Posts Tagged ‘Bernard Butler’

With nearly five decades and a wealth of recording experience between them, talk of a collaboration between Catherine Anne Davies and Bernard Butler is a mouth watering prospect to say the least.  Indeed, their coming together didn’t just happen overnight. It’s actually been in the offing for a good 10 years now, but rather than just rush into things, they’ve taken their time and gradually honed, then built a collection of songs worthy of any great debut album. Which essentially this is, as pairings go.   

Ironically, despite being conceived in 2010 then completed in 2014, “In Memory of My Feelings” only took 15 days to make. The biggest battle facing its creators was finding someone to release it, where music journalist cum label owner Pete Paphides duly obliged in making it the first “new” release on his Needle Mythology imprint, which up until now has solely put out reissues.

In Memory of My Feelings is a very personal record, particularly for Davies, who wrote all of the lyrics. Nevertheless, the meeting of minds between two very talented individuals means the arrangements veer from sparse, such as on opener and lead single “The Breakdown,” or the exquisitely tender “I Know” and despondent penultimate number “The Patron Saint of the Lost Cause,” to the more upbeat and up-tempo, rockier pieces like “Sabotage (Looks So Easy)” and “Judas,” where Butler’s signature guitar sound rises to the fore.   

The sparse but stately opener, ‘The Breakdown’, explores the impact and aftershocks of the aggressive pursuit of wealth, reflecting on the life of a banker post-crash: “Do you make the money, or is the money making you?” Other destructive impulses, including the pressure to adhere to performative behaviours, are explored on the wonderfully energised ‘Sabotage (Looks So Easy)’‘The Patron Saint Of The Lost Cause’ fondly evokes some of the similarly alchemical results witnessed when Davies worked with the Manics on ‘Dylan And Caitlin’ for 2018’s ‘Resistance Is Futile’.

“Sabotage (Looks So Easy)” is the second single from the album ‘In Memory Of My Feelings’ which is released on September 18th, the album is the result of a one-off collaboration between Catherine Anne Davies (The Anchoress) and Bernard Butler. In contrast to the piano led end-of-days address The Breakdown, Sabotage is album’s emphatic guitar driven moment of celebratory catharsis. Of the song Catherine says, “Some people lift others up. They’re altruistic and constructive. Then there are the energy vampires who have perfected the art of destruction. It’s about toxic masculinity and I’m channelling my inner Patti Smith and Chrissie Hynde here to raise a middle finger to every man who played the victim when they were called out.”

Bernard Butler “Sabotage” was written when we reconvened a few years after anxiously writing the first set of songs, by which time I think we had both been trampled on a little … as is our style, without talking about it to each other, we consequently wanted to smash the room up a little and say ‘that’s enough now thanks.’’

Elsewhere, “The Waiting Game” could be a Manic Street Preachers outtake from the Resistance Is Futile sessions (if you’ve heard Davies’ contributions to that record you’ll understand where I’m coming from), while closer “F.O.H.” could be a distant relative of “P.S. Fuck You” off Davies’ alter ego The Anchoress’ 2016 long player Confessions of a Romance Novelist.

I’d also recommend the bonus seven-inch, which comes with the vinyl edition, if only for the heartfelt cover of Madonna’s “Live to Tell” that rivals the original for delivery and execution.

‘In Memory Of My Feelings’ is released on Needle Mythology; the label founded by music writer, author and broadcaster Pete Paphides and is the very first release of brand new music on the label. Limited edition formats include 2LP +7” w/ signed lyric sheet and gatefold replica CD with signed postcard available for a limited period exclusively via the Official store.

Needle Mythology is back with a new release, And with their very first release of brand new music. Bernard Butler & Catherine Anne Davies’ In Memory Of My Feelings LP is out 18th September on heavyweight vinyl in gatefold sleeve, including a bonus 7″ with a cover of Madonna’s Live To Tell.

