Posts Tagged ‘Manitoba’

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Ariel Posen’s music occupies the space between genres. It’s a rootsy sound that nods to his influences — heartland rock & roll, electrified Americana, blue-eyed soul, R&B, Beatles-inspired pop — while still moving forward, pushing Posen into territory that’s uniquely his own. He turns a new corner with “Headway”, a solo album that finds the songwriter taking stock of his personal and musical progress.

Posen began recording Headway in December 2019, one week after wrapping up international touring in support of his acclaimed debut, How Long. He’d been on the road for a year and a half, playing shows across the U.K., Europe, America, and his native Canada. Along the way, Posen had received standing ovations not only from his audiences, but also from outlets like Rolling Stone, who dubbed him “a modern-day guitar hero,”.

Coming back home to Winnipeg, he began sifting through the new songs he’d written between tour dates. Many of them had already been tested on the road, their arrangements whittled into shape by a group of road warriors at the top of their game. Practically all of them were about the process of evolution — of making progress in life, love, and all points in between. Those themes were reflected in the music itself, which presented a crisper, clearer picture of Posen as a songwriter.

Famed for his exquisite slide technique and soulful vocals, Ariel Posen is now one of the most revered guitar players in the industry. However, his guitar choice is a little leftfield. Singer/songwriter. Internationally-renowned guitarist. Producer. Solo artist. A lifelong musician, there are few roles Ariel Posen hasn’t played. Utilising instruments that echo familiar models and vintage classics, he’s usually found playing a custom model by Josh Williams, a Collings 360 LTM and most notably, his signature StratoMule from Mule Resophonic Guitars, which he affectionately calls the ‘Posencaster’.

If How Long had been his introduction to the roots-music world, then Headway was something different: a sharply-defined snapshot of a musician who has truly crystallized his sound.
Like its title suggests, Headway is all about growth. Already celebrated as a frontman, multi-instrumentalist, and producer, Ariel Posen hits a new high-water mark with his second album — an album that prioritizes song writing above all else, showcasing the progress of a lifelong musician who’s still in the middle of an upward trajectory.

If ever a lyric summed up an entire album then these  words, taken from the title-track from John K Samson’s new solo album, is it. First there’s the brooding, philosophising of time and place and our role within it:

“And no one knows we’re anywhere we’re not supposed to be, so stay awhile and watch the wind throw patterns on a field. ”

such a staple of Samson’s work with The Weakerthans – then there’s the nod to his surrounding environment, and the wheat crop that so inspired this new album; one that hides throughout the winter only to thrive again when the warmer weather arrives.

Also diverting from these two somewhat vague arms to take in tales of drug treatment centres, technologies advancement on our daily lives, psychotic episodes at local quiz nights, and even the return of his feline character, Virtute, who dropped in and out of The Weakerthans back-catalogue, ‘Winter Wheat’ is a poignant, beautiful, and wonderfully compelling album, resonant and warm magnification of what’s often overlooked, so rich in detail it feels like entering the world of some great novel; vivid, detailed, and one that stays with you for far longer than the running time.

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All lyrics and songs C 2016 by John K. Samson,
except 17th Street Treatment Centre and VPW 13 Blues,
C 2016 by Christine Fellows and John K. Samson

Irresistible foot-tapping indie rock, Futurekids hail from the centre of Canada and deliver upbeat yet melancholy rockers infused with blips of pop culture references. The band’s debut EP, 2014’s Say Goodnight to the Machines, reached a reasonable place on the Canadian national charts and was mastered by Juno-winner Jamie Sitar (Destroyer, You Say Party).

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