Posts Tagged ‘Atom Willard’

Laura Jane Grace and the Devouring Mothers Bought to Rot Album Artwork

Debut album from new band led by Against Me!’s Laura Jane Grace. 

To say musician, author and activist Laura Jane Grace has had a defiant career would be the understatement of the year. Whether being accused of leaving the DIY punk scene to pursue a major label career over a decade ago, or courageously challenging people’s conceptions of gender identity with a bombshell Rolling Stone article, Grace has remained a daring and influential cultural figure in her over 20+ years of creating dynamic art across various mediums. Sure, she’s bound to worry some fans with her decision to press pause on Against Me! to release a more intimate singer-songwriter leaning solo album under the name Laura Jane Grace & the Devouring Mothers, but her artistic motivation cast her determination in steel. “In the back of my head I was thinking, ‘f**k all of you, I’m going to do this anyway,’” she says with a smile.

With this conviction came liberation, because few expectations equals total freedom. Indeed on the record’s opening cut, “China Beach,” Grace delivers a bold, lip-curled statement of intent: “Learn to trust yourself, no one else matters / Respect the source and always welcome failure.” And it’s in this spirit—with the help of Against Me! drummer Atom Willard and long-term AM! producer Marc Jacob Hudson on bass—that Bought to Rotthe debut album from Laura Jane Grace & the Devouring Mothers, came into existence.

Bought to Rot was written largely in motion—on tour, in Spain, Australia, Amsterdam hotel rooms, and some at home in Chicago. It’s a record scorched with honesty, unapologetically confessional, capturing many moments snipped from Grace’s life and stitched together in song. Although it’s a step and a twist away from Against Me!’s sonic blueprint, there’s still a kinetic punk energy that vibrates throughout. These compositions are looser, stripped, but with a melodic pop immediacy pushing to the fore. “I have my main gig, but I’m still doing this thing,” she continues. “It’s undeniable and it’s really good and here’s the proof … so what are you going to do with that?” Well, it has to go out into the world: via Bloodshot Records, the storied Chicago indie boasting a past & present roster that includes Ryan AdamsNeko CaseMurder by DeathOld 97’s and Justin Townes Earle.

The seeds of this project were initially sown when Grace, Hudson and Willard introduced the band on a small run of dates in 2016 that included Grace delivering impassioned readings of journal entries between stripped-down Against Me! songs, most of which were featured in her critically acclaimed memoir Tranny: Confessions Of Punk Rock’s Most Infamous Anarchist Sellout. Coming off the cycle for Shape Shift With Me, Against Me!’s latest full-length studio album, and a North American arena tour with Green Day, Grace was asked to perform a Mountain Goats cover on the podcast Welcome to Night Vale, and it was then that she received a massive sense of renewed momentum overall.

With additional songs penned that felt more stand-alone than a proper Against Me! offering, Bought to Rot resulted in 14 gripping tracks detailing Grace’s fractured relationship with her adopted hometown of Chicago (“I Hate Chicago”), the act of interpersonal acceptance (“The Friendship Song”), all-consuming affection until our ultimate demise [“Apocalypse Now (& Later)”], complicated romance (“The Airplane Song”), and reconciling everything in the end. As a complete body of work, the album stands as the most musically diverse collection of songs Grace has written to date, and is what she affectionately calls her “Scorpio” record – redolent in sex, drugs, and rock ’n’ roll.

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Additionally inspired in large part by Tom Petty’s Full Moon Fever, the first album Grace ever owned, Bought to Rot finds her at the same age Tom Petty was when he created his classic solo debut. In light of his recent passing, Grace was even able to pay direct homage to him on the recording. “I bought a ’64 Fender Jaguar off Stan Lynch, drummer of the Heartbreakers, and I always like to think that maybe Petty had picked it up and strummed a couple chords on it, she says. “I always liked the idea of having my fingers dance on the same fret board as my hero.”

