Posts Tagged ‘Horse’

Estonian outfit Holy Motors have shared their second album “Horse”. Like other album cuts, “Trouble” packs twang and sparkle. Eliann Tulve’s dreary vocals cascade over warbling vibrato guitars, and it’s clear that this is a song of the night, but not one of playful roguery—this is for stargazing and cycling through one’s hopes and fears.

A Stunning ode to America, country music a wilder west, and a world HOLY MOTORS have been enraptured in all along.
Out today on all digital formats, Holy Motors’ Horse — the more hopeful follow-up to the band’s stunning 2018 debut, Slow Sundown — further reveals the unique influences that led to the formation of this enigmatic band of ex-Soviet cowboys.

From the album’s opening moments, songs like the rollicking ‘Country Church,’ with its classic rhythm and blues guitarline, and ‘Road Stars,’ a duet steeped in country twang, hint at the shared infatuation with the American West that band members developed waiting out their native Estonia’s long, grim winters with the warm company of western films. Meanwhile, the darkly abstract lyrics on like those found on ‘Trouble,’ and the slinking melodies that drive tracks like ‘Matador’ bridge the gap between Horse’s eight songs and the band’s prior work.

As a whole, while Horse is equals parts more complex and more human than any of Holy Motors‘ releases to date, showcasing a band that becomes harder to define even as we learn more about them.

“Trouble” is from the album ‘Horse’ out on 16th October.

HOLY MOTORS – ” Endless Night “

Posted: August 16, 2020 in ALBUMS, MUSIC
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Image may contain: one or more people, people sitting, horse, text and outdoor

First 200 lps are hand numbered, first come, first served.

Though their music has often been tied to the traditions of americana and american roots music, holy motors were formed in Tallinn, Estonia in 2013, when founding member Lauri Raus (songwriter and one of the band’s three guitarists) recruited Eliann Tulve, who was just 16 at the time, to join the band as songwriter and lead vocalist. With Tulve’s gorgeously foreboding vocals serving as a ballast for the guitar section’s “infinity-pool-style shimmer” the band quickly became as un-ignorable as they were inscrutable, rising from the ranks of eager supporting act (for low, at SXSW) to sought after headliner (at NYC underground-meets-above-ground mainstay berlin) in just a matter of days during their first unofficial tour of the us in 2018.

That same year marked the release of their critically acclaimed debut LP, slow sundown, on New York City’s equally enigmatic Wharf Cat Records, an album that garnered praise and airplay not just in the band’s native Estonia (where it won Tallinn’s music week award and a nomination for debut album of the year by the Estoniain music awards), but also via a battery of publications west of the baltic, including stereogum (album of the week), bandcamp (album of the day), and the uk’s diy mag . All this momentum went so far as to capture the attention of one of the band’s very own idols, Anton Newcombe of the Brian Jonestown Massacre, who approached them after seeing a live performance in Berlin and would go on to produce a handful of tracks for the band in 2019 as well as join them for their set at Switzerland’s festival nox orae during a summer itinerary dotted with european music festivals.

But rather than being blunted and worn down by the tumultuous forces of success, Holy Motors’ incongruence has instead grown all the more prevalent and endearing. They remain musicians from an ex-soviet country producing music that has been described as “cowboy dream-pop with a dark side,”, “shoegaze that sounds like the old west” , and like “a twang-filled soundtrack to… Cowboy melancholy”. The resulting mystique is an inalienable part of the band’s dna, stemming from the shared infatuation with the American west that the members developed waiting out Estonia’s long, grim winters with the warm company of American western films (Badlands and Paris, Texas amongst their favourites) and their instruments. What began as an innocent fascination evolved into a sincere embodiment of that dreamy, melancholy cowboy aura, both in their music and persona as a band.

Now, at 22 years old, Eliann Tulve resembles Mazzy Star’s Hope Sandoval, reincarnated as an Estonian cowgirl. She is enigmatic as ever but stands more firmly alongside co-songwriter Lauri Raus, the solidification of their roles perhaps accounting for the more hopeful turn their song writing has taken of late. Their new album “Horse”, which is due out on Wharf Cat Records on October 16th, finds the band acknowledging the Americana and rockabilly strands of their musical dna without sacrificing any of the otherworldly mystique that keeps them from neatly conforming to the shoegaze and dreampop labels often applied to their music.

From the album’s opening moments, songs like “Country Church,” with its major key and classic rhythm and blues guitarline, and “Midnight Cowboy,” which sounds like a lost Buddy Holly 45 played at 33 rpm, make it clear that Horse — even if it may not accomplish the impossible task of demystifying this band of ex-soviet cowboys — will at least show you that there’s more to them than the near-impenetrable darkness of their work to date may suggest. Although tracks like “Trouble” and “Endless Night” gravitate toward the ethereal production and existential subject matter of prior releases, repeat listens reveal complex compositions and an empathy that is central to this eight-song album.

As a whole, Horse stands as a warmer, more human counterpoint to 2018’s celestial slow sundown, and showcases Holy Motors as a hypnotic force that draws listeners in and leaves them wanting more. This effect, paired with their ability to write lyrics and music that resonate with a deeply relatable feeling of isolation, has resulted in an album built to connect with people from devoted shoegaze and western psychedelia fanatics to dreamer cowboys, driving through wide open country roads under the stars.

“Endless Night” is from the album ‘Horse’ out on 10/16.

Image may contain: one or more people, people sitting, horse, text and outdoor

Though their music has often been tied to American roots music, Holy Motors were formed in Tallinn, Estonia in 2013, when founding member Lauri Raus (songwriter/guitar) recruited Eliann Tulve to join the band as songwriter and lead vocalist. With Tulve’s gorgeously foreboding vocals serving as a ballast for the guitar section’s “infinity-pool-style shimmer” the band quickly became as un-ignorable as they were inscrutable. 2018 saw the band release their critically acclaimed debut LP, Slow Sundown, which won them praise from Stereogum (Album of the Week), Bandcamp (Album of the Day) and DIY (Neu Pick) to name a few.

They even landed on one of their very own idols’s radar – Anton Newcombe of the Brian Jonestown Massacre – who went on to work closely with the band in 2019. Since then Holy Motors’ incongruence has only grown all the more prevalent and endearing. They remain musicians from an ex-Soviet country who write songs that have been described as “shoegaze that sounds like the old West” .The resulting mystique, paired with their ability to write lyrics and music that resonate with a deeply relatable feeling of isolation, has allowed their music to connect with people from devoted shoegaze and western psychedelia fanatics to dreamer cowboys, driving through wide open country roads under the stars. Their second album Horse will land 16th October 2020 via Wharf Cat Records.

“Country Church” is from Holy Motors ‘Horse’ LP (out 10/16) you can pre-order LP/CD/Special Edition LP here https://www.wharfcatrecords.com/store…