Posts Tagged ‘154’

Wire‘s first three albums are stone-cold, classics and it’s pretty amazing to think how far the band progressed in just three short years, from their 1977 minimal punk debut Pink Flag, to 1978’s angular, perfect Chairs Missing, to 1979’s the synth-embracing and at times Eno-esque 154. All three album should be any collection, and now they’re being reissued and remastered in new deluxe editions that Wire are releasing themselves, due out May 22nd as CD box sets and then June 22nd as single-disc CDs and vinyl LPs.

Wire’s first three albums need no introduction. They are the three classic albums on which Wire’s reputation is based. Moreover, they are the recordings that minted the post-punk form. This was adopted by other bands, but Wire were there first.

These seminal albums are now getting the definitive re-release treatment, in a format owners of the Silver/Lead and Change Becomes Us special editions will already be familiar with. Each album is presented as an 80-page hardback book – the size of a 7-inch, but obviously much thicker.

The boxes contain demos, radio sessions, live recordings, b-sides, alternate versions and more, not to mentions booklets containing new liner notes from the band, introductions by Jon Savage and rare photos that haven’t been seen for 40 years..  Pink Flag is a two disc set while Chairs Missing and 154 are three-disc sets.The bonus tracks will be exclusive to physical editions

Meanwhile Wire are releasing a singles box set for Record Store Day titled Nine Sevens. It features Wire’s six singles that were originally released on the Harvest label, one released on Rough Trade (1981’s non-LP “Our Swimmer”), and one single recorded in 1980 that was never released on 7″. There’s also the rare EP that came with initial copies of 154.

Both the album reissues are the singles box are all remastered from the original analogue source tapes with replicas of the original artwork. Check out the remaster of Wire’s often-covered “Outdoor Miner” (a single and on Chairs Missing):

Colin Newman of Wire

When Wire put out their first album, “Pink Flag,” they were the epitome of what punk rock was about: rebellion against the status quo and the music that came before it, both in aesthetics and sound. This is when punk rock was about taking chances and doing something different. Pink Flag is different from what came before it as well as from other punk of its day. It also manages to be incredibly catchy at times, and dark at others. The darkness becomes more profound on “Chairs Missing,” and even more so on 154. Wire’s proclivity for some surprisingly poppy pieces, interspersed with some very dark music and some other sonic experimentation’s, make for a fascinating listen. There is no finer first three album releases in all of music. Each of their first three albums are perfect or near-perfect. They are still a band to this day and their new albums still receive critical acclaim.

While much ink has been spilled on these albums in the four decades since their release, the men of Wire released the definitive statements on all three this year. These multi-disc reissues, packaged in handsome book form with copious liner notes from Graham Duff and perfectly ornery remembrances from critic Jon Savage, tell as complete a story as possible of the creation and execution of each record. Each album has been remastered and left as its own document on the first disc, with the bonus discs fleshing out the tale with contemporaneous singles and studio work, and copious demo recordings.

Essential Albums: “Pink Flag” (1977), “Chairs Missing” (1978), “154” (1979)