
By the release of Cosmic Thing (1989), The B-52s were already four albums deep into the time frame (five if you count the excellent David-Byrne produced EP, Mesopotamia). But Cosmic Thing added a booster rocket to the band’s music delivering four hit singles, two of them highly recognizable classics (“Roam”, “Love Shack”). This gave the band a raucous and memorable “tin roof…rusted” quadruple platinum selling album. Six of the album’s songs were produced by Nile Rodgers in New York City, and the remaining four by Don Was in upstate New York. The band embarked on the Cosmic Tour to promote the album.
Many observers were prepared to write off the B-52’s after the release of Bouncing Off the Satellites. Granted, the album was completed in the wake of Ricky Wilson’s death, but the group appeared bereft of new musical ideas and were sounding rather stale. In other words, the last thing anyone expected was a first-class return to form, which is what they got with “Cosmic Thing”. Working with producers Don Was and Nile Rodgers, the B-52’s updated their sound with shiny new surfaces and deep, funky grooves — it was the same basic pattern as before, only refurbished and contemporized. Just as importantly, they had their best set of songs since at least Wild Planet, possibly since their debut. “Cosmic Thing” and “Channel Z” were great up-tempo rockers; “Roam” had a groovy beat blessed with a great Cindy Wilson vocal; and “Deadbeat Club” was one of their rare successful reflective numbers. Then there was “Love Shack,” an irresistible dance number with delightfully silly lyrics and hooks as big as a whale that unbelievably gave the group a long-awaited Top Ten hit. The thing is, Cosmic Thing would already have been considered a triumphant return without its commercial success. The big sales were just the icing on the cake.
On June 28th, Rhino Records will help The B-52s celebrate the album’s 30th Anniversary with a 2CD set 30th Anniversary Edition of Cosmic Thing.