KATHERINE PRIDDY – ” The Eternal Rocks Beneath “

Posted: December 23, 2021 in MUSIC
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Katherine Priddy’s debut album came out in the summer, and it’s remained a high point for the rest of the year as 2021 plays out to the sombre drums and drones of resurgent pandemic warnings, fresh lockdowns, closed venues, silenced auditoriums. Her last gig of the year was at St Pancras Old Church on 16th December.

The release titled “The Eternal Rocks Beneath”, astonished again at their maturity and insight, the memorability of the imagery, and the assurance and capability of her performances. Check out her new video for the song “Eurydice”, its stern message of Don’t Look Back flashing like a warning sign at the mouth of the darkest cave, the song stacked with big choruses and an epic, big-ballad reach as she finds and brings out the compelling human story embedded within the myth.

“Eurydice” is taken from the debut album, “The Eternal Rocks Beneath”, which is available now:

Over the past three years, Katherine Priddy has quietly been building a growing following, captivating audiences around the UK with her haunting vocals, rich harmonies, distinctive finger picking guitar style and enchanting songs whose lyrics celebrate her life-long love affair with literature and poetry. She has been championed by BBC Radio 2 and BBC 6 Music and her debut EP ‘Wolf’ was chosen by Richard Thompson as his ‘Best Thing I’ve Heard All Year’ in MOJO Magazine in 2018.

With the buzz around her building, Priddy is making her mark in 2021 with the release of an eagerly anticipated debut album, “The Eternal Rocks Beneath“, which is set to bring her to even wider notice. The 10 self-penned tracks are delivered with a maturity and depth that belie the fact that this is her first full length release. At times tender, at times carrying a darker edge, the stories she weaves are transporting. Not surprising then that Nick Drake, John Martyn, Tunng and Scott Matthews are amongst her many influences

The album was recorded over a 2-year period at Rebellious Jukebox studios, a little basement studio hidden beneath inner-city Birmingham and presided over by masterful producer Simon Weaver. The ensemble cast of musicians, including a sweeping string section, occasionally cut through by raw electric guitar and drums, as well as Richard March (Pop Will Eat Itself) on double bass and Mikey Kenny on fiddle, enhance Priddy’s command of melody and lyricism and provide the perfect backdrop for the feelings of nostalgia and timelessness that underpin the record.

Many of the songs were written during Priddy’s teenage years and early twenties and reference themes of childhood and distant memories. The charming bird song that begins the first track “Indigo” and closes the final track “The Summer Has Flown” harks back to the soundtrack to her own childhood, when days began and ended with the sound of a blackbird in the tree outside her window. In the same way, it now bookends this chapter of Priddy’s life and music career. The title “The Eternal Rocks Beneath” reflects this is Priddy’s first album; the culmination of her earlier life experiences and the bedrock for whatever follows next.

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