Ironically, despite being conceived in 2010 then completed in 2014, In Memory of My Feelings only took 15 days to make. The biggest battle facing its creators was finding someone to release it, where music journalist cum label owner Pete Paphides duly obliged in making it the first “new” release on his Needle Mythology imprint, which up until now has solely put out reissues.

In Memory of My Feelings is a very personal record, particularly for Davies, who wrote all of the lyrics. Nevertheless, the meeting of minds between two very talented individuals means the arrangements veer from sparse, such as on opener and lead single “The Breakdown,” or the exquisitely tender “I Know” and despondent penultimate number “The Patron Saint of the Lost Cause,” to the more upbeat and up-tempo, rockier pieces like “Sabotage (Looks So Easy)” and “Judas,” where Butler’s signature guitar sound rises to the fore.

Elsewhere, “The Waiting Game” could be a Manic Street Preachers outtake from the Resistance Is Futile sessions (if you’ve heard Davies’ contributions to that record you’ll understand where I’m coming from), while closer “F.O.H.” could be a distant relative of “P.S. Fuck You” off Davies’ alter ego The Anchoress’ 2016 long player Confessions of a Romance Novelist.

“I’m not especially interested in recreating whatever’s worked on previous projects,” Bernard Butler . “Odd is what I look for – and, by ‘odd’ what I really mean is ‘character’. And as for that Madonna cover? “When I was 16, Live To Tell allowed me to join the dots in song writing between True Blue and The Queen Is Dead.”

Catherine Anne Davies loves the song to (as do we – both the original and their 7″ cover). “I don’t know what Madonna wrote it about,” she told us, “but the resonances in a post-#metoo world are impossible to miss.”

The Breakdown’ is the first offering to be lifted from the forthcoming collaborative album by Catherine Anne Davies (aka The Anchoress) and Bernard Butler. ‘In Memory Of My Feelings’ will be released via Needle Mythology on 18th September, 2020 and is notable as the first new master recording for Pete Paphides‘ label. The Breakdown explores the personal price to the pursuit of economic wealth and the failures of free market capitalism, framed through the story of one investment banker’s catastrophic breakdown. Butler adds “Musically the song is deliberately dysfunctional with an unorthodox slowed up 10/8 meter.

The piano arpeggio is played forwards then backwards to symbolise the dysfunctional dreamlike beauty of the breakdown” Taken from the forthcoming album ‘In Memory Of My Feelings’, out 18th September on Needle Mythology. Limited edition formats include 2LP +7” w/ signed lyric sheet and gatefold replica CD with signed postcard available for a limited period exclusively via the Official store.

Catherine Anne Davies – vocals Bernard Butler – piano Rex Horan – upright bass

A 4CD/1DVD deluxe edition of Suede’s 1993 debut release featuring the original album, period b-sides, a CD of demos, monitor mixes (several previously unreleased) and the band’s first BBC radio session, plus a concert from February 1993. Brett Anderson believes that Suede’s debut album, winner of the Mercury Music Prize in 1993, probably has more cultural resonance than any other of their albums, as a pre-cursor to Britpop and a supplanter of grunge. It is also home to four ground-breaking singles. This deluxe edition features the album; the b-sides; a CD of demos, monitor mixes (several previously unreleased) and the band’s first BBC radio session, arranged chronologically; plus a concert from February 1993.

The DVD features six contemporary TV performances (including their first ever TV appearance), and an hour-long film of Brett and Bernard Butler discussing the writing and recording of the album, all issued for the first time. Also included is a new note by Brett about his memories of the recording of the album, along with the lyrics, hand-written lyric drafts, tape boxes, and photos from the band’s collections. The AMAZON EXCLUSIVE EDITION contains a limited edition (750) print of Brett’s handwritten lyrics for “Metal Mickey”, signed by Brett himself.

The DVD features six contemporary TV performances (including the band’s first ever TV appearance).

Also included is a new note by Brett about his memories of the recording of the album, along with the lyrics, hand-written lyric drafts, tape boxes, and photos from the band’s collections.

Presented in a 36 page media book.

