Posts Tagged ‘Tommy Talton’

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One of Southern rock’s best-kept secrets during its golden age in the 1970s, Cowboy were formed by songwriters Tommy Talton and Scott Boyer in Jacksonville, Florida. They released four albums on the Capricorn Records label in the 1970s: Reach for the Sky (1970), 5’ll Getcha Ten (1971), Boyer and Talton (1974), and Cowboy (1977). Steve Leggett of Allmusic considered Cowboy “one of Capricorn Records‘ and Southern rock’s best-kept secrets during the genre’s golden age in the 1970s.

Led by Scott Boyer and Tommy Talton, the Jacksonville band Cowboy was discovered by none other than Duane Allman, who, as legend has it, banged on their door at 7 am one day and asked to hear some songs. He then recommended them to Capricorn label owner Phil Walden, who sent Allman Brothers producer Johnny Sandlin to check them out; Sandlin ended up producing several Cowboy albums for Capricorn. Boyer died on February 13th, 2018. His musical partner Talton said, “No one could write a more beautiful ballad than Scott Boyer. I love him and I miss him more than anything that can be said.

Cowboy CD

Reach for the Sky

Boyer and Talton Are Still Active Led by Scott Boyer and Tommy Talton, the Jacksonville band Cowboy was discovered by none other than Duane Allman, who, as legend has it, banged on their door at 7 am one day and asked to hear some songs. Sandlin endedup producing several Cowboy albums for Capricorn, of which this 1970 release was the first. Reach for the Sky features some great songs from Boyer and Talton, and has a loose, informal feel with acoustic guitars and harmonies a-plenty; over the years it’s become quite the cult item, with copies of its long, long out-of-print CD release trading hands for well over $100.

Our Real Gone reissue features notes by Scott Schinder, the original gatefold artwork (with lyrics) and photos. Fine, soulful Southern rock, long overdue for rediscovery! 

Cowboy 5'll Getcha Ten CD

5’ll Getcha Ten

The Allman Brothers connection on this album is even more explicit than it was on their debut album (Reach for the Sky, also reissued by Real Gone Music); Allman plays guitar on “Lookin’ for You” and dobro on “Please Be with Me,” while Allman Brothers keyboardist Chuck Leavell appears on half of the album tracks. But what makes 5’ll Getcha Ten special—and indeed what makes it many Cowboy fans’ favourite record—is the songwriting.

“Please Be with Me” was covered by Eric Clapton on his classic 461 Ocean Boulevard release, and throughout the album a gentle undercurrent of spirituality courses through these beautifully played and sung songs, particularly on “What I Want Is You,” “Innocence Song” and the title tune. Scott Schinder’s notes contain revealing quotes from Tommy Talton; we’ve also added some great period photos and provided a pristine remastering job by Maria Triana at Battery Studios in New York.

Cowboy Boyer & Talton (Expanded Edition) CD

Boyer & Talton

Having released the first two records to great acclaim, and with the recent passing of producer Johnny Sandlin and the even more recent passing of Scott Boyer himself, it seemed like a good time to circle back to the last two Cowboy records for Capricorn, which, like our first two reissues, feature liner notes by Scott Schinder featuring great quotes from Tommy Talton and pictures from Tommy’s private archive. As the title indicates, this 1974 album—produced, like the first two, by Capricorn mainstay Johnny Sandlin—found the group down to its creative core of Scott Boyer and Tommy Talton. But their new back-up band wasn’t half bad: Capricorn regular Bill Stewart on drums, future Charlie Daniels Band bassist Charlie Hayward, Allman Brothers Band members Chuck Leavell and Jaimoe on keyboards and percussion, respectively, and saxophonists Randall Bramblett and David Brown, the latter a former member of Boyer’s old Florida combo the 31st of February, which also included Duane and Gregg Allman as well as future Allmans drummer Butch Trucks (plus a cameo from Toy Caldwell of The Marshall Tucker Band)! Most of this same aggregation backed Gregg Allman on the solo album “Laid Back”, and indeed went on tour with him, which we’ve documented with the two bonus tracks that featured Cowboy from The Gregg Allman on Tour album, “Time Will Take Us” and “Where Can You Go?”

As for Boyer & Talton, it remains one of Tommy Talton’s favourite Cowboy albums (and one of their fans’ favourites, too), though he modestly points to a Boyer song, “Everyone Has a Chance to Feel,” as a particular standout. But you won’t go wrong with any track on this album…masterful, melodic American music. CD debut, remastered by Mike Milchner at SonicVision!

Cowboy Cowboy CD

Cowboy

Having released the first two Cowboy albums to great acclaim, and with the recent passing of Scott Boyer himself, it seemed like a good time to circle back to the last Cowboy records for Capricorn, which, like our first two reissues, feature liner notes by Scott Schinder featuring great quotes from Tommy Talton.

Talton and Scott Boyer just kept cranking out one great tune after another on their 1977 self-titled album, their last for Capricorn and the last made under their name until 2011. In the producer’s chair this time was Capricorn house engineer Sam Whiteside, while the band featured Arch Pearson on bass, Chip Condon on keyboards, and Chip Miller on drums. The band’s sound shifted to a more pop-savvy, country-rock sound, but Boyer and Talton’s wry, thoughtful song writing continued to ring true, and such numbers as “Takin’ It All the Way,” “Pat’s Song,” “Everybody Knows Your Name” and the Latin-tinged “Straight into Love” demonstrated that the new Cowboy line-up was adept at navigating the novel stylistic wrinkles. Shortly thereafter, the band folded, fittingly, at just about the same time the Capricorn label did, but Cowboy remains a worthy last hurrah.

We The People were a garage rock supergroup from Orlando, Florida, formed from members of The Coachmen, the Nation Rocking Shadows, and The Offbeets. The band boasted two songwriters, Tommy Talton and Wayne Proctor. Talton’s ‘You Burn Me Up and Down’ is the second song from We The People featured on Nuggets. It was originally released as a b-side to their third single ‘He Doesn’t Go About It Right’. Note that the header art is taken from a later We The People single – it was the only hi-resolution artwork that I could find.

It’s commendable that the Nuggets compilers sifted through the group’s b-sides for material, but ‘You Burn Me Up and Down’ is one of the lesser tracks I’ve encountered on Nuggets so far. It sounds inspired by Van Morrison’s Them, with a bluesy feel and authoritative lead vocal.

We The People never released a studio album, but did release enough singles to justify several compilations; notably 1983’s Declaration of Independence. Like The Band and The The, We The People’s Declaration of Independence is not an easy item to find on Google! In an interesting piece of timing, today’s post shares its date with the “We The People” inauguration concert, featuring Fall Out Boy, Carole King, Ben Harper, and James Taylor.

Proctor wrote most of We The People’s material, but it was Tommy Talton who went onto a professional music career. He was part of the country rock band Cowboy who played with the Allman Brothers and Bonnie Bramlett. Cowboy released a reunion album in 2018, titled 10’ll Getcha Twenty.

 

Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles released in the mid-to-late 1960s. It was assembled by Lenny Kaye, who at the time was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye worked on Nuggets under the supervision of Jac Holzman, founder of Elektra Records. Kaye initially conceived the project as a series of approximately eight individual LP installments, each focusing on US geographical regions, but Elektra convinced him that one 2-disc LP would be a more commercially viable format. The resulting double album was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term “punk rock”. It was reissued with a new cover design by Sire Records in 1976. In the 1980s Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.