Posts Tagged ‘Robert Gotobed’

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Filmed in February 1979, this performance shot for long-running German live music series “Rockpalast” — finds Wire still climbing, almost changing by the second. Two years earlier they were banging out amazing, minute-long punk rippers and here they’ve incorporated gloomy soundscapes, electronics and pure pop into their ever-morphing repertoire. Many of the songs that would appear on the band’s third album, “154” (released in October 1979), are here, including such greats as “The 15th,” “A Single KO,” and “Map Ref. 41°N 93°W,” alongside “older” songs like “Pink Flag,” “Practice Makes Perfect,” and “Another the Letter.” The band would go on hiatus a year later.

John Peel was a strong supporter of Wire, particularly during the band’s initial run of three ground breaking LPs on Harvest between 1977 and 1979, which coincided with their first three sessions for his show. The third session, featuring a single abstract piece called ‘Crazy About Love’, stood out as a landmark in Wire’s rapid evolution away from their early punk sound, as Colin Newman later recalled: “Instead of the usual four songs of three minutes, we did a 12-minute song, which was the antithesis of everything the Peel show was about: short, punky, unpretentious. A rumour reached us that he wasn’t pleased, but fair play to him, he played it – twice.

Widely viewed as one of the leading bands of the post-punk era, Wire were a major influence on many outfits played by Peel in later years.

This is Wire at their tense peak and the polite TV audience makes it all the more wonderfully strange.

Wire: Colin Newman (vocals, guitar), Graham Lewis (bass, vocals) Bruce Gilbert (guitar) Robert Gotobed (drums)

Setlist: 00:41 Another The Letter 01:53 The 15th 04:36 Practice Makes Perfect 07:26 Two People In A Room 09:20 I Feel Mysterious Today 11:20 Being Sucked In Again 13:54 Once Is Enough 16:42 Blessed State 19:41 A Question of Degree 22:27 Single KO 24:54 Mercy 30:40 40 Versions 34:45 Former Airline 35:52 A Touching Display 42:07 French Film Blurred 44:41 Men 2nd 46:15 Map Ref. 41°N 93°W 50:06 Heartbeat 54:39 Pink Flag 57:42 “THANK YOU”

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Pink Flag was “perhaps the most original debut album to come out of the first wave of British punk” and also “recognizable, yet simultaneously quite unlike anything that preceded it. Pink Flags enduring influence pops up in Hardcore Post Punk Alternative Rock and even Britpop, and it still remains a fresh, invigorating listen today: a fascinating, highly inventive rethinking of punk rock. The albums  a brilliant 21-song suite.  It’s a brief, intense explosions of attitude and energy, the band coming up with a collection of unforgettable tunes

Who says you don’t learn anything from art school?,  Tell that to Colin Newman and see how long it takes you to get a fist to the face or a mouthful to the ear. As singer, songwriter, and guitarist of the band Wire, the art-school graduate opted for the six-string over his easel, but he didn’t stop painting.  The wildly subversive “Pink Flag” album suggests, his art was in taking a minimalist approach to punk rock and hitting the genre with broader strokes. Like his contemporaries, there’s volume to his sound and angst to his songs, but it’s splattered across every facet to the music in wildly unpredictable ways. That’s why you can leap from the crunchy pop of “Ex Lion Tamer” toward the plodding psychedelia of “Strange” and over to the doo wop bliss of “Mannequin”. Basically, you never get the sense that they’re leaning on any one thing in particular, and that’s one of the many distinctions of post-punk.

https://www.youtube.com/watch?v=tNVdziest58

Wire are
Bruce Gilbert – guitar, sleeve concept
Robert Gotobed – drums
Graham Lewis – bass guitar, sleeve concept
Colin Newman – vocals, guitar on “Lowdown” and “Strange”