Posts Tagged ‘Brian J. Cohen’

LINE & CIRCLE – ” Vicious Folly “

Posted: December 7, 2017 in CLASSIC ALBUMS, MUSIC
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The R.E.M./Smiths-inspired band’s jangly pop returns today with the title track from their upcoming EP, Vicious Folly. The guitar break mid-way through the song sounds so much like “Dreams” by the Cranberries that I half-expected Dolores O’Riordan to have a feature.

Maybe next time. After arriving on the national scene in 2012, Line & Circleʼs “Roman Ruins” and “Mine Is Mine” singles, and eponymous EP,received wide acclaim, appearing on a range of year-end lists on both sides of the Atlantic. The band’s debut full length “Split Figure” arrived in 2015 . The Ohio-born, Los Angeles-based Line & Circle will follow up their acclaimed singles and debut LP with their new EP Vicious Folly, due December 1st via Grand Gallop Records.

At a moment when societal divisions seem increasingly tense and tribalistic, Vicious Folly explores a belief the Romans held centuries ago: homo homini lupus — man is a wolf to man. Whether the conflicts here are romantic (“Man Uncouth”), ideological (“Vicious Folly”), or familial (“Who Runs Wild”), the songs contemplate the disquieting idea that man himself is his own greatest threat.

Vicious Folly brings the resulting emotional complexity to life by expanding on the band’s characteristically moody but vibrant color palette. Interweaving bass clarinet pulses and distorted tape loops move underneath minimalist patterns of chiming guitar and bass melody counterpoint. Singer/guitarist Brian J. Cohen‘s dramatic tenor pulls across the songs’ brisk rhythmic foundations, which are more unhinged here than in previous releases.
The bulk of the record was tracked live to tape in one day at Los Angeles’ Vox Studios with Michael Harris (Angel Olsen’s My Woman), with additional sessions in various warehouses, bedrooms, and backhouse studios around the band’s Echo Park neighbourhood.
The project was mixed with frequent collaborator Jonathan Low (The National, The War On Drugs) at Aaron Dessner of The National‘s Long Pond studio in Hudson Valley, New York.
Vicious Folly‘s cover features Peter Flötner‘s 16th century hand-painted playing cards from post-Reformation Germany. Flötner used his cards to depict and denounce the perceived greed, gluttony, and folly of his time. That the imagery strikes a chord today — as it surely did then is either deeply comforting, or incredibly disconcerting, depending on your information filter.

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Line & Circle:
Brian J. Cohen (voice, rhythm guitar)
Eric Neujahr (guitar)
Jon Engelhard (bass guitar)
Garrett Ray (drums)
Bass Clarinet: arranged by Lewis Pesacov, performed by Brian Walsh