulture, Stereogum, Brooklyn Vegan, Bandcamp, WXPN, and more.

http://

Releases July 31st, 2020

All songs written by Elizabeth Powell

Vocals/Guitars/Keys: Elizabeth Powell
Drums/Keys: Mark “Bucky” Wheaton
Bass: Christopher McCarron
All songs produced and arranged by Elizabeth Powell, Mark “Bucky” Wheaton, and Christopher McCarron

No photo description available.

Life After Youth is the first Land of Talk album since 2010’s Cloak and Cipher. After taking a few months off after Cloak and Cipher’s touring cycle, frontwoman Elizabeth Powell got back to work on a followup. Instead, a series of mishaps – post-tour fatigue, a crashed hard drive with new demos, and her father’s stroke in 2013 – turned “a few months” into “a few years”.

While caring for her father, Elizabeth fell under the spell of classical, ambient, and Japanese tonkori music, whose meditative quality aided his recovery. Immersing herself in those sounds would change her entire approach to music making; she started writing songs without her trusty guitar, instead building tracks up from synth beds and programmed loops.
Life After Youth’s centerpiece track, “Inner Lover,” presents the most radical results of those experiments. It’s an audio Rorschach test of a song: key in on the incessant synth pulse underpinning Elizabeth’s pleading vocal (“take care of me!”) and the track assumes an ominous intensity. But when you surrender to the relaxed drum counter-rhythm and subliminal harmonies, “Inner Lover” projects a graceful serenity.

http://https://www.youtube.com/watch?v=7fUjJkXPZys

Even the songs built atop more traditional rock foundations exist in that liminal space between dreaming and waking life, confidence and doubt, raw feelings and soothing sounds. “Yes You Were” opens the record with a cold-start surge that’s overwhelming in its immediacy, with Elizabeth’s furiously strummed guitar jangle and wistful lyricism bearing all the adrenalized excitement and nervous energy of seeing old friends (or, in her case, fans) for the first time in ages. And as its title suggests, “Heartcore” is a collision of soft-focus sonics and emotional intensity, with Elizabeth’s crystalline vocals hovering above a taut, relentless backbeat and disorienting synth squiggles. Even the turn-a-new-leaf optimism of “This Time” is presented less as a triumphant comeback statement than a warm reassuring embrace—its beautifully dazed ‘n’ confused psych-pop swirl acts as a calming force as you hurtle toward life’s great unknown. 

Fitting for a song about reconnecting with the world, “This Time” was the product of another fortuitous reunion—between Elizabeth and her old friend Sharon Van Etten, who lent her songwriting smarts and heavenly harmonies to that track, as well as “Heartcore” and the Fleetwood Mac-worthy “Loving.” And Van Etten is just one member of a veritable indie-rock dream team Elizabeth recruited to complete the album: the moonlit ballad “In Florida” was recorded by producer John Agnello (Dinosaur Jr., Kurt Vile) in his New Jersey studio, with Elizabeth backed by former Sonic Youth drummer Steve Shelley and Roxy Music/Sparks bassist Sal Maida.  To paraphrase the late David Bowie, it’s been seven years, and Elizabeth’s brain hurt a lot. But she stands today as the patient-zero case study for Life After Youth’s therapeutic powers. These are the songs that got her through the tough times. And now, they can do the same for you.
released May 19th2017

This Time – from Land Of Talk’s album ‘Life After Youth’ OUT NOW

Land of Talk is a Canadian indie rock band formed in 2006 from Montreal, Quebec, Canada. Land Of Talk came out of retirement at the end of 2015, and throughout the last year Liz Powell has been performing some new shows and has also recorded some new music, and today she’s announced a new album, her first full-length since 2010. It’s called Life After Youth and it’s due out on 19th May. Lead single “Inner Lover” sounds warped and contemplative, and even though it feels warm it projects a deeper chill. The rest of the album features some high-profile collaborators: She worked with Sharon Van Etten on a number of the tracks, and it was recorded producer John Agnello and former Sonic Youth drummer Steve Shelley and Roxy Music/Sparks bassist Sal Maida played on the album.

“Life After Youth”, the new album by Land of Talk, is available for pre-order now, out May 19th, 2017

Image may contain: 1 person

Life After Youth is the first Land of Talk album since 2010’s Cloak and Cipher. After taking a few months off after Cloak and Cipher’s touring cycle, frontwoman Elizabeth Powell got back to work on a followup. Instead, a series of mishaps – post-tour fatigue, a crashed hard drive with new demos, and her father’s stroke in 2013 – turned “a few months” into “a few years”.

While caring for her father, Elizabeth fell under the spell of classical, ambient, and Japanese tonkori music, whose meditative quality aided his recovery. Immersing herself in those sounds would change her entire approach to music making; she started writing songs without her trusty guitar, instead building tracks up from synth beds and programmed loops.

Life After Youth’s centerpiece track, “Inner Lover,” presents the most radical results of those experiments. It’s an audio Rorschach test of a song: key in on the incessant synth pulse underpinning Elizabeth’s pleading vocal (“take care of me!”) and the track assumes an ominous intensity. But when you surrender to the relaxed drum counter-rhythm and subliminal harmonies, “Inner Lover” projects a graceful serenity.

http://

Even the songs built atop more traditional rock foundations exist in that liminal space between dreaming and waking life, confidence and doubt, raw feelings and soothing sounds. “Yes You Were” opens the record with a cold-start surge that’s overwhelming in its immediacy, with Elizabeth’s furiously strummed guitar jangle and wistful lyricism bearing all the adrenalized excitement and nervous energy of seeing old friends (or, in her case, fans) for the first time in ages. And as its title suggests, “Heartcore” is a collision of soft-focus sonics and emotional intensity, with Elizabeth’s crystalline vocals hovering above a taut, relentless backbeat and disorienting synth squiggles. Even the turn-a-new-leaf optimism of “This Time” is presented less as a triumphant comeback statement than a warm reassuring embrace—its beautifully dazed ‘n’ confused psych-pop swirl acts as a calming force as you hurtle toward life’s great unknown.

Fitting for a song about reconnecting with the world, “This Time” was the product of another fortuitous reunion—between Elizabeth and her old friend Sharon Van Etten, who lent her songwriting smarts and heavenly harmonies to that track, as well as “Heartcore” and the Fleetwood Mac-worthy “Loving.” And Van Etten is just one member of a veritable indie-rock dream team Elizabeth recruited to complete the album: the moonlit ballad “In Florida” was recorded by producer John Agnello (Dinosaur Jr., Kurt Vile) in his New Jersey studio, with Elizabeth backed by former Sonic Youth drummer Steve Shelley and Roxy Music/Sparks bassist Sal Maida.

http://

Land Of Talk – “This Time” From the forthcoming album Life After Youth