Blood Red Shoes are an English alternative rock duo from Brighton consisting of Laura-Mary Carter and Steven Ansell. After years spent living on opposite sides of the Atlantic world events threw Laura Mary Carter and Steven Ansell of Blood Red Shoes back together into what has become the must fruitful era of their 17 years together.
“It’s been a loooong time since we both lived in the same city”, explains Steven. “I mean we actually wrote this album in LA at Laura’s place, then came to the UK to record it…and then everything went nuts”.
Realising very quickly that they wouldn’t be able to release the album or tour until the world returned to some kind of normality, the band found their energies quickly spilled over into other projects. Laura-Mary started a podcast, Never Meet Your Idols, with her best friend in LA, interviewing everyone from Zack Snyder to Mark Lanegan to Chvrches. It is now about to start its third season. Steven started applying his love of electronic music by writing and producing other alternative artists like Circe, ARXX, Aiko and XCerts, racking up millions of streams in the process.
Having worked together on Laura–Mary’s forthcoming solo mini album “Town Called Nothing” and restless from the lack of touring, the duo started jamming out in rehearsal rooms, which led to the light-speed writing, recording and release of the impossibly-titled Ø EP in the summer of 2021. Which concludes what the band call an “off year”.
And that brings us back to “Ghosts on Tape”. It appears that like David Lynch’s The Lost Highway, nothing is linear in the world of Blood Red Shoes. Written and recorded before their most recent EP, “Ghosts on Tape” is a huge jump into new terrain for the band. Musically and emotionally their most mature work, it is a complex, imaginative, and very gothic development on their sound. Musically, it leaves almost no trace of their former selves.
“We’ve always been outsiders right from the very beginning” says Steven. “This album is really about us asserting ourselves as our own little island”, he adds. “We have made an entire career out of being told what we are “not”, of being rejected, of not fitting in, and this album is us deliberately pushing into all of our strangeness, emphasising all of the things that make us different”. Obsessed by true crime and murder podcasts, many songs on the record are told in character and explore the dark psyche of those at the pinnacle of outsiderdom: serial killers. “Ghosts on Tape” paints a picture of a dark and unsettling world. It is the sound of a unified and confident duo who know exactly who they are, even if the wider world doesn’t really get it. The sound of two people who have spent their entire adult lives making music together and who, more than ever, are finding new pathways for their creativity.
“Ultimately this album is an invitation”, explains Steven. “It’s us saying, this is our world, these are our darkest thoughts and feelings – our ghosts – caught on tape. You are welcome to join us. Come and embrace the strange”.
the new album from Blood Red Shoes; “Ghosts “on Tape”, and we’re delighted that Steven Ansell and Laura Mary Carter who make up the duo have given us an insight into each track on the album.
Produced by Tom Dalgety (Pixies, Royal Brood), the pair went into Echo Zoo Studios in March 2020 to record the album, and circumstances meant that they lived closely for a time. “It’s been a loooong time since we both lived in the same city”, explains Steven. “I mean we actually wrote this album in LA at Laura’s place, then came to the UK to record it…and then everything went nuts”.
He’s goes on to say, of the album “We’ve always been outsiders right from the very beginning” says Steven. “This album is really about us asserting ourselves as our own little island”, he adds. “We have made an entire career out of being told what we are “not”, of being rejected, of not fitting in, and this album is us deliberately pushing into all of our strangeness, emphasising all of the things that make us different”.
And they’ve produced an album that is ascerbic and moody and dark and uplifting and ambitious and full of tunes and moments that get under your skin and inside your head. In short, Blood Red Shoes may have just made one of the albums of the year, right here. Read on and check out a stream at the bottom
COMPLY
in the book 1984, the opening references a clock striking 13. well clocks don’t strike 13. so from the very first page, you know something is uneasy, unsettling, wrong. that’s how we wanted this album to feel, so we opened the song with a haunting, piano-led, discordant song about power and domination with the line “you’re not keeping me safe, you’re keeping control. it’s quiet, it’s cold, and you won’t let me go outside”.
MORBID FASCINATION
we wrote the entirety of this album in downtown Los Angeles in a borrowed rehearsal room, using just a piano, a guitar with 4 strings, and a laptop. this song started life literally in the street on the way to the rehearsal room, just a simple melody idea sung into a voice memo on an iphone. we built that into the whole song very very fast and it became the gateway to the whole album, unlocking the whole tone and palette of what we were trying to say.
MURDER ME
we are obsessed with true crime podcasts. stalkers, serial killers, murderers. the intrigue and mystery of them, the fascination of the humans on the outskirts of society and the harm people can do. the weird romance and darkness of outsiders. the threat and fear that it could happen anytime. that obsession has spilled over into many of the songs on this album, especially this one.
GIVE UP
our band has always dealt with lyrically darker and heavier themes, right from our inception. but we’ve often contrasted those ideas with energetic music and melodic hooks. well this album is the opposite. on this album the music tells the exact same story as the words, with this song following the narrative of someone overwhelmed by constant and escalating intrusive voices in their head shouting “give up”, until they finally, and completely, capitulate, and give up their very existence.
SUCKER
this song is one of the most direct songs on the record, about the compulsion to win someone’s love, at all costs, fully in the grips of your addiction and regardless of the cost to yourself. “i’m a sucker for your love, will it ever be enough?”
BEGGING
this song fits the title of the album perhaps more than any other. a ghostly, creepy song written on a very beaten up piano, with detuned strings and backwards drums. like a david lynch nightmare.
I AM NOT YOU
a song born from pure, unbridled, venomous rage. “i take all my strength in every step i take away from you. i am nothing like you, no nothing like you”. the song takes industrial synths, and guitars distorted through the cheapest digital interfaces we could find, and smashes them together into one harsh metallic slab of pure rage.
I LOSE WHATEVER I OWN
a song about being helpless, outcast, left behind. about feeling powerless in the face of indifference of others. a big theme of this album is the feeling of being outsiders, about being rejected, of being out on your own island.
FOUR TWO SEVEN
across this album we switch narrators a lot. some songs are told through the eyes of characters we’ve created, and some are direct from us. this one is much more personal, about holding on to the ghost of a broken relationship because the hurt is the only part of it you have left.
Released January 14th, 2022
Written And Performed By Steven Ansell and Laura Mary Carter
The Fat Angel Sings 