Vancouver all girl trio The Courtneys are exponents of a catchy harmonic new wave pop, whilst also being home to some very gnarly guitar textures. Their sound is fat and driving, and, on “Minnesota,” Courtney Garvin’s guitar manages to sound like an overdriven keyboard. Vocalist Jen Twynn Payne is also the band’s drummer and she keeps the rhythms lean and uncluttered. The highlight is the closing “Frankie,” where Twynn Payne’s sad autumnal vocal melody is kept in motion by a precise motorik groove.
The Courtneys have such a sweet and amazing sound. I can’t quite identify what it is about their music that I find so completely endearing, but I absolutely love it. The combination of fuzzy guitars and driving beats along with Jen’s vocals (and a hint of 80’s nostalgia) make the Courtneys one of the bands I never tire of and look forward to hearing more from. This album has made the the lengthy wait since their last release worthwhile.
There may be trace elements of Sonic Youth or Joy Zipper in their sound, but over the spread of this album, The Courtneys create their own distinct world. Sunshiney slacker pop with just a pinch of melancoly that could have featured on one of my cool older sister’s pre-grunge mix tapes from the early 90s. Both this and their debut album are absolute gems, beautiful harmonies, fuzzy guitars. just pure happiness. reminds me of the days when Blake Babies were ruling indie pop. the contrast of vox and guitar noise is beautiful. Sunshiney slacker pop with just a pinch of melancoly that could have featured on one of my cool older sister’s pre-grunge mix tapes from the early 90s. Both this and their debut album are absolute gems.
Released February 17th, 2017
The Band
Crazy Courtney: Bass + backup vocals
Classic Courtney: Guitar + backup vocals
Cute Courtney: Drums + lead vocals
Flying Nun Records
