
Julia Jacklin’s new album draws to a close with a plea: “Be careful with yourself,” she sings in the song of the same name. She begs someone to “please stop smoking” because she “want[s] your life to last a long time,” and later advises them to “make sure you have got a little savings” and “keep all our doctors appointments, give voice to our doubts.” As an early 30-something, the Australian singer is now, like so many millennials, faced with the realities of adulthood. “There’s nobody coming to save us,” she eventually sighs in the penultimate song of her third LP, “Pre Pleasure”. While Jacklin is probably singing from the perspective of a worried friend or partner, “Be Careful With Yourself” is one of a few songs on the album that contain what sounds like advice from a concerned parent. And when her lyrics don’t lean towards the maternal, Jacklin is a sharp observer of her own internal life, hacking away at the crust of her neuroses and conditions—be they intrusive thoughts or caring too much—until some nugget of meaning is unearthed. For Jacklin, this involves a combination of revisiting childhood and confronting adulthood, a process that results in some of the Australian artist’s sharpest songwriting to date.
Julia Jacklin covers “Just To Be A Part” by Bill Fay, out now on Dead Oceans.