Posts Tagged ‘Jamestown’

Meg Baird and Mary Lattimore’s collective work as solo artists, band members, and collaborators—could fill a small record collection. Despite this productivity, these two long-time friends have never recorded an entire album focused exclusively on their unique talents. “Ghost Forests” mysteriously, thrillingly fills that void.

Independently, Baird and Lattimore have each cultivated highly individual and idiosyncratic tools of expression. Baird’s timeless and soaring voice, guitar, and drums have underpinned pastoral and folk rock explorations as a soloist and in band settings with Espers and Heron Oblivion. Lattimore’s albums of enigmatic, spectral experimental harp sounds move and unfold like films and nature itself. The list of artists that have called upon their voices, talents, and visions to enrich their own work is expansive—a virtual pocket encyclopedia of contemporary indie and experimental musicians.

Over the course of “Ghost Forests”’ six collaborative compositions we hear deeply sympathetic conversations between the two artists. With access to a deep pool of shared influences, these two friends assembled a collection of sounds conjured from harp, guitar (both acoustic and electric), synths, the human voice, and a shared poetic language. Baird and Lattimore’s subjects range from the sound of light on water, seismic geopolitical anxiety, the smog-exploded sunsets of Don Dudley’s paintings, and vertigo from their respective relocations to San Francisco and Los Angeles from their once-shared home in Philadelphia.

The synthesis of their vision welcomes listeners who might have been familiar with only one of the performer’s solo oeuvres. It also speaks to long-time fans both artists who have long wondered what this dream collaboration might yield.

Steve Gunn has long known Baird and Lattimore and worked with both on his own albums. He says “Meg Baird and Mary Lattimore are two musicians that I greatly admire. ‘Ghost Forests’ is an ace meld of their abilities; Meg’s guitar and voice, and Mary’s harp lead each other (and us) into further regions of the strata. With each song you can hear this remarkable kinship. I’m thankful for this soundtrack.”

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“Ghost Forests”’ musical conversations are intimate, fluid, effortless and spontaneous. They’re filled with the euphoria of creation and, at times, they articulate hard truths and tangled emotions with an ease only trusted friends can manage. The songs alternate between extended ethereal instrumental excursions, gauzy and dreamy pop, blown-out “Bull of the Woods” heavy haze, and modern reimaginations of epic traditional balladry—all while touching on the strange and otherworldly places between these stations.

With “Ghost Forests” Baird and Lattimore have given us all a timeless gift that generously rewards immersion and deep investigation. It is our collective good fortune as listeners that we are able to eavesdrop on their conversation through these songs. It is also a wonder to hear two unique artists interact to such beautifully original ends.

Releases November 9th, 2018

Recorded January 2018 in Los Angeles, CA.

“Ghost Forests” is the first full collaborative album from Meg Baird and Mary Lattimore. It was recorded in January 2018 in Los Angeles with Thom Monaghan. It will be packaged within a jewel case including artwork by Jeff Root and a 4 panel insert. It was mastered by Patrick Klem. “Ghost Forests” will be released on November 9th, 2018.

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After what seems like an uncharacteristically long silence, longstanding Wooden Wand has shared details of a new album, Clipper Ship, to be released on the 29th April.

The first taste from it is Mexican Coke, a typically understated, gently strummed and elegant folk song that reminds us all of what we’ve been missing . Lyrically there are few who can match his way with words – somehow managing in a few short turns of phrase to be genuinely thought provoking, reflective, poignant and occasionally slyly humorous. The evidence is all there in Mexican Coke – a subtle gem and a very welcome return.

In a world of guitar players, James “Wooden Wand” Toth remains first and foremost a songwriter and lyricist. “Clipper Ship”, however, presents a break in tradition: in attempting to emancipate himself from old habits, Toth wrote most of the songs on “Clipper Ship” ‘music first,’ adding lyrics later, a reversal of the tried and true method that has made him one of the most prolific and respected songwriters of his generation. The result is the most democratically-conceived, multi-layered, and musically sophisticated album in the vast Wooden Wand discography.

“Clipper Ship” is the first proper full-length Wooden Wand album since 2014. Performers include Darin Gray (On Fillmore, Dazzling Killmen, Jim O’Rourke, Tweedy, William Tyler, etc), Ryan Norris (Coupler, Lambchop), Glenn Kotche (On Fillmore, Wilco), Jim Becker (Califone, Iron & Wine), Nathan Salsburg (Joan Shelley), Kyle Hamlett (Lylas), Josh Wright & Seth Murphy (Bear Medicine), Luke Schneider (Margo Price, JEFF The Brotherhood, Natural Child, William Tyler, etc), Zak Riles (Watter, Grails), and Jim Elkington (Tweedy, Horse’s Ha, Richard Thompson, Steve Gunn).

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releases April 29th, 2017.