Posts Tagged ‘Augusta Koch’

Gladie

Cayetana is no more, but singer Augusta Koch has stayed busy with other projects, including Sheena Anika & Augusta and Gladie. a collaborative project with Matt Schimelfenig (Three Man Cannon) who are now rounded out by bassist Ian Farmer (Modern Baseball) and drummer Pat Conaboy (The Spirit of the Beehive) — are set to release their debut album, Safe Sins, on February 28th.

The first single is “A Pace Far Different,” which, like Gladie’s EP, is more atmospheric than Cayetana, but finds Augusta’s voice in perhaps even more powerful form. She says, “This song is about feeling trapped by your own limitations and trying desperately to escape them. We tried to capture that sensation with the erratic production of the song, in that it focuses mainly around repetitive loops that are meant to mirror the feeling of spiraling.”

The very-Philadelphian Safe Sins sounds born of the same brotherly-love pop-punk that fuels groups like Remember Sports and Hop Along, translating years of ex-Cayetana vocalist Augusta Koch’s diaries into something a bit more universal, not to mention streamable. In addition to its early singles, “Even at Your Easel” stands out as one of the best examples of Koch’s ability to balance lyrics about the blue hues against upbeat instrumentation, peaking early with the warm guitar fill following the line “I listened to ‘Sleepwalker’ by The Kinks.” It’s certainly more overcast than “Sleepwalker,” but seems to harness the same literal restless energy.

Lame-O Records Released on: 2020-02-28

Cayetana – “Nervous Like Me” (Tiny Engines) – There’s a point where songwriting gets so specific, so personal and nuanced, that it all of a sudden transcends idiosyncracy and becomes universal. That’s what makes Cayetana’s debut LP “Nervous Like Me” such a winning record. Whether the experiences are her own, imagined or some combination of the two, frontwoman Augusta Koch tells lyrical stories you instantly relate to. Stories of emotional dependency and toxic friendships (“Serious Things are Stupid,” “Dirty Laundry”), of the beautiful transience of twentysomething life (“Scott Get The Van, I’m Moving,” “South Philly”), of discovering empowerment in solitude (“Madame B”). But it’s not just the subject matter that makes this a great album – it’s the hooks. These are some catchy-as-hell songs, most clocking in around or under three minutes; most moving at a brisk pace, propelled by Kelly Olsen’s aggressive drums and Allegra Anka’s wandering, New Order-ish bass counterpoints; most featuring endlessly sing-along-able passages. The title, Nervous Like Me, is also apt. Our contributing writer Bryne Yancey pointed that the album has a nervous energy undercurrent in the frenzied drumbeats and jagged guitars and Koch’s tender, quivering delivery. You can feel that tension, that uncertainty and fear, and in her words she spells out explicity why it exists. Even though you haven’t specifically been in the same place, you know how she feels, you can relate. And that is the power of strong, honest songwriting.