This March, Demon Music will issue a five-disc, 25th anniversary edition of Suede‘s 1993 debut album, with limited quantities available with a print SIGNED by frontman Brett Anderson. Brett Anderson believes that Suede’s debut album, winner of the Mercury Music Prize in 1993, probably has more cultural resonance than any other of their albums, as a pre-cursor to Britpop and a supplanter of grunge. It is also home to four ground-breaking singles.

The Mercury Prize winning album is expanded to four CDs and a DVD and is presented in bookset packaging similar to 2016’s Coming Up 20th anniversary set.

The first CD offers the album, the second associated B-sides, while the third disc offers a fascinating chronological look at early Suede via early demos sessions and monitor mixes, culminating in the first ever release of an April 1992 Mark Goodier session. At that point in time, the band were yet to release a single, but the BBC radio session delivered powerful interpretations of future 45s Metal Mickey and The Drowners alongside Sleeping Pills and Movingboth of which would feature on the Suede album, which was still nearly a full year away from release a that point.

The band’s Live at the Leadmill gig from February 1993 was issued on DVD as part of the 2011 deluxe edition but here is released on CD for the first time. The DVD on this new edition promises much, including the Suede’s first ever TV appearance and their turn on Jools Holland’s Later... programme which features a slightly different arrangement of So Young. Also, fans get to enjoy an hour-long film of songwriters Brett Anderson and Bernard Butler discussing the writing and recording of the album – and all the B-sides! This is a new film with the pair are in discussion with journalist and broadcaster Pete Paphides.

In a new note the booklet Brett Anderson recalls the recording of the album, and it includes printed lyrics, hand-written lyric drafts, tape box images, and photos from the band’s collections. Also, the packaging has been improved since the Coming Up reissue, and this deluxe set doesn’t have those horrible plastic clips that always break, and opts for the side opening folio/wallet similar, to R.E.M.‘s Out Of Time super deluxe from 2016.

Suede will be reissued on 30th March 2018.

There are 750 exclusive signed editions available exclusively via Amazon UK, with a print of handwritten lyrics to Metal Mickey, signed by Brett and if you’re wondering, no vinyl edition of this reissue has been announced.

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If you’re excepting a Long Blondes style record, you’d perhaps be best advised to pop ‘Someone To Drive You Home’ on. However, if  you’re a fan of beautifully crafted sophisticated, evocative British pop music, full of wistful poetry and passion then ‘British Road Movies’ could be the album for you

Kate Jackson’s debut solo album ‘British Road Movies,‘  has been a long time coming although according to Kevin Shield’s clock eight years is but a mere wrinkle in time. There were times when it appeared a Kate Jackson solo album would simply never happen.  Kate appeared to have given up on music after relocating to Rome to peruse her first love, painting. Thankfully the appeal of grey skies, weak tea, weaker TV and the perpetually cynical humour of whey-faced English folk proved too much of a draw for Kate and she eventually returned to her hometown of Bury St.Edmunds. There was also the small matter of the fact that she still had a half realised album on her laptop originally written with Bernard Butler,

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Butler’s guitar work is pretty impressive  it’s equalled by Jackson’s sublime vocal performance, this sounds very much like the Kate Jackson, the iconic alluring lead singer of The Long Blondes. Throughout ‘British Road Movies’ her vocal is far more emotive than her previous work and has a depth, tenderness and warmth which makes it a far more personal experience. The predominant underlining theme of the album is one of discovery of searching – first via  escape, and then seeking a connection, somewhere to fit in before the realisation that what you’d been searching for had perhaps been right in front of you all the time. Because that sense of place, connection, and love is perhaps for some of us only truly found in the place we’d been trying to escape

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Members
Kate Jackson – Vocals.
Seymour Quigley – Guitars.
Reuben Kemp – Bass Guitar.
Ken Last – Keyboards/Synths
Shannon Hope – Drums.
16 Years by Kate Jackson taken from the album British Road Movies, out via Hoo Ha Records