Posts Tagged ‘Salt Lake City’

Gathering Swans

Choir Boy debuted with the warmly received album ‘Passive With Desire’ in 2017. After signing to Dais Records, Choir Boy followed up with the 2018 single, “Sunday Light” and a lovingly packaged reissue of the debut album on vinyl and CD. Choir Boy is Adam Klopp on vocals, Chaz Costello on bass, Jeff Kleinman on saxophone and keyboard, and Michael Paulsen on guitar. 

Salt Lake City’s indie pop favorites Choir Boy return after four years with the release of their new cosmic album, Gathering Swans. An emotionally powerful record, full of poignant heartbreak and gently steeped in pop nostalgia, Choir Boy push their distinctive sound further, while tenderly romancing the unsuspected.

Since the release of their well-received 2016 debut Passive With Desire, of which Slug Magazine’s Erin Moore declares to be “…packed with songs that are infectious by way of their sound, as well as their emotion…”, and their 2018 single “Sunday Light”, the band evolved from singer Adam Klopp’s project accompanied by a rotating cast of players into a solidified, permanent line-up featuring long-time collaborator and bassist Chaz Costello, saxophonist and keyboardist Jeff Kleinman, and guitarist Michael Paulsen. Following a series of tours with such notable acts as Cold Cave, Snail Mail, and Ceremony, Choir Boy began writing their new album. Proving to be a worthy successor, Gathering Swans builds upon Choir Boy’s infectiousness with unique pop sensibilities and impeccable polish.

The first single, Complainer, demonstrates Klopp’s angelic voice effortlessly floating within the heart-wrenchingly sombre melodies, that in a tender state, will surely render tears. Lyrically, the song poses a form of wounded optimism, declaring “Oh my life, what a pitiful thing to hear…But it’s not that bad…I’m just a complainer”. Tracks such as Toxic Eye undoubtedly present the touching “choral-pop” sound that has come to be a hallmark of Choir Boy. Repetitious, layered vocal hooks that fade into the background, allowing the absence between breaths to be filled with the serene melody that embodies the foundation of Choir Boy’s appeal, demonstrating that the ethereal moments between the bright choruses and memorable hooks are as equally crucial and unforgettable as the lyrical content itself. A slightly more solemn ballad, Eat The Frog, skillfully adapts Choir Boy’s taste for nostalgia and translates such desire into a fully mature statement. The propulsive drive behind Eat The Frog possesses the emotional equivalent to sitting atop a hillside, just outside of the city, gazing at the sunset on a warm Summer night.

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Creative, sincere, passionate and glaring with intention, Gathering Swans paints a bright, hopeful, and deeply heartfelt image that will most assuredly attract anyone who accompanies Choir Boy upon their journey.

Original Release Date:
 May 8, 2020

Choir Boy debuted with the warmly received album ‘Passive With Desire’ in 2017. After signing to Dais Records, Choir Boy followed up with the 2018 single, “Sunday Light” and a lovingly packaged reissue of the debut album. Here’s the thing about Choir Boy singer Adam Klopp: his voice is so captivating, so utterly out-of-this-world that it’s easy to forget there’s a proper band co-piloting the project’s ethereal pop songs. In the three years since Choir Boy signed to Dais with their “Sunday Light” EP, the group’s core duo of Klopp and bassist Chaz Costello has grown to include guitarist Michael Paulson and saxophonist/keyboardist Jeff Kleinman.

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The quartet’s Gathering Swans LP finds them at the peak of their melancholic powers, bringing Klopp’s acrobatic melodies into full relief alongside serious hooks and synth-laced power chords. . This band is truly bold to weave such a deep and creative sound. Choir Boy has a haunting and mystical nature with deep introspection into the intensity of feelings. What an honest approach to music

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Salt Lake City’s Choir Boy dropped their debut album Passive With Desire in 2016, and they’ve been honing their gothic new wave and synth-pop ever since, becoming a staple touring band with the likes of Cold Cave, Ceremony and Soft Kill. Lead singer Adam Klopp has a tender voice you won’t forget—when someone nails the poignant, melodramatic croon, you cling to them for life. On their second album Gathering Swans, Choir Boy sounds bigger, and it feels like Klopp has more room to roam free with his vocals more at the forefront of the mix. “Complainer” is possibly the best Choir Boy song to date. His voice flutters with heart-rendering Morrissey-isms, which is great because you don’t have to deal with the unnecessary guilt of listening to the Smiths leader. Another standout “Toxic Eye” is the kind of pensive, downtempo goth-pop to wind down an epic night out or a spectacularly dejected night in.

The first single from indie pop outfit Choir Boy’s second album, Gathering Swans. Out May 8th, 2020. “Complainer” is a sarcastic examination of self pity. The video reveals Choir Boy’s involvement in a seedy back alley fighting ring.