Posts Tagged ‘Mom+Pop Records’

Beach Bunny Lili Trifilio Tegan And Sara

Tegan and Sara join Beach Bunny for a new version of the track “Cloud 9” from their 2020 debut “Honeymoon”. “We’re massive fans of Beach Bunny, and when we heard ‘Cloud 9’ for the first time fell in love with the brilliant lyrics and addictive melody,” the say. “We love that Lili was up to let us experiment with changing the pronoun in the chorus to she. The efforts made to make the song relatable to everyone, isn’t just about inclusivity, we think it’s a great indication of the flexibility and creative spirit of the band at its core!”. The new version of ‘Cloud 9’ not only features Tegan And Sara but has also been updated to include gender-neutral and feminine pronouns in its lyrics. 

The original version of the track was released on Beach Bunny’s debut album ‘Honeymoon’ last year.

Cloud 9 (feat. Tegan and Sara) ℗ 2021 Mom+Pop Records Released on: 2021-04-16 

beach bunny honeymoon

Emo garage-rock becomes thrillingly new on this Chicago band’s debut, driven by the bracingly real song writing of singer-guitarist Lili Trifilio. Pop-punk torpedoes like “Promises” and “Colorblind” power through self-doubt in a way that makes post-teen romantic angst seem at once archetypal yet wholly original; Beach Bunny are college-age kids who’ve been playing together for years, so there’s a surprisingly amount of song writing chops and musical precision here, and when Trifilio gets what she deserves on “Cloud 9,” singing “I don’t want to seem the way I do/but I’m confident when I’m with you,” you can’t help but want to jump up and high-five her.

Honeymoon is the excellent debut album from Beach Bunny, the four-piece band out of Chicago. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles “Dream Boy” and “Ms. California” encapsulate the highs and lows the exiting the honeymoon stage of a relationship.

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Beach Bunny found its initial legs in 2018 as fully formed fuzz-pop quartet, landing a streaming hit with the dark-witted body image paean “Prom Queen.” More so than on her earlier more-acoustic releases, Trifilio’s full-band version of Beach Bunny revealed a knack for infectious pop hooks played with a collaborative energy, which helped propel her anxious observations beyond mere folk confessionalism. The success of “Prom Queen” also helped the group net a deal with New York indie Mom + Pop Records, which offers up their full-length debut, Honeymoon.

Like the self-released EP that preceded it, Honeymoon capitalizes on Trifilio’s emotional honesty and strong melodic sense, but with a bolder production aesthetic, doing away with some of the lo-fi leanings of her previous output. Having spent the last couple of years gelling as a live band, Beach Bunny seem altogether more streamlined here, even flirting with elements of pop-punk precision on cuts like “Cuffing Season” and “Colorblind,” though without losing their indie charm. Most of the songs are up-tempo, with Trifilio taking a timeout on the introspective electric piano piece “Racetrack” and the more jagged “Rearview,” the latter of which is played entirely solo until its mighty final 30 seconds. Honeymoon is bookended by a pair of highlights in “Promises” and “Cloud 9,” two rousing tracks that connect squarely and showcase the best of what Beach Bunny can do.

There’s an endearing tenderness to Trifilio’s personal song writing style that mostly avoids emo clichés, and the band’s cautiously buoyant indie pop walks the line between sweet and muscular on this solid debut. The long-awaited debut LP “Honeymoon” from Beach Bunny follows their breakout hit with “Prom Queen” (65 million global streams). released February 14th, 2020 on Mom+Pop Records