Posts Tagged ‘Electric Ursa’

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Joan Shelley’s music is startling,  It startles because of its closeness, the near-instant sense of familiarity we feel when you listen to it. Her songs fill the air around you, echoing and resounding like a voice lost in the later of American and British folk revivals – some Anne Briggs maybe even a little of Linda Thompson. But none of them are “trad arr. Shelley.” Joan wrote them all. Listen to her sing and it’s evident. You’ve never heard that voice before, either. its just perfect and timeless. Electric Ursa was recorded in Louisville, Kentucky and marks Joan’s first release for No Quarter Records.

It includes collaborations with new labelmate Nathan Salsburg, as well as several other of Louisville’s fine musicians. In the eight songs that make up this record, we are seeing an artist in her stride, able to move seamlessly between darkness & light, attempting to reconcile the wild expanse of the future with the burdens of memory. And at the center of it all are songs of a nature beautiful, precise, and clear vocals , delivered to us by her singular voice.

Over the past five years, Joan Shelley has recorded several albums, toured with her band, on her own, and as a duo with Daniel Martin Moore, playing concerts for spellbound audiences all over the globe.

Upcoming shows  UK tour dates:

04 Mar | The Glad Cafe, GLASGOW ,05 Mar | The Old Fire Station, PENRITH, 06 Mar | View Two Gallery, LIVERPOOL ,07 Mar | The Lounge at Gullivers, MANCHESTER, 08 Mar | De La Warr Pavilion, BEXHILL-ON-SEA ,09 Mar | Regal Eagle Session, LONDON, 10 Mar | Rough Trade West, LONDON 6pm, 11 Mar | The Green Note, LONDON

Joan Shelley and the album “Electric Ursa” There’s very little flash to Joan Shelley’s release “Electric Ursa, but you don’t need flash when you’ve got songs this good. The Kentucky singer-songwriter is armed with a plaintive voice, quietly powerful lyrics and a group of backing musicians who know how to add sensitive and restrained color to the proceedings. An understated gem that sounds better and better with each spin.

It starts appropriately with a song called “Something Small.” It’s indicative of the whole album, which barely cracks half an hour, with eight miniaturist songs made of delicate arrangements and Shelley’s gentle voice. But around the time you get to the lovely “First Of August,” Shelley’s power becomes increasingly apparent. That’s best exemplified on the album’s shortest song, “Remedios” — the wordless song builds gradually to a graceful peak.