There’s a refreshing sense of variety present on Bought to Rot, an album that features a vast array of musical textures and lyrics that read like separate short stories throughout. “My approach musically to the record was that I wanted it to feel like a mixtape,” Grace recently said “Like OK, you’ve got this Nirvana-like song, you’ve got a Cure song. It was musically freeing, in that way, to just be playing whatever was coming to me as I was writing and not having to think about it.” As such, “I Hate Chicago,” a tongue-in-cheek centerpiece to the album that has become a bit of a live favorite to Chicagoans and non-locals alike, finds Grace at her most wry and entertainingly venomous, lambasting the city’s sports teams and revered bands, its festivals and its unfriendly denizens over an Americana-angled jaunt.

Created at a breakneck pace, Bought to Rot is finally here and ready to be consumed & dissected: to be loved, to be hated. It’s an album propelled by a sense of restless, forward motion and the inherent need for Grace to continue evolving as an artist and person the only way she knows how. “I don’t want to write about these same things anymore,” she says. “I need some new sources of inspiration. And I don’t want to be negative. I want to write some positive, happy songs, and I wanted that to be inspired by positive, happy living, too.”

After releasing her memoir, Tranny: Confessions of Punk Rock’s Most Infamous Anarchist Sellout and Against Me!’s 2016 LP, Shape Shift With Me, Laura Jane Grace decided to put out her first record under the name Laura Jane Grace & the Devouring Mothers. Bought To Rot is unlike anything she’s ever released with Against Me!

It embraces pop and alt-rock conventions as much as it does punk—a press release even namedrops the record’s Tom Petty influence. The result is an immensely liberating album that couldn’t care less what you think of it. There are still undertones of despondent angst and self-doubt, but it feels like a largely optimistic record, one that basks in the moment and bursts at the seams with momentous punk elation. “Born in Black” is a robust, throttling take on existentialism and mortality, while the uplifting punk of “Apocalypse Now (& Later)” is a rush of unwavering confidence, camaraderie and earth-shattering joy.

How best to describe Laura Jane Grace’s latest endeavor? “It’s a solo album, except that it’s not,” the Against Me! frontwoman wrote in an announcement on Twitter. Though her main band isn’t going anywhere, Grace has said she sought an artistic “blank slate” following the outfit’s 2016 album Shape Shift With Me. But she’s not in it alone — Grace made the record, under the name Laura Jane Grace & the Devouring Mothers, with Against Me! bassist Atom Willard and producer Marc Hudson, who also worked on Shape Shift. (Fellow AM! guitarist James Bowman even shows up one track.) Regardless of its name or packaging, the record is yet another outlet for Grace’s boundless creativity, which she often strikes at the most inconvenient times: “I sleep with a notebook next to me in bed,” she said recently . “And most nights I sleep with my guitar next to me.”

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Laura Jane Grace has shared “Apocalypse Now (& Later),” the debut single from her forthcoming album with her new band, Laura Jane Grace & The Devouring Mothers. The album, Bought to Rot, comes out November. 9th through Bloodshot Records.

“Apocalypse Now (& Later)” is a tender love song, in a sort of twisted way. “On top of the world, at the end of the world, with you,” Grace sings. It’s about “witnessing the end of the world with the person you care about the most,” as explained in a press release.

Bought to Rot will be Grace’s first non-Against Me! album since forming the band in 1997. “It felt really relieving to be like, ‘OK, this isn’t an Against Me! record, so I can say whatever the fuck I want!’” Grace told Rolling Stone. She says she was strongly influenced by Tom Petty’s landmark solo album Full Moon Fever when recording Bought to Rot. The 14-track album is about “Grace’s fractured relationship with her adopted hometown of Chicago, true friendship, complicated romance and reconciling everything in the end.”

The Devouring Mothers are made up of a pair of frequent Grace collaborators: Drummer Atom Willard and bassist Marc Jacob Hudson have both worked with Against Me!, Willard as drummer and Hudson as sound engineer.