The DMA’s – ” Silver “

Posted: July 30, 2020 in ALBUMS, MUSIC
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Image may contain: text that says 'DMA'S THE GLOW OUT NOW'

DMA’S have inspired a flood of passionate responses from their listeners, after the release of their third album, The Glow. Though the album has countless hits, and numerous instances of skilled songwriting, ‘Learning Alive’ has been a Twelve Inch favourite. ‘Criminals’ is another criminally underrated tune, which will leave you itching for festivals and gigs to make a comeback.

DMA’S are an Australian three-piece rock band formed in 2012 in Sydney. The band is composed of Tommy O’Dell, Matt Mason, and Johnny Took. It’s not just the music that’s on another level: lyrically, ‘THE GLOW’ sees DMA’s at their most vulnerable, most excitable and most inspiring. ‘Silver’ is a slow-burning chunk of reflective uncertainty that sees lead vocalist Tommy O’Dell admit “I’m way too tired to want it all”, while the celebratory ‘Learning Alive’ sees him terrified (“never been so scared to be open“) but determined to fight. “All the world is spinning, I just want to hold it together… I’m on your side,” he promises. Elsewhere, the optimistic haze of ‘Strangers’ puts all its trust in other people (“I believe in strangers”) and the glitching ‘Criminals’ encourages you to chase your dreams (“You can be anyone now”).

You’re in for a treat this week if you’re a fan of DMA’s! The Sydney band have dropped new album ‘The Glow’ before they come to the UK in October.

DMA’s first two albums, released in 2016 and 2018 respectively, were unapologetic love letters to Britpop. A mix of Oasis’ swagger, the frenetic energy of Blur and The Stone Roses’ want to be adored, the Aussie trio made music to bellow along to at the top of your lungs while becoming mates with total strangers – scenes which naturally played out over and over again across the series of raucous, larger-soaked DMA’s gigs across the globe that followed.

But then their ‘MTV Unplugged: Live’ record, released nearly a year ago, stripped things back to basics with an acoustic arrangement that demonstrated that there was more to the three-piece than simply soundtracking the art of lobbing pints and ‘avin’ it large. The slow evolution of DMA’s in their bid to be something greater than The Next Whoever continues with ‘The Glow’, which sees the band continuing to shrug off expectations.

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