Posts Tagged ‘Croydon’

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‘Ready Steady Bang’ is the debut album that kicks off with singer and guitarist Angela Martin insisting ‘time and time again, you fail to see my point’. I’m instantly hooked. It’s not even 30 seconds into the entire album when there’s a shimmering synth hook thrown in by Grace Healey. I had to rewind to catch that again. Paula Snow’s bass comes in like something straight from a stomping 70s disco floor; a cut from Donna Summer or (more recently) Gossip. Kerrie Smith on drums is holding it down, keeping it solid then we hit not even a minute into the album and out comes this totally different, wild beat which she then steers effortlessly back into the verse, driving the song on. Like it was nothing.

Ok, so I wasn’t ready, despite the warning of the album title. And don’t worry; I’m not here to give a second by second account of each song, There’s so much packed into just under 30 minutes, it’s truly astounding. We have lurking, creepy psychedelic riffs mixed with spiky lyrics contemplating the birth of consumerism on ‘Shake and Bake’. ‘Sunday Monday’ sparkles and spins; showing off helter skelter riffs comparable to The Like. ‘Electric’ swaggers and saunters; if Elastica had thrown in some disco beats, this would have been the result. Oh, and did I mention that this gem is brought to us by Reckless Yes, who are continually knocking it out the park with every passing release.

This has been Hercury-nominee with the longest gestation period, an early incarnation of Bugeye having been active in the late 90s before the band reformed five years ago. Ten indie-disco-punk nuggets with a post-Britpop feel .

Blending cherry-liqueur lyrics, bubblegum-kneecap bass electrics, goth-heavy drum compactions & hi-rise guitar sculptures, maybe one day all music will sound this good. But for now Bugeye stand alone, Bugeye are a 4 piece band from Croydon. Flying the flag for women in music, they also run a gender balanced music festival called Cro Cro Land in South London. Not content with ‘only’ releasing their debut album, Bugeye also have a podcast ‘Rock, Pop, Rambles’ which sees (hears) them discuss various legends of rock and pop alongside sharing music from more newer, emerging bands.

It’s a powerful slice of disco-punk…’ – Louder ‘Each song just gets better and better’- John Kennedy – Radio X ‘With a sound that’s both retro and remarkably fresh, it’s easy to see why Bugeye have been making waves…’ – Gigslutz ‘dripping in attitude and obstinance, one for fans of the soulful fierceness of Gossip and the craft and meodies of Sleater-Kinney..’ – God is in the TV

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Disco-punks Bugeye are teasing their indie debut album with the release of new single Don’t Stop, via independent label Reckless Yes originally released on 28th February 2020.

Re- released July 10th, 2020

This live album was recorded in Sunderland and Croydon, places where the band had a strong following, during January and September 1970. Although only two tracks, namely ‘The Hunter’ and ‘All Right Now’, could be used from the Sunderland show, producer Andy Johns did use a lot of the crowd noises from that gig between tracks, to create a virtually seamless live experience.

Interestingly, the final song on the album is actually a studio recording, and is one of four they did before splitting up; the other three surfaced on the ‘Highway’ album. One of the pleasures of this album is that the original recordings were clearly not altered in the studio. Everything is heard as it happened on stage. And what it proves overall is that Free were a masterful live band.

‘Free Live!’ is a fine representation of how good the four were when in this environment and the enthusiastic crowd response is utterly authentic and sets the atmosphere for the whole event.

Because that’s what this album  is…a true event. Capturing FREE at their peak.

In the pantheon of blues-rock there has never been a band that burned so brightly, was more commercially successful and made so much great music in so comparatively short a period of time as Free. They are probably best known for their 1970 signature song, ‘All Right Now’ but theirs is a rich deep catalogue, surprisingly so given their comparatively short career.

Free disbanded in 1973 and lead singer Paul Rodgers became the frontman of Bad Company along with Simon Kirke on drums. In 2004 Paul Rodgers worked with Queen offering a different take on Freddie Mercury’s vocals for the band. Bass player Andy Fraser formed Sharks and wrote ‘Every Kinda People’ that Robert Palmer covered, while the brilliant lead guitarist Paul Kossoff formed Back Street Crawler and then tragically died from a drug-induced heart failure at the age of 25 in 1976.

Think of The Smashing Pumpkins in their psych-loving, “Gish” prime. Now think of My Vitriol listening to Gish era Pumpkins in their bedroom. Now imagine Johnny Foreigner and Titus Andronicus crashing the party. You’re staring Bellevue Days right in the face.

The Croydon based band comprises Alan Smith, Daniel Lukes, Joe Blackford and Jack Pavitt: an alt-grunge act who’ve already caught the attention of Kerrang! In truth, that introduction does the four-piece no favours. There’s an unnecessary scream-y bit in new single “Capability, Capacity”, but other than that they’re swinging punches in the direction of cool America, and not the hard rock scene.

“Capability, Capacity” is taken from the band’s new EP “The Sun Came Up When We Were Young”, which was released earlier this week.