
Released in mid-August, Oso Oso’s third full-length could not have arrived at a more opportune moment, brilliantly evoking the lazy afternoons and blazing dusks of a coastal summer’s waning days. Occupying either the lo-fi end of the emo spectrum or one of pop-punk’s scuzzier bandwidths, Jade Lilitri’s songs meander through gorgeously tossed-off chord progressions before settling in as inescapable earworms. The luminescent album intro gradually builds into “The View”’s glorious melody, submitting “Basking In The Glow’s” coming-of-age touchstones. Lilitri’s lyrics capture a young man trying to figure things out at his own pace, and his writing nestles earnest portraits within a relatable universality.
In the title track’s hooky punk there are shades of Ocean Avenue, if Yellowcard were from the tri-state area and less self-pitying; “Dig” conjures early Death Cab, if Death Cab were less self-impressed. The record’s unobtrusive engineering sands down Lilitri’s nasally voice, lending the effect of a vocalist slightly more grizzled than his twenty-six years. “A Morning Song” is perhaps the track which best captures the greater album’s wide-eyed yearning, but in Oso Oso’s case, the journey appears to be the destination.
Oso Oso’s ‘basking in the glow’ is out everywhere.