Katie Crutchfield is nervous. It’s a few weeks before the release of her new album, “Out in the Storm”, and the 28-year-old singer-songwriter — known for her deeply personal, candid work — is only beginning to come to terms with the fact that she’ll soon be sharing with the world the most unflinching and detailed record she’s ever made. As she puts it in the lead track, “Never Been Wrong,” “Everyone will hear me complain/Everyone will pity my pain.”
Over the past decade or so Crutchfield has played in a variety of upstart DIY bands that blend folkie intimacy with cascading electric guitars, often sharing the stage with her twin sister, Allison. Out in the Storm is her fourth release as Waxahatchee, and her second for the indie mainstay Merge Records. She’s long been celebrated for the emotional directness of her songwriting, which places a magnifying glass on her own flawed tendencies and relatable shortcomings. But Crutchfield has never put out a record quite so raw as her latest, which chronicles the dissolution of her long-term relationship in painful detail.
“I can’t believe people are going to hear this,” says Crutchfield, calling from her home in Philadelphia. “Every day I wake up, as we get closer and closer to putting the record out, and I’m like, ‘This is the best thing I’ve done.’ And then the next day, I’m like, ‘I can’t put this record out.’ ”
Waxahatchee’s music organizes conflicting emotions into something resembling clear-minded self-awareness. The first Waxahatchee album, 2012’s American Weekend, was a stark collection of acoustic songs that Crutchfield recorded in her family’s home in Alabama. “I don’t care if I’m too young to be unhappy,” she sang on “Grass Stain,” after promising to drink her way to happiness. She explored the self-destructive tendencies of twentysomethings stuck in slow-motion memories, establishing herself as indie rock’s sharpest self-scrutinizer in the process.
The pain of Out in the Storm feels as fresh as a newly skinned knee, but it took some time for Crutchfield to write songs she felt comfortable sharing with others. “I really tried to not write when I was in the middle of all this craziness at the end of that relationship, because when I did try to write while stuff was still going on, I was in such a state. I hadn’t fully processed a lot of things,” she says. The first songs Crutchfield came up with sounded like they were written by an “angsty fifteen-year-old girl.” They were “too earnest,” she says, “to the point where I felt uncomfortable putting them out in the world.”
In fact, there are still moments on the finished album (“Brass Beam,” parts of “No Question”) that give Crutchfield concern “It’s just like, oof, there it is,” she says. That unadulterated openness is what resonates profoundly with an internet-raised generation eager to admit to “feeling all the feels,” and a growing fanbase that includes admirers like Sleater-Kinney, Lena Dunham, and Kurt Vile.
For Out in the Storm, her first full-length recorded with an outsider producer, Crutchfield reached out to John Agnello, who’s worked with artists like Dinosaur Jr. and Sonic Youth. “There’s a real backstory to these lyrics, and that might be why this record has such an edge to it,” says Agnello. “Katie was really motivated to go in a certain direction, and the talent and energy from her and her band was just incredible.”.
“All the things I learned from the American Weekend era have been thoroughly applied to my life now,” she says. “This record’s more about gracefully ending a relationship.” On “Sparks Fly,” Crutchfield needs only three words to sum up both the premise and the promise of her new LP: “A disaster, dignified.”
Releases July 14th, 2017
Katie Crutchfield: vocals, guitars, keyboards, bass, additional percussion
Katie Harkin: vocals, guitars, keyboards, piano, additional percussion
Allison Crutchfield: keyboards, additional percussion
Ashley Arnwine: drums
Katherine Simonetti: bass
Joey Doubek: additional percussion
All songs written by Katie Crutchfield
The Fat Angel Sings 