Posts Tagged ‘Dublin. Ireland.’

 
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Irish alt-rock trio Bitch Falcon had their debut album “Staring At Clocks” released last year – and it’s one of the strongest debuts of 2020. We have a brand new, limited tape a which features live versions of 5 tracks from Staring At Clocks.
Small Pond have released our studio sessions on Spotify and all major online platforms. The release features an exclusive performance of “Gaslight” and oldie but a goodie “Of Heart”. Combining the shimmering melody lines of 80s indie-pop enigmas Cocteau Twins, post-punk’s urgency, the raw edges of Seattle grunge and lush, claustrophobic shoegaze, the Irish trio have created a heavenly yet spiky squall.

Bitch Falcon; a name you won’t forget and a band who won’t let you forget them. This trio from the vibrant, much-hyped music scene of Dublin was formed by front-woman Lizzie Fitzpatrick with her friends in a small kitchen in the city in 2014. Since these freshman days, the line up has galvanised around the rhythm section of Barry O’Sullivan on Bass and Nigel Kenny on Drums.

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Bitch Falcon have been around since 2014, but it feels like the pan is now coming to the boil. Formed by force of nature guitarist and vocalist Lizzie Fitzpatrick, the band have worked through several personnel changes before landing on the current lineup of Lizzie, Nigel and bassist Barry O’Sullivan

Released February 11th, 2021

Kynsy

Kynsey digs deep with her deadpan lyrics, traversing tales of overhearing racist remarks at parties (‘Cold Blue Light’) and the whirlwind of post-break-up emotions (‘Happiness Isn’t A Fixed State’). However, when paired with her sticky, distortion-heavy blend of homemade pop, indie and electronica that echoes ‘Is This It’-era Strokes, it somehow transforms into an uplifting light at the end of the tunnel. The Dublin-based 23-year-old talks her new EP, the Irish music scene and moving beyond Strokes comparisons

Ciara Lindsey is a big fan of The Strokes, but she’ll take any compliments with a pinch of salt. We’re clearly not the first to tell Lindsey, better known as Kynsy, that the opening riff of her latest single ‘Happiness Isn’t a Fixed State’ sounds like something Julian Casablancas would be riding on the coattails of for years. She thanks us, but sticks to her guns.

“I think my melody writing has been influenced by them, which people have picked up on,” the Irish singer-songwriter says. “I try and steer away from comparison, because I have a bit of a fear of complacency. My fundamental goal is to sound as much like myself as possible, not like the Strokes. It’s great! But the goal is to make something completely new.”

The 23-year-old musician is well on her way, making genre-fluid bedroom pop you remind you of all your favourite hitmakers. There’s a bit of Talking Heads, a bit of Saint Vincent, a bit of Bowie and even a touch of Iggy Pop, but even more names crop up when you ask her. Marina and the Diamonds, Charli XCX, Dua Lipa – nothing is off limits. “Being 23 in 2020, everyone’s into a bit of everything,” she says. “There shouldn’t be many boundaries.”

The sense of freedom in Kynsy’s output can be credited to a fairly new sonic curiosity. Feeling her way through her teen years dabbling in acting and writing for the stage, things only clicked into place more recently musically. “The only thing I liked when growing up was The Beatles, because my dad’s a massive fan – but I always considered it ‘dad music’ when I was a teenager.” It took what she describes as “a total teen cliché” for her to take music seriously.

“There was a lot of stuff in the charts like Rihanna and Beyoncé which I liked, but it never really hit home. It wasn’t until l was in that awkward 15-year-old ‘didn’t know what was going on’ phase and was really depressed that my dad was like, ‘Right, here’s David Bowie.’ He could see me needing something to hold onto.”

Having found her tether, Kynsy is now raring to go. This week she releases her debut EP, full of seductive and sultry belters that grapple with tricky post-breakup sadness as much as the discomfort of overhearing racism at a New Year’s Eve party. “I was with my friends and there were these two actors we recognised. We quickly learned they weren’t nice people at all; it was really horrible to overhear someone talking like that, especially when you have a bit of status.” Those racist comments fuel the twisty, contradictory layers of explosive track ‘Cold Blue Light’ . “On this song I’m thinking, ‘I wish the world wasn’t like this, but I really hope we’ll break out and through this.”

That fire is tangible on ‘Happiness Isn’t a Fixed State’, too, where that infectious riff teases a funky bassline and a curious neo-noir tension is always building. “I’m really interested in juxtaposition and contrast and I try to put it in all my lyrics and production – even where I placed the tracks on the EP.” On ‘Things That Don’t Exist’, there’s no single agenda with the songs here; the brooding, romantic indie of ‘Elephant in the Room’ and the shiny and glitchy pop on ‘Dog Videos’ join the first two singles. Lindsey simply describes them as all having this sense of “high energy”, something the world certainly needs right now.

For fans of: The Strokes, Just Mustard

Kynsy’s debut EP ‘Things That Don’t Exist’ 

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named after the Big Star song as covered by the Bangles, the band are inspired by My Bloody Valentine, Jesus and the Mary Chain, they play reverb soaked noise pop with distorted guitars and layered harmonies with swirling organ.
http://septembergirls.bandcamp.com