HOP ALONG – ” Get Disowned ” (Reissue)

Posted: May 12, 2020 in ALBUMS, MUSIC
Tags: , , ,

Get Disowned

Hop Along‘s Painted Shut made many 2015 best-of lists and definitely made it into my personal top ten for the year. Now thankfully Saddle Creek Records is reissuing Hop Along’s 2012 debut full-length album “Get Disowned” for those of us who missed out on either of it’s previous pressings. This is also Get Disowned’s first ever colored vinyl pressing for those of us addicted to colored wax. With 2,000 pressed there will be plenty to go around, but preordering helps guarantee you’ll get the record about a month before it hits your local record store.

This band reminds me of Gang of Four. It has this strange indie-rock–meets-funk thing happening. The singer [Frances Quinlan] has this way of effortlessly taking it from this angular funk verse to this incredible melodic hooky thing. When she sings, she has this beautiful, breathy voice. But when she wants to hit something harsh, she pushes it so much you can feel her voice flaying under the pressure she’s putting into it. Her voice starts to whistle like it’s going to spray apart into pieces and shatter. It doesn’t ever, but it’s really cool

The 2012 debut full-length from Philadelphia’s Hop Along, Get Disowned. Featuring “Tibetan Pop Stars,” which Mark Hoppus of Blink 182 called “the most painfully beautiful song ever.”

“Their first album, 2012’s Get Disowned, is a messy world where people stomp on old floorboards for percussion and saw violins like they were made of something stronger than wood. Everything is governed by Quinlan, who sings in the wild voice of someone casting out demons (or having the demon cast out of them). Its second song, “Tibetan Pop Stars”, should be etched in titanium and shot into outer space for safekeeping.” – Pitchfork

Hop Along’s first full-band full-length, Get Disowned was punk’s best kept secret. Critically overlooked but totally devastating, full of epic, unpredictably unfolding guitar songs with massive, quotable lyrics that wring you out emotionally and inspire the kind of furtive, conspiratorial devotion punks live for.” – Impose

“nearly perfect… The album is notable for its folk-gone-indie-punk approach, coupled with massive choruses and Quinlan’s personal, soul-crushing lyricism” – AV Club

“one of the most devastatingly honest records I’ve heard in years.” – Stereogum

Hop Along Bundle

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