Posts Tagged ‘Barcelona’

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Barcelona’s Mourn. They’ve just dropped ‘This Feeling Is Disgusting’ and it’s a perfect indie rock banger – two-chord punk guitars, sweet/rageful vocals, jumpabout beat. “Self Worth”, out now via Captured Tracks, is the Barcelona trio’s fourth album, and it follows 2018’s Sopresa Familia, which was characterized by the seething anger Mourn felt after being manipulated by their previous record label. Self Worth is imbued with a similarly intoxicating vigour and celebration of each other, but it also has a cool confidence, and both melodic ease and intrigue. With an approach to rock and post-punk that’s both straightforward and unusual, Mourn remain one of the most underrated bands going.

Adversity does not incite the best feelings: frustration, anger, fear, anxiety – nothing unusual for today’s world. The members of Mourn know quite a bit about these setbacks, but a latent belief persists within: the negative will eventually become positive. It’s the belief of facing and overcoming a problem. To come out reinforced: the wonder of resilience. It’s the belief of what they are worth, whatever people say. It’s the name they chose for their new album: Self Worth.

And it’s precisely self-worth that took Mourn this far. Their journey was premature, with their self-titled debut album – released in 2014 when all the members were still minors – earning them widespread critical acclaim and devoted fans. They followed with two more: Ha, Ha, He (2016) and Sorpresa Familia (2018), and became intercontinental with tours in North America, Europe, and Japan. An indie dream come true for Jazz Rodríguez and Carla Pérez Vas, both born in 1996 in El Maresme, Catalonia, where the two became inseparable in high school. That bond remains today, and when their voices and guitars combine it is pure fire.

Of course, there were obstacles along the way: a local label with mismanaged finances and careless managers, and more recently, a line-up change with Antonio Postius no longer on the drums. The band isn’t the same as when they formed. The world isn’t either. Mourn grew up, and that’s evident in the songs that make up Self Worth. Their melodies – energetic and captivating – venture into less level grounds, and their lyrics show their newfound readiness to tackle issues of a different weight and size.

Self Worth began to take shape in the spring of last year. Back then, things weren’t going so well. “We were in a very bad moment; the group dynamics were no longer working with Antonio. We didn’t feel like we could write a record with him. It didn’t work. So in the end he left,” Jazz recalls. “I think his departure was something that had to happen. We no longer understood each other. And it got to the point where it wasn’t comfortable, either on tour or in rehearsals. So it was a very positive change. It gave us the peace of mind we needed,” Carla adds. In May, once freed from the “bad vibes”, Jazz and Carla took refuge for almost a week in a small house in the mountains, near the Pyrenees in France, to start projecting their next album. No phones, no internet. Just what they needed to write and record demos. New melodies, lyrics and guitar parts appeared, and with these first songs, they returned to Catalonia, where Leia Rodríguez – bassist and sister of Jazz – and Víctor Pelusa – the new drummer – were waiting. “We finished it with the four of us together, at the end of that summer,” Carla says. Jazz: “We’ve been able to enjoy the process of writing an album throughout the summer. In the past that could only happen under pressure.”

The track is from forthcoming album, “Self Worth”, out October 30th via Captured Tracks.

“The song is really about fear of the future, being anxious about what’s going to happen, not knowing if you’re going to be able to earn a living or not. It’s a really happy song, but one that represents being stressed out. The idea of “I don’t know if I’ll be able to afford an apartment any time soon, but hey, let’s dance and have fun!” That’s the concept behind it, and that’s what I was thinking about while writing the lyrics. I also thought about my parents, and everyone’s parents. They often have high expectations for you, or they want a certain lifestyle for you, and you don’t always agree with that. So you try so hard to do life your own way, but you’re super stressed out and you’re scared, and every now and then you think “Is it worth it?” In the end, I think it’s worth it.”

Official video for “This Feeling Is Disgusting”, from Mourn’s new album “Self Worth”

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Mourn is a very young quartet formed from the friendship of Jazz Rodríguez Bueno and Carla Pérez Vas—both born in 1996 in ElMaresme, Catalonia, Spain. The duo armed themselves with inspiration from PJ Harvey, Patti Smith, Sebadoh and Sleater Kinney and began writing material, which they quickly released, raw and acoustic, on their YouTube channel.
Mourn knows quite a bit about setbacks, but a latent belief persists within: the negative will eventually become positive. It’s the belief in the wonder of resilience. It’s the name they chose for their new album: “Self Worth”.  The band isn’t the same as when they formed. The world isn’t either. Mourn grew up, and that’s evident in the songs that make up Self Worth. Their melodies – energetic and captivating – venture into less level grounds, and their lyrics show a newfound readiness to tackle issues of a different weight and size.

