ADELINE HOTEL – ” The Cherries Are Speaking “

Posted: December 12, 2021 in MUSIC

“The Cherries Are Speaking”—the sixth album released by Brooklyn singer-songwriter Dan Knishkowy as Adeline Hotel—begins and ends with lyrics from his previous two records, respectively. “Holy visions” surfaced first on the mournful acoustic ballad “Ordinary Things,” a rare, stripped-down moment on his folk-rock opus “Solid Love” from last May. “Good timing,” in turn, is the eponymous lyric from the critically acclaimed follow up, released in March of this year—and one of its only lyrics, too, since the record is largely a suite of layered acoustic guitars.

The original context for these phrases hint at the fresh musical and lyrical ground Knishkowy covers on “The Cherries Are Speaking“, an interconnected series of miniature baroque pop songs and, quietly, his most ambitious work to date. In the skeleton of its arrangements, the album expounds upon “Ordinary Things”’ minimalism, eschewing the intricate guitar counterpoint of his previous work in favour of piano lines inspired by the breezy melodies of Ethiopian jazz. The playing is often supported by just bass and drums, before pastoral wind and string orchestrations creep in—a breath-taking leap forward for Knishkowy as an arranger—informed at turns by Judee Sill’s neo-classicism and the mystic woodwinds of ‘80s Van Morrison.

On “Cherries”, Knishkowy creates full mise en scènes within verses, folding autobiographical moments of meditative self-evaluation into imagery from Italo Calvino’s 1957 novel The Baron in the Trees—most importantly, the titular anthropomorphic cherries. The book centers around a boy who makes the decision to live in the trees and engage in a selective relationship with the world around him. Knishkowy found resonances between the character’s self-imposed, imperfect notion of “freedom” and his own unsettled definition of the concept.

The Cherries Are Speaking’s” recapitulations of and daring shifts away from Knishkowy’s previous work feed into its musical and thematic depth, which speaks far beyond the real-world context of its writing. The album is a bold but unforced gesture from an artist whose creative lifeblood is the sense of constantly pushing forward, creating new links in a daisy chain of a discography which seems to compound upon itself in significance with each new entry.

Released October 22nd, 2021

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