Orphans: Brawlers, Bawlers and Bastards, the three CD set of Tom Waits’ rarities and previously unreleased archive tracks, was issued in November 2006, and was the great man’s first new album since 2004’s Real Gone.
Prior the release of Orphans…., Waits performed a short series of shows in the summer of 2006, across the South and Mid-West of the US, which he titled ‘Orphans’. Featuring numbers from the pending box set, Tom’s son Casey played with him in the band accompanying Tom.
In 2008, Waits embarked on his ‘Glitter and Doom Tour’, starting in the U.S. and then moving to Europe. Both of his sons played with him on the tour. At the June concert in El Paso, Texas, he was awarded the keys to the city.
Among the finest concerts Tom and entourage played on this tour however, was their show at the Fox Theatre in Atlanta Georgia, on 5th July. Performing a quite extraordinary set covering cuts from numerous past records, plus a smattering of new material to boot, the event was dazzling. Previously unreleased, this new 2CD Set now contains the entire live broadcast, which was transmitted in the greater Georgia area at the time.
Sprints unveil a new EP “A Modern Job”on Nice Swan Records. Lyrically, “Modern Job” finds singer Karla Chubb at her sardonic and angry best, detailing her own personal wish-list “I wish I had the guts/I wish I had the gall/ I wish I had a girl” – all set to cascading guitars and a formidable rhythm section; working in unison to create unrelenting tension, all the while echoing the subject matter Chubb explores in her lyrics.
Sprints combine guitar-driven hooks, motoric rhythm and emotive lyricism to create a unique sound that pulls from garage, grunge, punk and beyond. Like the Irish guitar acts who have paved the way for them: Fontaines D.C., Silverbacks and Girl Band, the sound of Sprints is urgent and vital at every turn.
Sprints have hit a nerve. Driven by experience, tough political climates and social and economic uncertainty – their music is honest, often politically charged and authentic
Pavement are making April 8th a holiday for their biggest fans. Today, they have announced a 12-inch vinyl reissue of their 1999 “Spit on a Stranger” EP dropping that very day alongside the previously revealed massive re-release of “Terror Twilight“. As a special treat, the indie rockers have shared a brand new video for “Harness Your Hopes” as well.
Originally released on CD, the “Spit on a Stranger” EP included the titular single off “Terror Twilight,” along with four previously unreleased tracks. More than two decades after the EP’s release, Gen Z discovered “Harness Your Hopes” after it went viral on TikTok thanks to (what else?) a dance challenge. The new music video for “Harness Your Hopes,” directed by Alex Ross Perry, doesn’t include the dance challenge. Instead, the nostalgic clip features Yellowjackets star Sophie Thatcher getting spliced into classic ’90s Pavement videos like “Gold Soundz,” “Cut Your Hair,” “Rattled by the Rush,” and “Carrot Rope.”
This June, Pavement will play Primavera Sound and NOS Primavera Sound before heading out on the road for a headlining tour in September.
The “Harness Your Hopes” official music video, directed by Alex Ross Perry and starring Sophie Thatcher. “Harness Your Hopes” is featured on the upcoming re-issue of the ‘Spit on a Stranger’ EP, out April 8th on Matador Records.
Almost exactly one year after the Black Keys released their last album “Delta Kream”, Dan Auerbach and Patrick Carney will release a new one. “Dropout Boogie” is out May 13th via Nonesuch Records. The album features collaborations with ZZ Top’s Billy F. Gibbons, Reigning Sound and Oblivians’ GregCartwright, and Kings of Leon’s Angelo Petraglia. Check out the Bryan Schlam–directed video for “Wild Child,” which features Cartwright and Petraglia.
The new album’s release falls near the 20th anniversary of the band’s first album “The Big Come Up“. “It’s the natural chemistry Pat and I have,” Auerbach said in a statement. “Being in a band this long is a testament to that. It was a real gift that we were given. I mean, the odds of being plopped down a block-and-a-half from each other in Akron, Ohio–it just seems crazy.”
The Black Keys – “Wild Child” From the new album ‘Dropout Boogie’
InMagic: A Journal of Song, Paul Weller talks about his life and music through a personally curated selection of 120 songs spanning his entire musical career. A fascinating portrait of one of Britain’s most prolific songwriters, Magic proves Weller to be the ultimate shapeshifter: from The Jam’s punk sensibilities to the genre-defying Style Council, through to a remarkable 30-year solo career.
This his third Genesis edition, Magic is narrated by Weller and illustrated with more than 450 photographs and pieces of ephemera throughout. A revealing 25,000-word commentary garnered over a series of conversations with journalist and author Dylan Jones covers the songs, the stories and inspirations behind them, and all of the 28 albums of Weller’s ever-evolving musical journey.
Offering unprecedented insight into his creative process, Magic: A Journal of Song is Paul Weller’s most candid and intimate account of his musical life to date.
Magic: A Journal of Song is limited to only 2,000 copies worldwide. The first 350 copies in the edition are presented as Deluxe boxed sets. Each Deluxe copy of Magic is numbered and signed by the author, Paul Weller. The 360-page Deluxe book is fully bound in imitation vellum, onto which an original, hand-drawn illustration is fine-screen printed. Over 25 references to Paul Weller’s lyrics are to be found within this specially commissioned artwork. The Deluxe book is finished with red and gold foil blocking and gold page edging.
