B.B KING – ” Live at the Regal ” Classic Live Albums Recorded November 21st, 1964, Regal Theater, Chicago, Illinois

Posted: November 21, 2017 in ALBUMS, MUSIC
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B.B. King, 'Live at the Regal' (1965)

When he stepped onstage at the storied Regal Theater on Chicago’s Southside in November 1964, B.B. King had 30 R&B hits but had barely creased the pop charts. Recorded that night, It was B.B King’s first live album would become an entry point for many white listeners, and blues aficionados still speak of it with awe — Eric Clapton was rumored to spin Live at the Regal to prep for his shows. Newcomers encountered an urbane but never slick professional, backed by a killer horn section, who belted each number with class and grit, all the better to showcase the jazzy yet terse yet economical solos he coaxed from his beloved black Gibson, “Lucille.” His set here begins, as it did those days, with “Everyday I Have the Blues” — not a lament, but the boast of a touring workhorse who performed more than 300 shows each year.

B.B. King is not only a timeless singer and guitarist, he’s also a natural-born entertainer, and on Live at the Regal the listener is treated to an exhibition of all three of his talents. Over percolating horn hits and rolling shuffles, King treats an enthusiastic audience (at some points, they shriek after he delivers each line) to a collection of some of his greatest hits. The backing band is razor-sharp, picking up the leader’s cues with almost telepathic accuracy. King’s voice is rarely in this fine of form, shifting effortlessly between his falsetto and his regular range, hitting the microphone hard for gritty emphasis and backing off in moments of almost intimate tenderness. Nowhere is this more evident than at the climax of “How Blue Can You Get,” where the Chicago venue threatens to explode at King’s prompting. Of course, the master’s guitar is all over this record, and his playing here is among the best in his long career. Displaying a jazz sensibility, King’s lines are sophisticated without losing their grit. More than anything else, Live at the Regal is a textbook example of how to set up a live performance. Talking to the crowd, setting up the tunes with a vignette, King is the consummate entertainer. Live at the Regal is an absolutely necessary acquisition for fans of B.B. King or the blues music in general. A high point, perhaps even the high point, for uptown blues.

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