In light of Tuesday’s election results, North Carolina-based indie label Tiny Engines has become the latest in a line of musical entities to put their wares up for charity. Starting this week, their entire catalog, which includes standout Philly acts like Mannequin Pussy, Cayetana, and Little Big League, will be available under the “Pay-What-You-Will” format with all proceeds going to Planned Parenthood and Southern Poverty Law Center
The CMJ Music Marathon, which takes place in clubs across New York City each autumn, began as a way for college-radio programmers to discover new acts for their airwaves. It was in that spirit that NPR Music chose the Philly rock band Cayetana to kick off its recent CMJ show. Augusta Koch, Allegra Anka and Kelly Olsen are already underground stars in the city of brotherly love, but their audience is poised to grow massively on the strength of Cayetana’s stellar debut album, “Nervous Like Me”. And, as you’ll see here, the band’s got the whole “live” thing down pat.
Like fellow Philly musician Waxahatchee, Cayetana writes short songs about longing. The subject matter varies from love to nostalgia to simply making sense of life in your early 20s, but it almost always hits home — and, more specifically, the heart.
SET LIST
Miss Thing – 0:48
Madame B – 4:20
Serious Things Are Stupid – 7:51
Dirty Laundry – 10:12
Black Hills – 13:02
Mountain Kids – 15:31
Favorite Things – 19:15
South Philly – 21:52
Hot Dad Calendar – 25:32
Scott Get The Van, I’m Moving – 29:06
The band Are Augusta Koch, guitar, lead vocals Allegra Anka, bass Kelly Olsen, drums
Cayetana – “Nervous Like Me” (Tiny Engines) – There’s a point where songwriting gets so specific, so personal and nuanced, that it all of a sudden transcends idiosyncracy and becomes universal. That’s what makes Cayetana’s debut LP “Nervous Like Me” such a winning record. Whether the experiences are her own, imagined or some combination of the two, frontwoman Augusta Koch tells lyrical stories you instantly relate to. Stories of emotional dependency and toxic friendships (“Serious Things are Stupid,” “Dirty Laundry”), of the beautiful transience of twentysomething life (“Scott Get The Van, I’m Moving,” “South Philly”), of discovering empowerment in solitude (“Madame B”). But it’s not just the subject matter that makes this a great album – it’s the hooks. These are some catchy-as-hell songs, most clocking in around or under three minutes; most moving at a brisk pace, propelled by Kelly Olsen’s aggressive drums and Allegra Anka’s wandering, New Order-ish bass counterpoints; most featuring endlessly sing-along-able passages. The title, Nervous Like Me, is also apt. Our contributing writer Bryne Yancey pointed that the album has a nervous energy undercurrent in the frenzied drumbeats and jagged guitars and Koch’s tender, quivering delivery. You can feel that tension, that uncertainty and fear, and in her words she spells out explicity why it exists. Even though you haven’t specifically been in the same place, you know how she feels, you can relate. And that is the power of strong, honest songwriting.