
Jake Ewald may only be 27 years old, but he’s already a musical veteran having co-founded the now-defunct (and highly celebrated) emo band Modern Baseball in 2011, back when he was a teenager. Since 2014, Ewald has also been consistently releasing music as Slaughter Beach, Dog, a solo project that eventually evolved into a full band that also features bassist Ian Farmer, guitarist Nick Harris (All Dogs), and drummer Zack Robbins (Superheaven). However, due to the ubiquitous quarantine, Ewald went back to his roots for “At the Moonbase“, recording and performing all of the instruments himself alone at home and at his recording studio in Philadelphia with a few friends sending him overdubs of backing vocals and saxophone during the process. The result is an inventive album that sees Ewald stretching out as a songwriter and exploring new sonic territory without any self-imposed limitations.
We caught up with Ewald to discuss how At the Moonbase came together after four months of hard work, his song writing process, and why the idiosyncratic details of other peoples’ lives can often seem strangely familiar.
We recorded the band at our studio, so we went through basically a month of figuring out how to appropriately mic up fifteen different instruments to all be ready to go at a moment’s notice for an hour-long set, and we brought in our friend Matt [Schimelfenig] who actually mixed “At the Moonbase” to run the session while we were playing and then mix the audio. It was a lot more work than we put into anything in a long time. It was fun to figure out actual human band arrangements for the new songs, and we also dipped into old songs, stuff we’ve been playing for a long time. Above everything else, it just felt so good to play together after not playing together for half a year. We’ve been working very hard on it, and we’re so excited to share it with everybody.
Written and recorded alone at home and at The Metal Shop, Ewald’s East Kensington recording studio, the album tracks an exercise in solitary production not unlike Slaughter Beach, Dog’s 2016 debut Welcome or 2017’s Motorcycle.JPG. On the heels of 2019’s Safe and Also No Fear, Ewald’s latest offering brings expanded arrangements and sharpened storytelling as he taps into salad days over slacker rock (“Do You Understand”), the dark grooves of seedy city life (“Song for Oscars”), and even a barroom-piano-driven “escapade through the great American bedroom” (“A Modern Lay”). “At the Moonbase” arrives on Lame-O Records.
All music written and performed by Jake Ewald except where noted
Wil Schade – Saxophone on 1, 5-8, 10
Lucy Stone – Vocals on 1, 2, 6, 7
Zack Robbins – Additional synthesizers on 1, 4
Jessica Flynn – Vocals on 9
Julie Sponsler – Spiritual guidance
Originally released December 24th, 2020
