
Christopher Paul Stelling is one of those performers you could easily envy, with a superbly salient voice and ultra-skilled fingerstyle-cum-claw-hammer playing technique, all on one instrument. A real talent as well as an engaging character.
As any musician knows, the time that passes between conceiving the idea of an album and hearing it in its entirety can be very long; the songs on there need to have some staying power for the player as well as the audience. Christopher comments ‘Well, yeah, I finished the record back in September last year, and I started writing it in February, so I’m over this one,’ he laughs. ‘I’m ready to start looking at another project. I’m totally glad people can hear it now and I’m happy with how it’s being received, but I haven’t really listened to it for a while now.’
As well as being an effective, exciting 10-tracker, Labor Against Waste was in itself a labour of love for Christopher. ‘The record is out on a label, but my friends and I did the whole thing; I went into the studio initially with The Low Anthem to record a bunch of songs I had, and then I went off to Europe, came back with some more songs and went into the studio with a band and some good gear. It was recorded in segments because studio time is fucking expensive and it was mastered and mixed by us, so in that way it’s a very important one.’
I had a lot of difficulties to decide where to put this one should it be in my top albums of the year, having see the guy perform earlier this year . “Labor Against Waste” by Christopher Paul Stelling is an album that is very dear to me. A great album despite some minor flaws. And those aren’t really flaws.

