WAX CHATTELS – ” Clot “

Posted: September 25, 2020 in ALBUMS, MUSIC
Tags: , ,

Clot

it is universally agreed that New Zealand’s Wax Chattels are a must- see live act; their hypnotically sinister debut captured this perfectly.

Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand album charts, and release week saw the title feature as #1 in Rough Trade’s top 20 new releases. Tastemakers like NPR and the A.V. club came on as early champions. the album’s success at home and abroad led to the well-deserved nomina- tion of best alternative artist at the 2018 New Zealand music awards, as well as the band’s inclusion in the coveted shortlist of finalists for the taite music prize and Auckland live best independent debut award. after a knock-out entrée, the anticipation that surrounds their sophomore album, “Clot” , is immense. much like their debut,

The writing process for “Clot” took the best part of a year. while some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. demos were fine-tuned before recording engineer James Goldsmith (aldous harding, mermaidens) stepped in. the band maintained the use of only the barest of ingredients — bass guitar, keyboard, and a two-piece drum kit — but spent more time ex- perimenting with and finding new sounds. they wanted to maintain the same live element, but, this time, heavier — for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (uniform, destruction unit, the men). the keyboards are thicker, the bass more intense. a marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into ca- thartic noise. at Clot’s center is confrontation. “mindfulness” asks do you accept the status quo over forcing tangible change? the vitriolic choruses of “cede” are in cheng’s native language — taiwanese hokkien — and are an indignant confrontation about cross-strait relations and self- determination. the experience of being a first generation immigrant is expressed in the melodic single “no ties”. the song touches on cul- tural differences and the parental sacrifice of careers and support sys- tems to provide a “better” future for their children. the explosive arc of “efficiency” describes knowing when to bide your time, and when to push, in which the band treads a line between the explicit and in- tuitive.

This is carried through “An Eye”, in which the band stresses the physical harm and psychological breakdown emanating from the escalating racial and political uproar throughout the world. though the band seethes and boils throughout, Clot concludes with a message of hope. perhaps it’s this capacity for self-awareness that makes wax chattels one of New Zealand’s  most treasured independent exports. “this band of former jazz students is making confrontational post-punk, marrying the grind- ing keyboards of suicide with the drum-and- bass intensity of early death from above 1979. the results are stark, hypnotically sinister songs.”

Official video for Efficiency by Wax Chattels, from their album “Clot”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.