Posts Tagged ‘Here Comes the Wave’

Image result

New York’s experimental dream pop/psychedelic outfit Shana Falana (Shana Falana and Michael Amari) premieres their new video for “Cloudbeats” today, sharing some upcoming tour dates where you can enjoy the live version of this magic in person. The video itself is quite beautiful, beginning with the watercolor palette of a rising sun over the horizon. It basically chronicles a day in the life of Shana, which – yes – does involve some time on the phone before even getting out of bed. Shot by Shana and edited by Michael, the video is very DIY. It brings excitement to every day tasks, and reminds us of the power in our own two hands.

Shot by Shana Falana
Edited by Michael Amari

from the 2016 LP “Here Comes The Wave’ (Team Love Records)

Image result

Today see’s the release of San Franciscan songwriter Shana Falana’s second album, Here Comes The Wave. The album is a series of dark pop anthems, many of which were written during a burst of productivity the best part of a decade ago that accompanied her recovery from what Shana describes as, “drug-related financial ruin.”

Ahead of the release this week, Shana has shared the album’s sublime highlight, Cool Kids. A burst of daylight in an album of gritty darkness, Cool Kids is a message to her younger self, and young people everywhere, to embrace who they are and be themselves in the face of peer pressure and self-doubt. Musically it’s huge, a wall of pounding drums, multi-layered vocals and driving, bassy rumble. A euphoric reminder that being anyone else’s idea of cool isn’t being yourself, as Shana puts it, “the cool kids are the ones you forgot.”

http://

Here Comes The Wave is out today via Team Love Records.

Shana Falana

“I was pretty lost in addiction, living in Bushwick, Brooklyn, in 2006.” That’s how Shana Falana sets up “Cloudbeats,” the mist-wreathed new single from her roaring new record “Here Comes The Wave”.  She spells out that same backstory explicitly in the lyrics, sighing, “Pills I take/ cocaine, too/ call in sick/ ‘I have the flu.’” The music that surrounds the confession is drifting and dreamlike—a stark change from the thundering roar for which Falana has become known.

But the song goes deeper than mere confession, starting with addiction but gradually moving on to address loss and pain. “This is a song about looking for a home, both physically and emotionally,” Falana says. “Shortly after I wrote this, I reconnected with my father and learned he was ill. Three months later, he passed away. I feel like I’m still processing his death, even nine years later. When I went to record the vocals for this song, I became totally overwhelmed with grief.” You can hear that in her voice, the way it drifts disconsolately along, a spirit looking for a home. But, in the end, “Cloudbeats” is about more than just sorrow. “There’s a lot of closure in this song for me now,” Falana says. “It’s like I was reaching out to my future self for help and, nine years later, I was able to answer the call. That’s the underlying message of this record: It’s never too late. Never give up. Life keeps on getting better.”

http://

 

Shana Falana lives in New York’s picturesque Hudson Valley where she works painting houses, volunteers in her community, and collaborates on music with her partner and musical collaborator Mike Amari. By the guitarist/songwriter’s own accounts, life is good, but the path to get to where she is today came with many twists and turns.

Raised in California, Shana Falana spent time in San Francisco’s D.I.Y. scene and sang in a Bulgarian women’s choir before following her heart to New York. By 2006, Falana found herself grappling with addiction and money woes when she lost part of her index finger in a work-related incident. Under usual circumstances, that might be considered entirely unlucky, but the settlement money she received after the accident provided her a period of financial stability that allowed her the time and space to finally overcome her addictions and find new focus in her life and music.

Much of the music on Shana Falana’s second album, Here Comes the Wave (Team Love) were conceptualized in the years that followed and refined over time. Produced with D. James Goodwin (Bob Weir, Whitney, Kevin Morby), the record shows the duality of Falana’s “then and now” in its diverse moods, lyrical themes, and sonic palette that incorporates shoegaze, gothic pop, and rock. But while many of its songs are at least outwardly exuberant and dreamy, its first single, “Lie to Me,” treads darker waters, starting with a trudging, bottom-heavy riff before exploding into a trippy mass of guitar feedback, Moog, and anguished, layered vocals.

http://

Check out the premiere of “Lie 2 Me” learn more about how Shana Falana’s background in traditional music has continued to impact her songwriting, channeling difficult times and emotions into music, and how giving back to others struggling in their lives has helped her stay centered in her own. Here Comes the Wave comes out on October 21st via Team Love Records.