Posts Tagged ‘Corey Cunningham’

BUSINESS of DREAMS – ” Ripe for Anarchy “

Posted: December 12, 2019 in CLASSIC ALBUMS, MUSIC
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Corey Cunningham has studied his forebears—The Smiths, Cocteau Twins, Pale Saints—so well that he could ghostwrite for them. The Magic Bullets and Terry Malts alum returns to his newest solo moniker, Business of Dreams, to pen a collection of could’ve-been singles primed for Britain’s ‘80s synth-pop boom. Ripe for Anarchy amplifies the era’s perennial pop sigh into full-blown existentialism, resulting in songs like “My Old Town” and “N.R.E.A.M,” which spiral outward beautifully under the sheen of glittering synth hooks and breezy acoustic guitar.

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With his new album “Ripe For Anarchy,” Cunningham has honed the songwriting with an eye towards regret, existence, and perseverance. “When I’m gone you won’t cry for me, focus on the moment, be free,” he sings on “Chasing That Feeling.” And that’s the mantra here: it’s time to let go. “The album is about living in the moment, shedding neurosis, and the desire to discard the general societal malaise we’ve been roped into.”

TERRY MALTS – ” Lost At The Party “

Posted: January 1, 2017 in MUSIC
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Terry Malts’ third album, Lost At The Party, is a long time coming, 3 years to be precise. But the time was spent well. Between stints of touring and local shows, Bassist/vocalist Phil Benson and guitarist/vocalist Corey Cunningham wrote and re-wrote songs over the course of a year in Los Angeles where Cunningham had moved since the release of their last album, 2013’s “Nobody Realises This Is Nowhere”.

The idea was to broaden the Terry Malts concept and create a kaleidoscopic pop album that has a mixture of moods, each song turning to a different sound inspired by the records the band have loved over the years. The driving punk (Buzzcocks, The Undertones) that has been a cornerstone of the group’s sound sits snugly with songs steeped in indie-pop and power-pop (The Chills, Dwight Twilley).

Once the band was ready to record they enlisted Monte Vallier (Soft Moon, Weekend, Swell) to co-produce at his Ruminator Audio studio in San Francisco. It is the group’s first album recorded in a studio. 2012’s “Killing Time” & “Nobody Realizes This Is Nowhere” were both recorded in various practice spaces by guitarist Corey Cunningham and the group was intent on shaking the lo-fi tag.

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The freedom of the studio allowed the band to expand on their sound with the addition of 12-string electric guitars, piano, organ, and sound effects. From driving opener “Used To Be” through jangling ballad “Gentle Eyes” to first single “Seen Everything” and haunting closer “When The Nighttime Comes,” Terry Malts have put the augmented sonic palette in the service of some of their strongest tunes yet. The resulting album, Lost At The Party, is a lovingly-crafted love letter to pop music in all it’s forms.

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