Posts Tagged ‘Sam Cook-Parrott’

Recorded October 8th-10th 2018 at Uniform Recording in Philadelphia, PA. Produced, arranged, composed, and performed by Sam Cook-Parrott. Engineered by Jeff Zeigler. Mastered by Ryan Schwabe. Cover design by Perry Shall. Photos and bouquet by Kate Illes. Center label design by Michael Cantor. Special thanks to Marco at Salinas for putting it out, my band for not being mad that I made a record without them, my roommates for putting up with my loud ass while writing and practicing this, to all my friends and family, and most of all to anyone who considers themself a “fan.” It’s my life’s great honor to rock for youWe are a rock band of rockers who love to rock. We also can be just one person who is much quieter but still loves to rock.. –Sam We are a rock band of rockers who love to rock. We also can be just one person who is much quieter but still loves to rock.
released May 10th, 2019

Philadelphia duo The Afterglows have released a self-titled album of lo-fi indie rock that has nods to power-pop, punk and a kind of warped, mournful Americana.

Philadelphia power-pop songwriters Sam Cook-Parrott and Michael Cantor each helm their own bands: Cook-Parrott is the force behind Radiator Hospital, and Cantor’s main project is The Goodbye Party. Both write songs that range from sparse and intimate to lush and joyful, driven by DIY aesthetics and thoughtful lyrics. Now, they’re collaborating under the name The AfterglowsCook-Parrott says the project came together slowly over the past two years, while he and Cantor were living together and working on records for their respective bands. After realizing how similar their sonic and aesthetic tastes were, they decided to record a stripped-down album of new songs and “a few strays” from their other bands. The resulting album is atmospheric and melancholy; it’s less immediately poppy than the duo’s other projects, but similarly easy to get lost in, anchored by the interplay between Cook-Parrott and Cantor’s voices.

“Angels In The Sunshine Hotel” is the first track the duo is releasing from the new album. It relies on layers of sound that build and coalesce around aching vocals, all built on the repetitive riff lying below. Cook-Parrott and Cantor’s carefully executed harmonies help balance the song’s bright moments and moody overtones.

Cantor explains in an email that the song was inspired by a story he heard about a tenant in a New York City flophouse called The Sunshine Hotel. The tenant moved to New York to study philosophy and answer life’s eternal questions, but an insistent focus on his metaphysical journey made him lose his grip on reality. He ended up penniless, living in the hotel. “There’s this idea that as a musician, if you’re serious enough about what you do, you’ll eventually quit your day job and just try to make it work,” Cantor says. “I guess this story was just a dark reminder that it’s easy to end up sacrificing too much if you aren’t careful.”

Available on a  pay-what-you-want deal from Bandcamp, it is a fine listen that we’re thoroughly enjoying. Grab it here or listen to a couple of tracks below first, Spitting Blood and Punks From The Past.

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