“Men” is lyrically patent proof of this growth, and their heightened consciousness as women. A revealing song, necessary and deliberately uncomfortable. A beautiful melody of war against patriarchy; the impulsive rescue of the riot grrrl.

Certain needs stand out through the album: leaving behind abusive ties, externalizing the interior noise. “We talked a lot about getting out of toxic situations – not resigning ourselves to that, not enduring that anymore. The songs are like flags to stand up and say: ‘we are done.’” Just as “Stay There” draws a limit and “Apathy” spits truth in your face, “Call You Back” seems to paint that instance in which love paralyzes, and “I’m In Trouble” turns exasperated voices into machine guns. Punk assault with a clear message: the body speaks when the mind is not well.

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Mourn is an enclave of post-teens dealing with the dilemmas of adult life. “This album gave us what we needed: self-worth, the desire to go forward, to love ourselves, with everything, with the good and bad. This album empowers us.”

The Band:
Jazz Rodríguez Bueno – Vocals, Guitar
Carla Pérez Vaz – Vocals, Guitar
Leia Rodríguez Bueno – Bass
Victor Álvarez Ridao – Drums

Music by Carla Pérez, Jazz Rodríguez, Leia Rodríguez, and Victor Álvarez Ridao

releases October 30th, 2020

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Whoever said that the second chances are never good did not imagine that we would experience something like what is happening this 2020. With the whole world on pause due to the evolution of the global pandemic and with the live music sector holding its breath facing a summer without festivals, we can only look forward: towards 2021, specifically, the year in which we are going to recover everything that will be pending from 2020. So, we are especially proud to announce that the first names in the Primavera Sound Barcelona 2021 lineup feature a majority of artists who reconfirm their presence at the festival as well as the occasional very special new addition. A first selection of artists that condenses the spirit of the festival for an edition that is as long awaited as this 20th anniversary edition is, and that will be updated soon with new names, both from the 2020 lineup and new surprises. There is no doubt: in 2021, Primavera Sound will still be Primavera Sound.

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Mourn is a very young quartet formed from the friendship of Jazz Rodríguez Bueno and Carla Pérez Vas—both born in 1996 in ElMaresme, Catalonia, Spain. Official music video for Gertrudis, Get Through This! by MOURN, off their 7″ single. Buy Gertrudis,

The duo armed themselves with inspiration from PJ Harvey, Patti Smith, Sebadoh and Sleater Kinney and began writing material, which they quickly released, raw and acoustic, on their YouTube channel

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Band Members
Carla Pérez Vas (singer and guitar)
Jazz Rodríguez Bueno (singer and guitar)
Antonio Postius (drummer)
Leia Rodríguez (bassist)

What if the magic of 1999’s Bowlie Weekender was recreated 20 years on with 2,500 like-minded music fans, dozens of your favourite bands, and us, on an exciting and once in a lifetime cruise holiday through the Mediterranean?

  • Two unique sets from Belle & Sebastian
  • An intimate conversation with Belle & Sebastian
  • Activities with band members
  • Dozens of performances by other favorite artists
  • Round trip cruise from Barcelona to Cagliari with two sea days full of music

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Arctic Monkeys, Björk, Nick Cave and The Bad Seeds, The National, Lorde, Migos, A$AP Rocky and Jane Birkin head the spectacular lineup of the eighteenth edition of Barcelona’s Primavera Festival.

Arctic Monkeys’ comeback tour, after four years without performing live, leads the delegation, Björk will perform her resplendent Utopia in her first visit to the festival and Nick Cave and The Bad Seeds will finally bring the cathartic Skeleton Tree to the stage in what promises to be a historic concert.

All the aforementioned are just only the highlights of a monster list which consecrates The National and The War On Drugs, A$AP Rocky and Migos as the epitome of today’s hip hop and trap worldwide scene, and Lorde as the new 21st century pop star. As a culmination, the lineup also provides the opportunity to see a legendary artist such as Jane Birkin singing songs from her homage record to Serge Gainsbourg accompanied by a 50-piece orchestra.

Taking over Spain from the 28th May to 2nd June, Primavera Sound rolls around again in spectacular fashion.