The Fat Angel Sings

Liverpudlian four-piece The Mysterines have announced details of their new album, “Afraid of Tomorrows”, set for release on June 7th.

The new album is highly anticipated and serves as the follow-up to their debut “Reeling”, which was released in 2022. To accompany the announcement, they have also released the single ‘Stray,’ which premiered on BBC Radio 1 as Clara Amfo’s ‘Hottest Record’ on February 20th.

“’Stray’ focuses on the aimless and untamed nature of the polarities of behaviour that we experience when dealing with suffering,” said guitarist and vocalist Lia Metcalfe, “Whether it’s guilt, paranoia or unexplained feelings of grandiosity.”

She continued, “Often, when the hands of loneliness have a firm grip over one’s eyes it can turn dangers into open doors inviting you in. We find a certain point of no return and we’re often led astray.” 

The song is filled with brooding guitar, electric drums and sleek vocals. It was recorded and produced by John Congleton, the Grammy Award-winning producer who has previously worked with acclaimed artists including St. Vincent and Angel Olsen.

“Afraid of Tomorrows” is a mirror where you find you’re nothing more than a formless being, one made from celestial constellations – of traumas, of the old and new, mistakes, addiction, fear and happiness, loneliness, but ultimately a desire for life and the fight to keep living. It’s a collage of what’s been lost and of love unbounded.” Notably, last summer, The Mysterines supported Arctic Monkeys on their stadium tour of the United Kingdom.

Jack Antonoff’s Bleachers have released their new single, ‘Me Before You’, which provides yet another glimpse at their upcoming self-titled album, “Bleachers”. The record is set to arrive on March 8th.

Following the release of catchy indie pop track ‘Tiny Moves’ earlier this year, ‘Me Before You’ is an understated but twinkling effort which underscores Antonoff’s words with soft saxophones. The verses chart who he was before he met his lover, while the choruses repeatedly declare, “That was me before you.”

‘Me Before You’ marks the fourth single ahead of the release of their fourth album. Inspired by Antonoff’s observatoins on modern life, the new record will mark the first full-length release from Bleachers since 2021’s “Take the Sadness Out of Saturday Night”.

Following the release of the record, Bleachers will embark upon a sold-out tour of the UK, including two consecutive nights at London’s O2 Forum Kentish Town. Later in the year, they are set to take to stages across North America, before returning to the UK to play Reading and Leeds festival.

Since the last Bleachers record was released, Antonoff has produced records for Lana Del Rey, The 1975, Taylor Swift and Florence and the Machine.At this year’s Grammys, Swift’s Antonoff-produced tenth album, “Midnights”, took home the ‘Album of the Year’ award, while Del Rey’s “Did You Know That There’s a Tunnel Under Ocean Blvd” also received a nomination in the same category.

“Bleachers” is set for release on March 8th via Dirty Hit. 

On this record, the band Kings Of Leon harkens back to their gritty origins while simultaneously finding new gears.

Kings Of Leon are back & bigger than ever with their 9th full-length studio album, ‘Can We Please Have Fun’. as the title suggests, it’s a document of one of this era’s great rock & roll bands cutting loose, trying new things, and, yes, having some fun. recorded at dark horse studio and produced with new collaborator kid harpoon (harry styles, florence + the machine) the album sees a new side of Kings Of Leon. it’s the sound of a band unified in vision and purpose, freed from any expectations, and the album the band says they’ve always wanted to make.

The Grammy award-winning, multi-platinum rock band Kings of Leon are coming back big with their 9th full-length studio album, “Can We Please Have Fun”.

“Untame the Tiger” emerges 15 years after Mary Timony’s previous release, following the end of a significant relationship and framed by the passing of Timony’s father and mother. “This was the hardest thing I’ve been through,” Timony explained, “Every week I had to manage a new crisis.” While this appears to reflect Timony’s usual struggle with imposter syndrome and wavering self-confidence, “Untame the Tiger” resonates with both poignancy and vulnerability, each lyric and note peeling back layers of intricate emotions.

Throughout the album, Timony’s profound emotional journey stemming from the end of a significant relationship and the loss of her parents deeply shapes her lyrical content. Whether she personifies loneliness as a haunting presence whose persistent knocks at the door are inescapable or navigates themes of loss, Timony skilfully combines pure, unfiltered rock with profound depth and meaning.

Her approach may seem one-dimensional, but that’s precisely why it appeals: a guitar hero as esteemed as Timony wouldn’t be expected to hold back on her strumming prowess, just as a chef wouldn’t be reprimanded for creating a tasty meal. The riffs in “Untame the Tiger” complement the themes being explored without overshadowing the lyrical content, creating an experience akin to the sheer bliss of discovering your favourite band for the first time.

There’s a euphonious heart double-fast-pumping beneath lovable licks and dangerously infectious lyrical twists that fires these jangly songs along like the proverbial train full of gasoline. Where previous record ‘Modern Fiction’ wore its influences proudly on its sleeves, this time round, they’ve ripped off their shirts, spread their wings and are taking off entirely under their own independent volition.

Their last album reached dizzy heights, featuring prominently in our end of year round up, and we think that this one even out-soars that, gliding easily over the golden-hued vistas it so effortlessly invokes with each gleaming shard of indie rock excellence. 