Next within the Deluxe boxed set, an envelope contains a number of signed and stamped art prints that are created exclusively for these copies. Reproduced as archival Giclées on heavyweight paper, the prints are suitable for framing (size: 8″x10″ / 200mm x254mm) and comprise:
• A photographic portrait of Paul Weller, individually numbered and signed by the photographer, Peter Anderson
• A signed art print of the Magic cover illustration drawn by British designer bookbinder, Luke Hornus
• Two prints of Paul Weller’s handwritten lyrics to one of his favourite songs, ‘Aspects’, from his 2018 solo album True Meanings. At the end of the song, the second print is hand-numbered and personally autographed by Paul Weller.
‘The thing I have discovered is that music in its truest sense is beyond any trend or movement or category.’ – Paul Weller
Originally released in 2003, “Doll Revolution” remains a favourite in The Bangles’ catalogue, featuring all the qualities fans have come to expect from this band the superb song writing, vocals, and instrumental skill. For its debut on vinyl, Real Gone Music will press The Bangles’ celebrated “Doll Revolution” (featuring the rocking Elvis Costello-penned title track) on streaked pink vinyl in a limited edition of 1,500, each hand-numbered. The album will be packaged in a newly designed gatefold sleeve with an insert. This edition is fully approved by the band. Tear off your own head…it’s a “Doll Revolution!“
The Bangles are one of the greatest all-girl bands in rock history, renowned harmonies, and chops…yet “Doll Revolution”, one of their best records, has never seen a widespread vinyl release to general music retail. That’s because it fell into that late ’90s/early 2000s gap when vinyl was considered dead (ha)! Now, with full support of the band, Real Gone Music brings “Doll Revolution” to its rightful format with a white vinyl pressing. A 2-LP set brought to you in sumptuous gatefold packaging with insert. And they have also pressed up “Sweetheart of the Sun”, the last (2011) record released by the band, now a trio of Susanna Hoffs and Debbi & Vicki Peterson. You’ll hear a real Laurel Canyon vibe on this record from these three songwriters, as well as some nods to The Bangles’ power pop past, all blessed with the vocal harmony arrangements that the group’s fans treasure.
Produced by Matthew Sweet, “Sweetheart of the Sun”was out on vinyl for a heartbeat, with original copies costing a fortune; our Real Gone reissue—released with the full cooperation of the band—features the original album art complete with inner sleeve.
Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century — particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins — often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid.
Lance Barresi, co-owner of L.A.-based Permanent Records and the Permanent Records Roadhouse has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the growing compilation series. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that’s hard to believe have remained unheard for so long.
“I essentially go through hell and high water just to find these records,” Barresi says. “Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we’re using for “Brown Acid” is best for everyone involved,” rather than simply bootlegging the tracks. When all of the bands and labels haven’t existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success.
“There’s a long list of songs that we’d love to include,” Barresi says. “But we just can’t track the bands down. I like the idea that “Brown Acid” is getting so much attention, so people might reach out to us.”
“So rare that diehard fuzz junkies say you’d have a better chance of winning the lottery than finding a physical 45 rpm single by one of the bands featured on their latest installment.” — Dangerous Minds
“Will do for hard rock, proto-metal and heavy psych what Nuggets did for garage rock, and bring it to a wider audience of collectors and music fans.” — The Guardian
“Mining the surprising rich reserves of heavy rock and proto-metal from the ’60s and ’70s, these collections have been crucial to understanding the history of a subgenre of rock that had far deeper roots than most fans realize.” — Paste Magazine
The forthcoming latest edition of the popular compilation series featuring long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Fourteenth Trip will be released April 20th, 2022.
The Brown Acid series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records
Here’s another one of those releases where you have to doublecheck if it’s not some sort of reissue from a classic ’80s punk record. That’s how authentic Valley Gals sound. But “Snake Oil Salesman” most definitely is a new record. It’s the band’s follow-up to their 2019 debut “Real Rock”.
Valley Gals make no bullshit garage-punk that is dynamic and melodic and driven by the powerful voice of singer Miranda Wiley. A song like “Sugar, Yes Please” should come with a warning, it’s just so so addictive. “Snake Oil Salesman” is currently out on pretty red glitter baby tape through the band. Graveface Records will release it on vinyl later this year. RIYL: Amyl And The Sniffers, The Lunachicks.
The Valley Gals have been known to disappear at the drop of a ten gallon hat only to reappear when you most need them. Sometimes a two piece, sometimes a three, sometimes a dazzling four, whatever suit they’re wearing they’re sure to rock you raw. From north to south across the eastern coastline, the ethereal rockers are here to hit you with the essentials – no fluff, just pure grit.
They’re in love with the form, they’re in love with the stage, they’re in love with the road, they’re in love with each other. And surely you will fall in love with them.
Amidst the COVID mind fields and race riots and slaughter of the last two years, twin brothers Danny and Daniel Chavis and Hayato Nakao as the Veldt issue a play by play on life and the self analyzation of the self as well as their souls on their sleeves for the sonic onslaught of The “Electric Revolution EP”. Rhythm and Drone as one might put in as “Day Nigere” so to speak…. being the premature love child of the up coming full length appropriately titled “Entropy Is The Mainline To God” brought to you by those fine proprietors of psych and all that is on the boundary of essence, Little Cloud Records. The fine purveyors of bands like New Candys and Magic Shoppe. Also included is a soulgaze version of “Getaway” by MOBB DEEP.
Friends Martin Newman and original bassist Alex Cox join in on guitar and bass. While James Scott (Populist Recording) and Dan Milligan (The Joy Thieves) joined in to save the day with some final production, drumming and mastering. Last but not least, topping everything off is a special track “I Told The Stars About You” produced by Carlos Bess (C12) of Wu-tang Clan (Wu-tang Forever).
