Chicago scuzz-mongers Twin Peaks have always been heavily indebted to the ’60s — their second album, 2014’s Wild Onion, even referenced the Beach Boys album title in its artwork — but with their third album, Down in Heaven, which came out on Grand Jury Records, they’ve narrowed their focus to one year in particular: 1968. “I’ve been particularly drawn to records that have a more personal feel,” singer-guitarist Cadien James explains in the album’s press material. “Not necessarily lyrically, but in sonic aesthetic, like the Kinks’ Village Green Society, Beatles’ White Album, and Rolling Stones’ Beggar’s Banquet.” All three of those albums were ’68 releases, and indeed, much of Down in Heaven shares the sort of intimate,morning-after feel of those records and guitar sounds of those aforementioned bands.
Twin Peaks an American indie band from Chicago. The band’s musical style is regarded as a mixture of “’60s Garage Rock the band “spends half their time as a chugging power chords and half as a winsome power pop band. The band’s musical style on their debut album has been described as a “sloppy, Replacements inspired rock” while the band’s second album features “a garage-rock sound that touches on everything from fuzz-soaked psych and punk. The band consists of Cadien Lake James (vocals, guitar), Clay Frankel (vocals, guitar), Jack Dolan (vocals, bass), Colin Croom (keys, vocals, guitar) and Connor Brodner (drums).
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The Fat Angel Sings 