Two and a half albums into their career, you can still draw a straight line through Ducks Ltd.’s discography. Aside from a few extracurriculars and a subtle name change, the Toronto-based duo have stayed true to their core mission of keeping the Kiwi definition of ’80s guitar pop alive and healthy as retroactive interest in subgenres of rock from the following decade continue to dominate our attention.

Yet after a few listens to their new LP “Harm’s Way”, and with a bit of context from the band, these nine breezy tracks begin to solidify as a project apart from either of their past releases. While the instrumental palette feels familiar from the opening track’s guitar twangs, tight drumming, and mellow vocals, frontman Tom McGreevy and fellow guitarist Evan Lewis fill every crevice of “Harm’s Way” with ideas inspired by a voracious appetite for new musical discovery far beyond—though certainly still including—The Clean. 

From the bright Telecaster sounds of Merle Haggard’s backing band, to the economical lyric-writing of The Weather Prophets and Aussie songwriter Paul Kelly, to the blown-out jangle-pop of early MBV, McGreevy and Lewis aren’t shy when it comes to sharing how the tracks they had on repeat at the time of the album’s recording seeped into the final product. They even appreciated the backing vocal work in Dehd’s recordings enough to borrow co-vocalist Jason Balla for a track while putting the album together in Chicago.

With the LP dropping tomorrow via Carpark Records, get an early taste for what “Harm’s Way” has in store For fans of: Rolling Blackouts Coastal Fever / Kiwi jr / Orange Juice / the Go-Betweens / the Pains of Being Pure at Heart / the Reds, Pinks and Purples

Leeds-based musician Amber Strawbridge announced her debut album as Bored at My Grandmas House, Show & Tell, due out June 7th via CLUE Records / EMI North. The title track is a charming indie pop track that Amber calls “quite a tongue-in-cheek song about me being the opposite of an open book and all the little specific things about me that I sometimes wish were different. Overall it’s about me being a guarded person and fearing the possibility of having to be vulnerable and realising that vulnerability is actually a beautiful thing and something i shouldn’t be so scared of.”

An enthralling album of soul-searching introspection that channels her ennui into an enduring & vivid set. having been instantly enamoured with her debut ep, ‘Sometimes I Forget You’re Human Too’, a few years back, we knew she was a talent to keep an eye on and, when the album was finished, we had to make sure we were fixing ourselves up with a dinked edition of the release. 

‘Show & Tell’ sees the 22 year old songwriter continue the emotive & philosophical themes of the ep, pinned around connection; with yourself, with the world, with loved ones.

For fans of: newdad / soccer mommy / alvvays / girl in red / boygenius / white flowers / cigarettes after sex / youth lagoon

Led Zeppelin’s main songwriters reformed on 17th April 1994 as a part of the Alexis Korner Memorial Concert in Buxton, England. On 25th and 26th August they taped performances in London, Wales, and Morocco with Egyptian and Moroccan orchestration of several Led Zeppelin tunes along with four new songs. The performances aired as part of the 90-minute MTV project “UnLedded”, and were so successful that the two coordinated a tour which kicked off in February 1995.

This release showcases an incredible performance from that tour. The setlist featured both new material and middle eastern-influenced covers of classic Led Zeppelin songs such as “Bring It On Home”, “Ramble On”, “The Song Remains the Same”, “Black Dog”, “Kashmir” and many more.

Pressed on stunning heavyweight marble vinyl, this triple album showcases Jimmy Page and Robert Plant’s stellar live performance at the San Jose Arena, California, on 20th May 1995.

“Have You Got It Yet” – The Story Of Syd Barrett And Pink Floyd will be broadcast in France and Germany on the Arte channel at 22.40 – Friday 23rd February

The influential Australian trio played their final show ever and drew legions of fans to the Concert Hall to revel in their incredible achievements as a band and farewell their fans in the best way they knew how, with one last epic performance. The ARIA-nominated trio got the rousing send off they deserve, as singer-guitarist Georgia Maq, bassist Kelly-Dawn Hellmrich and drummer Sarah Thompson celebrated a career hard fought – and won – on their own terms. After eight years crafting fearless, empowering anthems that shook up Australian music, beloved Melbourne trio Camp Cope signed off with a final farewell show at the Sydney Opera House Concert Hall in October 2023.

As Maq once said, “Camp Cope is in defiance of everyone who’s tried to bring us down, and it’s like: Well, you can’t, because we have each other, and we’re a mountain together.”

Formed in 2015, Camp Cope exploded with the unvarnished power punk of their self-titled 2016 debut, a top 40 hit that earned the band critical acclaim and a prestigious Australian Music Prize nomination. Led by the ferocious “The Opener”, a rallying cry against gendered inequality in the music industry, 2018’s alternately intimate and cathartic “How to Socialise & Make Friends” blasted into the national top 10, scoring the trio an ARIA nomination for Best Rock Album. Following Georgia Maq’s synth pop solo debut “Pleaser” in 2019, Camp Cope returned with 2022’s “Running with the Hurricanes”, a soulful, big-hearted record that featured a collaboration with Courtney Barnett and earned the band a second Australian Music Prize nod. It was to be their swan song.

Performed by Camp Cope Georgia McDonald – Lead Vocals & Guitar Kelly-Dawn Hellmrich – Bass Guitar Sarah Thompson – Drums Jennifer Aslett – Guitar & Backing Vocals Julia Jacklin – Guitar Rin McArdle – Guitar Camp Cope – Live at Sydney Opera House