HAPPYNESS – ” Its On You/Montreal Rock Band Somewhere “

Posted: December 28, 2015 in MUSIC
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On the surface, Happyness seems like just another band cashing in on the resurgent popularity of softened indie rock. They do have a familiarity in their music in that they incorporate Pavement’s wit, the pop sensibilities of Neutral Milk Hotel, and the soothing, moodiness felt in many bands of the genre (Sparklehorse comes to mind). While they’re a young band, the London-based trio has an uncanny ability to take you to a completely different frame of mind like the sun-setting easiness that is “Orange Luz.” One thing is for sure, with Happyness you’ll enjoy the journey.

“Our setup consists of a pretty mismatched patchwork of stuff. We self-produced our album Weird Little Birthday using a bunch of cheap gear (a Roland Octa-Capture 8-channel digital interface, an Aria semi-hollow that has this cool, brittle, biting tone and when you drive it, it sounds raw as fuck) and then messed around with various 4-track tape players. For the most part, we just use whatever practice instruments we have lying around and it’s kind of the same attitude live—working with what we can afford that doesn’t suck like crap. That all being said, my main onstage guitar is a 1971 Gibson ES-335 and I also play a Fender American Standard Telecaster to save time changing tunings, so I’ll bounce back and forth during a set depending how we have songs/tunings lined out.”

Our main guitar amps are a Fender Hot Rod Deluxe and a Blackstar HT Stage 60 combo, but somewhere along the line we picked up a collection of 15-watt practice amps—like a cheap Marshall combo and a Roland Cube—that we run vocals through when we’re doing stripped-down gigs. We’ll run those practice amps and the front-of-house sound guys hate us when we turn up those combos and insist on running vocals through them. The distortion sound we use for our vocals is a General Motors 1971 Alternator running through a Toblerone box.”

“My favorite thing on my pedalboard has to be the Danelectro Cool Cat distortion pedal—the red one. They’re super cheap and have an awesome, tacky distortion sound that’s really compressed and kind of harsh. We’ve run vocals through it—think: Satan-shouting-through-a-supermarket-PA—and we used it for loads of the distortion sounds on the album. The orange pedal on the board is a JHS Pulp ’N’ Peel Compressor that’s awesome. I keep it on throughout the set and it just softens everything a bit and warms stuff up—like a microwave. Other stomps I have on my board include Electro-Harmonix’s Holy Grail Plus, a Line 6 DL4, TC Electronic’s Vintage Tube Primer and PolyTune, and a Pro Co Rat.”

guitars

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