Posts Tagged ‘City Club’

The Growlers Tour Dates

With a name like The Growlers first time listeners could be forgiven for thinking latest LP ‘City Club’ is a snarling effort, but behold this release from the American band is more of a further exploration of quintessential thumping bass lines, slinky synths and charmingly distorted vocals. This is the collective’s fifth studio record, and although the follow up to 2014’s ‘Chinese Fountain’, it’s the first release for them on Julian Casablancas’ Cult Records.

Opener ‘City Club’ is funky and grooving as it sets the tone for the rest of the album. Aside from powerful and prominent bass lines, jangling guitars and an element of scuzz laced through singer Brooks Nielson’s vocal threaten a placid disco rock sound. Another highlight is the softer and more lingering ‘Night Ride’. As the title would suggest this is a track best listened to whilst cruising around downtown LA of an evening rather than on a lengthy commute home.

Although this record carries a swooning 70s sonic theme throughout, switches in the instrumental elements avoid it sounding too samey. ‘Dope On A Rope’ is a more intricate affair with gentle guitars and kaleidoscopic electronics, while the acoustic and synth led ‘When You Were Made’ could almost be pigeonholed as a ballad with Nielson crooning, “Don’t get too down on yourself/they were in love when you were made.”

Overall there is a distinct retro vibe to ‘City Club’. Most of the tracks possess a nostalgic groove which wouldn’t render them out of place in an episode of the enigmatic Twin Peaks. It’s definitely an older sound from the band that not so long ago released a single titled ‘Uncle Sam’s A Dick’ and despite the aforementioned lack of snarl, this record definitely has plenty of bite.

The Growlers, “Rubber & Bone” Directed by George Trimm for Buzzcut Films
From the album, City Club, available now from Cult Records.

“The Growlers”, shot while touring through California, Nevada, New Mexico, and Texas.

https://www.youtube.com/watch?v=cMjyxbt3MMA

A decade deep and five albums in, City Club is the band’s debut effort for Cult Records and it’s also the first album that welcomes outside influence in the form of label head, Strokes singer, Julian Casablancas working alongside Shawn Everett (Weezer) on production. The collaboration was clearly a harmonious one: The Growlers retain their scuzzy, spooky, surf-pop swoon (“When You Were Made,” “World Unglued”), but their songwriting’s more concise, sharply focused, and perfectly realized, with added flourishes including sexy sax and synth action, and some well-placed plinkety guitar lines . They’ve opted for more pop while managing to retain their grit, and, like all the best rock ‘n’ roll records, listening to City Club makes you feel cool as fuck

There’s just something about these synths and this bass groove that smacks of late nights and tawdry tales. “Night Ride” depicts a scene we’ve all witnessed, or been a part of surreptitious trips to the bathroom, the devil in the dimly-lit basement, the sun shaming the night sky to dawn, and you wondering why the hell you’re back here yet again. “Tomorrow night will go on without you, till dawn and no one will care…” sings Growlers’ Brooks Nielsen.

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It’s just one of the tasters from their most excellent fifth album City Club (out September 30th): A delicious, 13 track collection that weds a pack-a-day gruffness with deft pop hooks. There’s a hypnotic, give-a-fuck 70s street swagger to it, thanks to the muscular basslines, but also a surfy swoon to Neilson’s casual-cool croon. It’s the band’s first album with Julian Casablancas’s Cult Records—and LP which The Strokes frontman produced.

“The Growlers may be the most interesting band in the world, certainly one of the coolest,” notes Casablancas. “Nor gypsy, nor goth, nor surfer, nor punk, yet somehow all of them.”

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Now, this track isn’t feisty in the loud, distorted guitars and smashing drums sense. No, it’s feisty in a dirty-funky-grimy kind of way which remind me of the Clash. With repeated phrasing of “Shake me up/shake me down/shake me down/I’ll Be Around” plays, it will begin to dance in your mind long after the track swirls itself into the ether. The Growlers have been around and kicking ass for sometime now so I was excited to see their latest album, City Club possibily their best release yet, is produced by none other than Julian Casablancas (of The Strokes fame). You can’t have these new Growlers’ tracks sounding too polished and Casablancas doesn’t let that happen. Definitely listen to “I’ll Be Around” below or secure your own copy

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“I’ll Be Around” from the new album City Club.
Available September 30th, 2016 from Cult Records.