Posts Tagged ‘P.W. Elverum & Sun’

This is the double vinyl version of the new song/album by the Microphones. Excellent and fancy manufacturing of all components. Comes with a big poster. Foil stamping. The usual exquisite quality.

Phil Elverum releases the first new music under his long-hibernating moniker, the Microphones, in 17 years. The new album is titled “Microphones in 2020″ and is out today via his own label, P.W. Elverum & Sun. This new album follows The Microphone’s previous record, 2003’s Mount Eerie. Elverum has toured and released music under the name Mount Eerie since 2003, but he briefly revived the Microphones moniker for a show at What the Heck Fest in his hometown of Anacortes, Washington last year. The album consists entirely of a 44-minute-long track. “We all crash through life prodded and diverted by our memories,” Elverum says. “There is a way through to disentanglement. Burn your old notebooks and jump through the smoke. Use the ashes to make a new thing.

https://www.youtube.com/watch?v=A7BkabF31ak

The Microphones in 2020. Phil Elverum (who retired the moniker in 2003 and has gone by Mount Eerie ever since) brought back the name he used for such classic albums as The Glow Pt. 2 for the first time in 17 years, and the result is a one-song, 44-minute album where he muses on the very idea of being “The Microphones.” “There is too much focus on the title of a thing,” Phil told us in a new interview. “Ideally, we can just make stuff without a title for it and without an identity for it. Things can just rest on their own merit, but that’s too idealistic [laughs] and impossible.”

Released Aug. 7th, 2020
as a 2xLP by P.W. Elverum & Sun

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In October 2008, Mount Eerie and Canadian singer-songwriter Julie Doiron released a collaborative album called Lost Wisdom. They are now releasing its sequel: Lost Wisdom pt. 2 is out November 8th via Mount Eerie’s label P.W. Elverum & Sun.  listen to their new song “Love Without Possession.”

Mount Eerie and Julie Doiron are to play shows together this December. According to a press release, those concerts will “likely be the only performance of this album’s material for the foreseeable future.”

In a statement, Phil Elverum discussed the themes and intentions of the new record. He refers to the death of his wife, the artist Geneviève Castrée, which inspired his last two studio albums, 2017’s A Crow Looked at Me and 2018’s Now Only. He also alludes to his marriage to Michelle Williams and their separation earlier this year. “Finding myself staring into another fire, disoriented by the changes, these songs came out,” he wrote.

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Elverum continued, “I tried to make songs that did not rely at all on who I am or who I am singing about,” adding, “Knowing that anyone with internet access might have questions about my specifics, I don’t want to say anything personal that isn’t already in the songs. My fingers are crossed that when I push them out to sea they will be met with calm humane understanding. That’s what they’re about after all.”