
Spielbergs‘ twilit punk-pop is robust and immediate, coming at you like a sonic snow plow. Hailing from Norway, and naming their sophomore album after a suburb of Oslo in which they grew up, the trio make music that approaches the beefy riffs and emotive vocal refrains à la Jimmy Eat World’s Bleed American not from sun-scorched Arizona but frosted-over Scandinavia. Indeed, there’s a sense of geographical dysphoria permeating the songs on “Vetsli”—of which the anthemic “When They Come for Me” and plaintive intermission “Goodbye” are standouts. As frontman Mads Baklien puts it, “You can leave Vestli but Vestli never leaves you.” Provided it falls into the right hands, the record may achieve the same.
“Spielbergs‘ twilit punk-pop is robust and immediate, coming at you like a sonic snow plow”
released August 19th, 2022