Posts Tagged ‘Deutsche Grammophon’

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For almost a decade, Agnes Obel has been one of the most independent and original artists in contemporary music. now she has returned with new music, releasing the enchanting single “Island of Doom”, ahead of the release of her highly anticipated new album “Myopia” – through Record label Deutsche Grammophon, Universal Music group’s prestigious yellow label, and blue note in north america, It came out on 21st february 2020.

There’s a pitch bending backing-vocals-as-alien-instrument thing that The Knife and Fever Ray often deploy that I can’t get enough of. These electronic hinterlands sit wonderfully adrift from Agnes Obel’s soaring voice that rises from her whirlpool compositions. when this pandemic is over, I’m still going to want a one way ticket to the ‘Island of Doom’, which I presume is an uninhabited 20 metres of dirt in the middle of a mountainous Fjord.

Following the same principles as with her previous albums (Philharmonics, Aventine and Citizen of Glass), which she completed as a one-woman project in her own Berlin home studio, Obel has been under self-imposed creative isolation with the removal of all outside influences and distraction in the writing, recording and mixing process. “the albums I’ve worked on have all required that I build a bubble of some kind in which everything becomes about the album.” “For me the production is intertwined with the lyrics and story behind the songs,” says Obel. this is precisely what makes her music so compelling and the same is true with Myopia. “Paradoxically, for me i need to create my own myopia to make music.” Obel was experimenting with techniques of recording processing, warping and pitching down vocals, strings, piano, celesta and lutheal piano, finding ways to melt these elements together to become one and twisting them in a way that you feel at home within the sound she conjures throughout the record.

Although Obel’s music can often curate a monologue of modern-day dystopian-esque news stories that we are all now subject to, the contents of “Island of Doom” are much more personal, as she explains: “The song is made up of pitched-down piano and cello pizzicato and vocals, all choirs are pitched down and up… in my experience when someone close to you dies it is simply impossible to comprehend that you can’t ever talk to them or reach them somehow ever again. They are in many ways still alive because in your consciousness nothing has changed, they’re still there with everyone else you know.” created by long-term collaborator and partner Alex Brüel Flagstad, the video perfectly visualises the experience and mystery of Myopia, which can be defined as “the quality of being short-sighted”.

Roger & Brian Eno

Roger and Brian Eno’s creative collaboration ‘Mixing Colours’ continues with seven additional tracks. New music will appear on a special vinyl 12” EP ‘Luminous’ And digitally on ‘Mixing Colours Expanded‘ –  Brian Eno and Chilvers have worked together on videos for the album Mixing Colours that distil the album’s essence, marrying the simplicity and contemplative qualities of its soundscapes with suitably uncomplicated, mesmerising imagery of slowly-changing, dreamlike panoramas. Whether or not these settings are familiar, their impressionistic character lends them an enigmatic anonymity, encouraging the mind to wander into worlds both real and imagined. “The more you listen to this,” says Roger, “particularly with the fabulous worlds that Brian has created, you can really walk into this enormous landscape and stay.” Roger & Brian Eno – “Celeste”

There’s a huge commonality between what we’re interested in.” Roger Eno, “These pieces are very Impressionistic and very much to do with sonic quality, sonic colour.” Brian Eno

Roger Eno and Brian Eno – together and individually among the foremost innovators in experimental ambient music – will release their first album on Deutsche Grammophon: Mixing Colours.

Brian and Roger Eno have revolutionized many concepts of music production and performance, from pioneering treatments of pop music by Brian Eno to younger brother Roger Eno’s ambient synth/piano recordings reminiscent of Erik Satie.  The result is deep-dive listening and landscapes of sound bearing titles like abstract art: Obsidian, Deep Saffron, or Wintergreen. This debut DG release will reach a wide new audience still unfamiliar with their artistry. The poetic and ambient anthology reveals two celebrated ambient musicians at the height of their artistry.

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Danish musician and songwriter Agnes Obel’s fourth LP, “Myopia”, comes out later this month, and the latest single she’s shared from it is the lovely instrumental interlude “Parliament of Owls.”

‘Parliament Of Owls’ is also one of the highlights of the Danish singer-songwriter’s highly anticipated new album Myopia, which is set for release through Deutsche Grammophon, Universal Music Group’s prestigious Yellow Label, and Blue Note in North America, on 21st February.

Following the same principles as with her previous albums (Philharmonics, Aventine and Citizen Of Glass), which she completed as a one-woman project in her own Berlin home studio, Obel has been under self-imposed creative isolation with the removal of all outside influences and distraction in the writing, recording and mixing process for Myopia.

“The albums I’ve worked on have all required that I build a bubble of some kind in which everything becomes about the album. For me the production is intertwined with the lyrics and story behind the songs,” says Obel. This is precisely what makes her music so compelling and the same is true with Myopia.

“Paradoxically, for me I need to create my own myopia to make music,” she says, speaking of the album’s creation, which saw Obel experimenting with techniques of recording processing, warping and pitching down vocals, strings, piano, celesta and lutheal piano, finding ways to melt these elements together to become one.

In support of Myopia, Agnes Obel will be playing across Europe on a headline tour in Spring 2020, and will be joining Dead Can Dance as their special guest across North America in April and May. Her itinerary kicks off with a sold-out show at London’s Rough Trade East on Myopia’s release date European dates also include two nights at Copenhagen’s KB Hallen (27 and 28 February) and a further London show at the Eventim Apollo on 9 April. Visit the artist’s official website for tickets and further information .

Associated Performer, Piano: Agnes Obel Studio Personnel,, Violin: John Corban , Cello: Kristina Koropecki Composer: Agnes Obel

Myopia is out on 21 February