Posts Tagged ‘No One Sings Like You Anymore’

No One Sings Like You Anymore CD

“No One Sings Like You Anymore” is Chris Cornell’s handpicked collection of 10 cover songs, which he personally selected and sequenced to celebrate artists and songs that inspired him, including John Lennon’s “Watching The Wheels,” “Get It While You Can,” popularized by Janis Joplin, a new recording of Prince’s “Nothing Compares 2 U,” Ghostland Observatory’s “Sad Sad City,” Harry Nilsson’s “Jump Into The Fire,” Carl Hall’s “You Don’t Know Nothing About Love,” Electric Light Orchestra’s “Showdown,” Terry Reid’s “To Be Treated Rite” and two songs currently available as digital singles, Lorraine Ellison’s “Stay With Me Baby” (originally released for HBO’s show Vinyl) and Chris’s 2020 chart topping hit “Patience” originally recorded by Guns N’ Roses.

Chris Cornell‘s widow Vicky Cornell, and his estate, surprise-released an album of covers, “This album is so special because it is a complete work of art that Chris created from start to finish,” Vicky says about No One Sings Like You. “His choice of covers provides a personal look into his favourite artists and the songs that touched him. He couldn’t wait to release it. This moment is bittersweet because he should be here doing it himself, but it is with both heartache and joy that we share this special album. All of us could use his voice to help heal and lift us this year, especially during the holiday season. I am so proud of him and this stunning record, which to me illustrates why he will always be beloved, honoured, and one the greatest voices of our time.”

“When my dad was making this album, it was so fun – I remember waking up in the morning, having breakfast with him and going with him into the studio,” Cornell’s daughter Toni says. “We would take our piano lessons there, and Christopher would play video games with Brendan and my dad. We got to experience so much with him and have so many amazing memories. I’m really happy to be sharing this album. We love you, daddy,”

“We had so much fun in the studio during this time,” Cornell’s son Christopher says, “and on days off we’d go to Tree People and hike around there. We would also play hide and go seek inside the Beverly Hills Hotel and when security would show up they would think it was so funny that my dad was running through fire escapes with us. For me this album represents who my dad was. I’m really proud of him and his work. I hope you all love this record as much as I do.”

‘No One Sings Like You Anymore’ is a selection of cover versions done by Chris Cornell, this is out 19th March.

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Surprise-release and “personally selected and sequenced to celebrate artists and songs that inspired him,” the new Chris Cornell album of cover versions is truly the gift that continues to give. A passionate vocalist with a famed four-octave range and a super alt-rock pedigree of time spent in Soundgarden and Audioslave (to say nothing of a series of solo albums invested in acoustic pop and nu-soul), having Cornell tracing over familiar lines such as those laid down by songwriters like John Lennon or interpreters such as Janis Joplin is to work the magic of true transformation.

What’s nice about “No One Sings Like You Anymore” is that this is not a portrait of the vein-popping Cornell screeching his way through a rager such as “Spoonman.” The ten tunes here are subtly sung numbers soft and poignant—focused on often-unsuspectingly melodic gems (like Guns N’ Roses’ “Patience,” done here as a dramatic mid-tempo ballad) with a quieter ensemble as backing. Not that he ever had to fight to be heard over Kim Thayil’s guitar army of lace and metal, Cornell could always sing loud enough to beat the band. On No One Sings Like You Anymore it’s clear—he doesn’t have to tangle in battle, and he sounded as if he was loving that ease of motion.

While Prince’s “Nothing Compares 2 U” is played and sung like the grooviest chamber soul with a few twists and turns for rapt theatricality, Lennon’s latter-day “Watching the Wheels” is done humbly and straight, reverent to the ex-Beatle’s longing for normalcy, with just a supple kick to remind you of Cornell’s heft. Harry Nilsson’s riff-happy “Jump Into the Fire,” a favourite rocking cover of Cornell’s Temple of the Dog, is given an oddball, epic French horn break in its bridge. 

If you want more epic, Lorraine Ellison’s “Stay With Me Baby,” done here with a souped-up organ whirring below him, allows Cornell to dip, dive, swoop, and soar without screeching. This is the true high point of the package, and one familiar to those (few) fans of Martin Scorsese’s HBO show Vinyl. If you want another epic with a sympathetic horn line, “You Don’t Know Nothing About Love” from songwriter/producer Jerry Ragovoy and nearly forgotten R&B vocalist Carl Hall—is Cornell’s passionate passageway into ragged vocal display.

Ragovoy and Mort Shuman’s bluesy “Get It While You Can,” scuffed up and scowled over by Janis Joplin, is made into a synth-pop track for Cornell to do his own gruff and soulful thing over. Same with Jeff Lynne’s slick, bluesy “Showdown.” Cornell and his band give the track an electro sheen and rhythmic tick, along with some noisy guitar. With so many colours and moods for Cornell to rise through, it’s such a damned shame he didn’t stick around to see this arc of his life, particulary this chapter and verse of his career.